Monday, September 19, 2005

GOV. ASKS VIGIL TO "STEP ASIDE"

I normally don't publish government press releases in their entirety (unless I'm making fun of them), but since I didn't see this on The New Mexican's Web site, here goes:

SANTA FE- Governor Bill Richardson, who returned to New Mexico this weekend after attending the Democratic Governor's fall policy conference in Nashville, Tennessee, today called State Treasurer Robert Vigil and urged him to step aside until criminal charges against him are resolved. Mr. Vigil and former State Treasurer Michael Montoya were arrested by federal authorities Friday and charged with extortion.

After being fully briefed on the status of the case and reviewing all available information, the Governor strongly recommended to Mr. Vigil that he take administrative leave until the investigation and criminal prosecution are complete.

"The seriousness of the pending charges makes it virtually impossible for Mr. Vigil to fully perform his duties and maintain the confidence of the public and investment community," said Governor Richardson. "Mr. Vigil has a right to due process and may ultimately be exonerated, but his presence in the office while the investigation and prosecution proceed will be a distraction that could impact the state's investment activities." Mr. Vigil told the Governor he would consider his recommendation that he step aside.

The Governor noted the state treasurer is responsible for administering state investments totaling more than $4 billion.

"Hard work and sound fiscal management have kept our credit and bond ratings high and we must protect the integrity of our entire investment system from even the appearance of impropriety," said the Governor. "My administration takes charges such as these very seriously and will assist investigators in any way possible."

TREASURER SCANDAL: LITTLE SPLASH IN BLOGVILLE

I thought that New Mexico's political blogs would be all abuzz about the arrests of State Treasurer Robert Vigil and former Treasurer Michael Montoya on federal racketeering charges. After all, it's not every day two statewide elected officals are frog-marched into federal court accused of accepting hundreds of thousands of dollars in kickbacks from state investment consultants.

Joe Monahan posted some insights on his blog today. My favorite part:
Why was an alleged ten year kickback scheme not uncovered sooner? Where was the Legislative oversight, the state auditor, the state police, the attorney general, the press? All of whom had inklings of a problem. What about the State Investment Council? Where were those guys? The ugly mess points to an obvious need for much more scrutiny of state investment dollars.
Good point, Joe.

Then I found a blog called 'Burque Babble, which ran a parody of Vigil and a phony RFP for a "Securities Lending Oversight Boss"(SLOB) for the treasurer's office.

Of course I posted my sidebar stories that appeared in The New Mexican.

But not much else in Enchanted Land Bloggerdom.

Maybe that's what happens when a scandal breaks on Friday.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, September 18, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
I Want to Holler But the Town's Too Small by The Detroit Cobras
Pumping for Jill by Iggy Pop
The Bones Of An Idol by The New Pornographers
Already Gone by Tarbox Ramblers
Heart Attack and Vine by Lydia Lunch
Fortune Cookies by Drywall
Tombstone Blues by Bob Dylan

Velvet Snow by Kings of Leon
Statesboro Blues by The Allman Brothers
Bang Bang Lulu by North Mississippi All Stars
Bound to Lose by James Luther Dickinson
Hell Ain't What It Used to Be by Nashville Pussy
Swamp Music by Lynyrd Skynyrd
The Southern Thing by Drive-By Truckers

Al Green Set
All songs by Al Green

Build Me Up
Tired of Being Alone
Everything's Gonna Be Alright
For the Good Times
Play to Win
Oh Pretty Woman
Belle

Sooner or Later by Ken Valdez
Mama's Got a Friend by Otis Taylor
Nobody's Fault But Mine by Alvin Youngblood Hart
Strange Brew by Cream
Scream and Shout by The Polyphonic Spree
Cracklin' Water by OP8
When You Walk in the Room by The Searchers
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Sunday, September 18, 2005

MISC. MUSIC NOTES

This morning, NPR's Sunday Weekend Edition had a feature in which New Mexico's Cipriano Vigil talked and sang about La Llorona.

Check it out HERE .

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I just stumbled across a bitchen blog for Zerxpress in Albuquerque. CLICK HERE.

Mark Weber hasn't posted very much, but you'll find a couple of poems by Mr. Zerx, a Weber photograph of The Reverend Lonnie Farris (and links to other Weber jazz musician photos at UCLA) -- and best of all -- info on all the cool Zerx Records releases -- among them the mighty Bubbadinos , my old pals Bayou Seco from Silver City and the ever illuminating Albuzerxque series -- though he's got only the first 13 volumes and I think the last CD I have is Volume 21. Lord, I love 'em all.

That reminds me: I've got to talk to those rascals The Winking Tikis about submitting some songs for a future Albuquzerxque collection.

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About eight years ago a guy named Brent Hoodenpyle came through Santa Fe (I forgot where he was from at the time), called me up out of the blue, asked me to lunch and told me about his plans for a new alternative country magazine.

We had a nice lunch at Tia Sofia's, talked about what he had in mind, and later on exchanged a couple of e-mails.

But the new magazine never happened and I hadn't heard from him in years until last week I stumbled across his Web site and remembered our contact. (Who can forget a name like "Brent Hoodenpyle"?)

Turns out that while the magazine idea tanked, Brent has been playing music in Chicago. Besides his Web Site, he's got an Alt-Country blog and hopefully I'll soon be playing some of his stuff on The Santa Fe Opry.

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Now I remember how I found Brent's name. He played today at Hankfest in Chicago. I looked up that site because my friend Desdemona Finch won an honorable mention in the Ghost Writers in the Sky Songwriting Contest, which is associated with the festival.

AL GREEN: SHORT, SWEET, INTENSE


Last night as I was leaving the Al Green concert at the Santa Fe Opera, a woman called to me from a car. "Write something fantastic about the show." I smiled and nodded, feeling a little guilty that I wasn't there to review the show, but to enjoy it.

(People always assume I'm always on duty. I remember when my daughter was in elementary school, back when I was a cop reporter. I went to her science fair and a fellow parent asked me, "Are you going to write about this?" I replied, "Not unless someone gets killed here.")

The woman in the Opera parking lot, apparently trying to seal her lobbying effort for a fantastic review for Rev. Green, added, "He saved my life tonight."

Other people at the show had similar quasi-religious responses. A few minutes before, I'd spoken with an acquaintance who said he'd been down on his luck for the past few years. "But everything's going to be allright, that's what Al Green told us," the man said, referring to the title of one of Green's gospel hits he'd performed Saturday. "That was the message of this show. Everything's gonna be allright! That's the message of Christianity as well as rock 'n' roll."

Indeed, Green gave a fantastic show, albiet a relatively short one. He raised an incredible amount of joyful energy. I won't say he saved my life, but it sure felt good while he was singing.

His band -- two guitars, two keyboards, two drums, two female singers, bass and three-man horn section -- was tight and mighty. Green himself seemed to be ON. His vocals were impeccible, gliding effortless between soulful shouts and his trademark falsetto. His smile was infectuous. I don't know how many long-stemmed roses he passed out to adoring audience members.

As you'll see in the set list below, Green stuck mainly to his older, more familiar hits, though he opened with the title song of his 2004 album. He was a jubilent preacher in his upbeat songs like "Let's Stay Together," "Here I Am" and "Tired of Being Alone" On his cover of The Bee Gee's "How can You Mend a Broken Heart" Green, well, broke your heart. His short takes on classic '60s soul hits was tantilizing. I wish he'd have done full versions of "I Can't Help Myself" and San Cooke's "Bring it on Home to Me." The final song, "Love and Happiness" built into an estatic frenzy.

Green and band left the stage after that one, which didn't surprise me. I figured they'd come back for an encore and take it all the way to the top with "Take Me to the River."

But no.

I've been going to concerts for more than 40 years now, (my first was The Beach Boys at Oklahoma City's Springlake amusement park in the summer of 1964) and only recently -- Al Green and Rickie Lee Jones -- have I seen performers refuse to do encores while hundreds of screaming fans begging for more.

I'm not sure whether this was the singer's choice or some weird rule of the Opera's of which I'm unaware. But, as wonderful as Green's performance had been, this left a weird taste in my mouth. He kept saying he loved us, but when he didn't come back I felt cheap and used.

Speaking of the Opera, they just started having popular music concerts there a couple of years ago. This was the first non-opera concert I've seen there and I was impressed. The seats are comfortable and the open air (but roofed!) structure is gorgeous. I hope Fan Man brings a lot more shows there next summer. The Opera could become Santa Fe's answer to Colorado's Red Rocks Amphitheater.

Al Green Set List
September 17, 2005
The Santa Fe Opera
Santa Fe, N.M.


I Can't Stop
Let's Get Married
Everything's Gonna Be Allright
Amazing Grace
Let's Stay Together
How Do You Mend a Broken Heart
Here I Am (Come and Take Me)
Simply Beautiful {note: I'm not 100 percent sure of this one. Feel free to correct me in the comments section.}
Medley: I Can't Help Myself/Bring It On Home To Me/My Girl/I've Been Loving You Too Long Tired of Being Alone
Love and Happiness

Here's my Pasatiempo interview with Al Green.

Tune in for a lengthy Al Green set on Terrell's Sound World, KSFR, 90.7 FM tonight about 11 p.m.

Saturday, September 17, 2005

ROBERT VIGIL and MICHAEL MONTOYA

New Mexico papers, including The New Mexican will be full of stories about Friday's arrests of state Treasurer Robert Vigil and former state Treasurer Michael MOntoya on federal racketerring charges.

Here's some stuff I wrote about for Saturday's paper:

Versions of these stories were published in The Santa Fe New Mexican
Sept. 17, 2005

Politicians are nothing but a bunch of crooks wallowing in graft and corruption.

That’s the message that an already cynical public gets with cases like the arrests of state Treasurer Robert Vigil and former Treasurer Michael Montoya on federal extortion charges, according to several state political observers interviewed Friday.

The two are accused of taking about $700,000 in kickbacks from investment advisers.

“Right now in this country the public’s mood is quite dissatisfied with the government,” said F. Chris Garcia, a political science professor at the University of New Mexico. “These cases do tend to further the notion that politics is bad and politicians are corrupt. These things tend to confirm all (the public’s) suspicions.”

Garcia said public corruption cases tend to paint all the government with the same brush.

“It does lead to lowering people’s esteem for politics and government in general,” Garcia said. “It’s very unhealthy in a democracy. Public officials have the responsibility to be good examples.”

State Democratic Party Chairman John Wertheim offered no moral support for his fellow Democrats Vigil and Montoya.

Through a spokesman, Wertheim said Friday, “Public corruption is a scourge that erodes the confidence of the citizenry. These charges are not to be taken lightly. If true they should be prosecuted to the fullest extent of the law.”

State Republicans said the arrests show the need for a stronger two-party system in the state, where Democrats control both houses of the Legislature. Democrats also hold the governor’s office and every other elected office in state government but land commissioner.

“When you have one party in control for 76 years, this kind of corruption is to be expected,” said state GOP Chairman Allen Weh in a written statement. “This is a wake up call for voters to insure they elect some Republicans to offices Democrats have held for years, and to throw any politician out of office when there is any hint of impropriety.”

Vigil is up for re-election next year. He hasn’t said whether he plans to run again.

“New Mexico should not be for sale,” said Marta Kramer, executive director of the state Republican Party. “Elected officials who use their position for personal gain violate the public trust. The voters of New Mexico have the responsibility to ensure that we have a healthy two party system.”

Rep. Larry Larranaga, R-Albuquerque, said in a news release, “If these allegations are true, I am angry and disappointed that an elected official with such a high and grave responsibility would do something so reprehensible.”

But state Sen. Cisco McSorley, D-Albuquerque, said Friday, “I don’t think it’s a black eye until they’re convicted. I hardly know these fellows, but it’s very unfair to say someone is giving the state a black eye before they’ve even been tried. Let the legal system do its job.”

McSorley, a lawyer, said the only people who see Vigil and Montoya’s arrest as an indictment on politicians in general are “the uneducated.”

“Most long-time New Mexicans will wait until they know what the facts are,” he said. “People realize that some investigations can be politically motivated.”

Gov. Bill Richardson was out of state Friday. A spokesman said his office had no comment on the arrests.

Richardson and Vigil both were elected as Democrats in 2002. When Richardson took power he appointed Vigil’s primary opponent Jan Goodwin.

Goodwin, during her tenure as state Board of Finance director in 2001, got into a political dispute with then Treasurer Montoya after the board rebuked Montoya a $400 million mutual-fund investment he made in the wake of the Sept. 11 terrorist attacks.

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Neither state Treasurer Robert Vigil nor former stranger Michael Montoya are strangers to controversy.

Both are ambitious politicians who have run for higher offices.

Both have a history of controversial dealings in public office.

And now both are facing 20 years in prison on federal racketeering charges.

Here’s a look at the political careers of both men.

Robert Vigil, 51, of Ribera is a certified public accountant who has a B.A. in accounting and business administration from New Mexico Highlands University.

He was elected state auditor in 1990, and was re-elected to a second term in 1994. After an unsuccessful bid for governor in the 1998 Democratic primary, he served as deputy state treasurer under Montoya for four years.

Vigil has been known to joke about old allegations against him. In a 2002 interview with a New Mexican reporter, Vigil, then running in a tough Democratic primary for state treasurer, said that he’s recently run into an old friend he hadn’t seen in a few years.

Vigil told his friend he could use the man’s support in the race. The man turned white, Vigil said.

“What’s wrong with you?” Vigil asked.

“Are you out of jail or what?” Vigil’s friend replied.

During the 2002 campaign, a 1999, a state audit of Vigil’s tenure as state auditor had been in the news.

The audit found possible violations of state laws, including the filtering of money to a former assistant through an accounting company and money being given to a nonprofit group headed by Vigil’s wife.

Then state police Chief Frank Taylor wrote that the audit showed “strong patterns of public corruption” existed at the state auditor’s office during Vigil’s reign.

No charges ever came from the allegations in the report.

Vigil dismissed the report as a “smear campaign” by his political enemies, including his successor, State Auditor Domingo Martinez. Attorney General Patricia Madrid said at the time that the audit “is not unbiased,” given the long-standing feud between Martinez and Vigil.

Though audit was an issue in the primary, Vigil was still able to win a plurality over Jan Goodwin, who was later named secretary of Taxation and Revenue by Gov. Bill Richardson, and a third opponent.

After taking office as treasurer, Vigil’s office was searched by the Secret Service, who had a warrant to look for evidence of counterfeiting.

One of Vigil’s employees — who never was charged with a crime — was under suspicion of printing money and passing it at businesses. The Secret Service confiscated a computer and printer used by the suspect.

There was no indication in the government’s affidavit that the investigation had anything to do with Vigil or the regular operations of the office.

Michael Montoya, 53, of Los Lunas, graduated from the University of Colorado in 1985. Five years later he made his first run for office, losing the Democratic primary for state treasurer in 1990.

He worked as a deputy state auditor under Vigil in the early ‘90s, including a stint as director of state's Medicaid Fraud Unit in state auditor's office. In 1994 he was elected to his first term as state treasurer, bring reelected four years later.

In 2000 he was the Democratic nominee for Second Congressional District seat, but lost to longtime incumbent Joe Skeen.

During that campaign season state police Montoya's office looking for documents to prove allegations that his brother Orlando Montoya had contributed embezzled money to his campaign for Congress.

Authorities said Orlando Montoya, a Los Lunas businessman, diverted more than $600,000 from a business partnership.

According to a police affidavit, Orlando Montoya told investigators he embezzled money and used it to pay personal and business debts, but some went to his brother's campaign.

Orlando Montoya pleaded guilty to embezzlement and forgery.

Michael Montoya threatened to sue the state Public Safety Department for the search.

Two months after the Sept. 11, 2001 terrorist attacks, Michael Montoya found himself on the hot seat at a meeting of the state Board of Finance.

The board voted 5 to 1 to find that Montoya acted improperly in a $400 million mutual fund investment he made in the wake of the Sept. 11. To follow the law, Montoya should have gotten the consent of the board before investing the money in a mutual fund.

The only vote against the motion was Montoya himself. He said the rebuke was politically motivated, though both Democrats and Republicans were critical.

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The case against Vigil and Montoya is only the latest instance of New Mexican state treasurers facing criminal charges related to allegations of financial wrongdoing.

In the past 30 years there have been at least two such cases.

In November 1985, state Treasurer Earl Hartley resigned from office after pleading guilty to misusing money for a Western State Treasurer’s Association conference in Santa Fe.

Hartley, a former state attorney general and state senator, as part of his plea agreement, was required to pay the association more than $4,300 that Hartley had used for hotel and golf resort charges, airplane tickets, meals, drinks, clothing, car rentals and tires.

In August 1975 deputy state Treasurer Jesse Kornegay resigned after being convicted of perjury. Kornegay had been state Treasurer until his term expired at the end of 1974.

He was convicted of lying to a federal grand jury that was investigating illegal political campaign contributions to Kornegay, an unsuccessful candidate in the 1972 Democratic primary for U.S. Senate.

Kornegay served less than half of his 22-month sentence at a federal prison in Arizona. He then came back to Santa Fe, where he got another state job, an administrative aide for the state Mobile Housing Commission.

THE SANTA FE OPRY PLAYLIST

Friday, September 16, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Nothing at All by The Waco Brothers
Rattled by The Traveling Wilburys
Lawd I'm Just a Country Boy in This Great Big Freaky City by Alvin Youngblood Hart
Country Blues by Tarbox Ramblers
Gotta Get Up by The Bottle Rockets
Barrier Reef by Old 97s
Right to Be Wrong by Delbert McClinton
Get Your Biscuits in the Oven and Your Buns in the Bed by Kinky Friedman & The Texas Jewboys
That Nightmare is Me by Mose McCormack
My Rough and Rowdy Ways by Bill Cox

He Lays in the Reins by Iron & Wine and Calexico
TTT Gas by The Gourds
Have Your Way by Hundred Year Flood
Rosebud by Ryan Adams
Bandages and Scars by Son Volt
Don't Get Me Started by Rodney Crowell
My Sister's Tiny Hands by The Handsome Family

I Push Right Over by Robbie Fulks
One Way Ticket to the Blues by Marti Brom
Ida Red by Merle Haggard
My Own Kind of Hat by Rosie Flores
Apartment Number Nine by Tammy Wynette
Green Green Grass of Home by Porter Wagoner
Back Street Affair by Conway Twitty & Loretta Lynn
I'm Not Ready Yet by George Jones
That Little Honky Tonk Queen by Moe Bandy & Joe Stampley
I Fall to Pieces by Mike Nesmith

It Ain't Easy by Goshen
Banker's Son by Joe West
Alone and Forsaken by Hank Williams
Muriel by Eleni Mandell
Things Change by Lonesome Bob
Passing Through by Gary Heffern
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list


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Friday, September 16, 2005

WHAT INSTRUMENTS DO THEY PLAY?

This is what happens when you mix music and state government.

The state Music Commission just sent out a press release about the New Mexico music showcase tomorrow at the State Fair.

Who: 24 local musicians/singers
What: Compete to see who is the best at the State Fair Talent Showcase
When: Saturday, September 17th, 12:00 p.m. until 10:15 p.m.
Where: State Fair's Ford Pavilion (located between the food court and beer gardens)

The lineup for the showcase is:

Country/Folk/Americana -- 12:00 - 2:00 p.m.
Blues/R&B/Gospel -- 2:45 - 4:45 p.m.
Ethnic/Traditional -- 5:30- 7:30 p.m.
Rock/Alternative -- 8:15 - 10:15 p.m.

Special Guests:
New Mexico Governor Bill Richardson
Albuquerque Mayor Martin Chavez: 1:00 p.m.
So there's no names of any of the bands or singers playing. The only ones named are the politicans.

What's this tell you?

TIME OF THE PREACHER

A version of this was published in The Santa Fe New Mexican
September 16, 2005


When The Rev. Al Green was a teenager his father kicked him out of their family gospel group after finding young Al listening to Jackie Wilson records.

That’s a classic example of the conflict between the sacred and the profane, a Faustian struggle that has been a major and ongoing theme in the history of American music.

“There’s a difference, of course, in both worlds, the secular and the sacred,” said Green -- who is performing at the Santa Fe Opera Saturday -- in a phone interview Monday. “But I can only be one person. I have to reconcile these things in my mind to persevere and press on.”

This conflict was apparent from the earliest days of rock, when Little Richard denounced the sinful ways of the rock ’n’ roll lifestyle to become a preacher -- at least for a few years. And when Jerry Lee Lewis told Sun Records owner Sam Phillips in essence that he knew rock ‘n’ roll would lead him straight to Hell, but he intended to rock all the way to the flames. It was central to Sam Cooke, who stunned devotees of his gospel music by going to the secular world and helping create a sound known as “soul music.” It ate away at Marvin Gaye -- shot to death by his father, a minister -- whose biography is titled Divided Soul. It’s been a major issue for Elvis Presley, Aretha Franklin, Bob Dylan, Prince, Robert Randolph and who knows how many others.

Filmmaker Robert Mugge, who made a 1984 documentary called The Gospel According to Al Green, said in an e-mail interview this week that “the sacred-secular conflict clearly represents both the heart and the soul of Al Green.”

Mugge said he used to introduce the movie saying, “This is a film about love, about the connections between soul music and gospel, and about a man who flew to close to the sun, got his eyeballs burned, and has been singing ever since with fire coming out of mouth.”

But Green said Monday he long ago reconciled this inner conflict.

“I don’t have any blockades to hinder me in the things the Lord has allowed me to do,” he said. “I look at what God has done, and I think `How magnificent!’ … I don’t have to draw lines. Other people might think they have to draw lines on everything, but not me. No, because I’m Al. I know who God is. To me, God performs a miracle every day when I wake up in the morning.”

Born in rural Arkansas and migrating with his family to Grand Rapids, Mich. at an early age. By the age of 20, after his dad had thrown him out of the gospel group, Green was pursuing a musical career in the world of soul.

In 1969 hooked up with a trumpet player and producer named Willie Mitchell in Midland, Texas. (They’d both been cheated by a nightclub owner there.) Recognizing Green’s vocal prowess, Mitchell took him to Memphis, where he was a producer for Hi Records.

Together, Green and Mitchell created a new soul sound. And by 1971 Green was swimming in hits: “Love and Happiness,” “Let’s Stay Together,” “Tired of Being Alone,” “I’m Still in Love With You.”

“I was 21 and this sex-symbol type of Al Green,” Green said. “ There was a poster of me with my shirt off and a picture of me with my thumbs in my pants. That was back then. It doesn’t make for me today. I wrote those songs about girls, not the Lord. But as time goes on, you begin to reconsider about what‘s important.”

As documented in Mugge’s film, Green’s guilt and conflicts with his soul star lifestyle and his religious upbringing were becoming apparent even by the mid ‘70s.

It all came to a head in a horrible 1974 incident in which a spurned girlfriend threw a pot of boiling grits in his face as he was bathing, causing second-degree burns. She then went into a bedroom and committed suicide with a gun.

Green converted to Christianity and by 1976 was an ordained minister. By the end of the decade he turned his back on secular music for years.

Mugge said his interview with Green for the documentary was one of the first time Green publicly talked about some of his darker times.

“Some of his longtime musicians were in the control room of his studio, basically standing there with their mouths hanging open,“ Mugge said. “I learned from them afterwards that Al had spoken to me of things that, to their knowledge, he had never discussed with anyone. Naturally, the so-called `hot grits incident’ was, for him, the most painful subject for him to address. But I had the sense that he really did what to talk about it that day -- to get the matter out on the table, to let people know exactly what had happened, and then to be done with it.”

Though his past two secular albums, I Can’t Stop (2003) and Everything’s O.K. have received strong critical acclaim, Green considers his church, The Full Gospel Tabernacle in Memphis, his true work.

He says he preaches there 52 weeks a year, including Sunday morning, Sunday night and Wednesday night services. The church, which seats 150, has become a Memphis tourist attraction.

“People come from all over,” he said. “Yesterday there were people from Finland. We’ve had people from Austria, Japan, Australia, Ireland, they come from everywhere. The word has spread that if you’re really into Al Green, you’ve got to go see him at his church. You think he’s something on stage, you should see him at the Tabernacle.”

Green said his secular work serves God as well as his gospel music.

“Love will make you do right,” he said. “Of course it can sometimes make you do wrong too. But I’ve had couples come up to me and say they got married to my music.

“Some have said they had their children because of my music,” he said. Green said he asked one woman how that was possible. She answered in song, he said, then he imitated her: “Lay your head on my pillow …” he sang. (This is from his version of Kris Kristofferson’s “For the Good Times.”)

Green said he’s already begun a new album, which he said will include a cover of a Marvin Gaye song, though he refused to say which one.

He’s also going to be the subject of an upcoming biopic starring Mekhi Phifer. The working title is “Tired of Being Alone.”

As for the show Saturday night, Green said, “Tell Santa Fe I’m going to bring them `Love and Happiness.’ "

Who: The Rev. Al Green with opening act Raul Midon
What: Soul Music
When: 7:30 p.m. Saturday Sept. 17
Where: The Santa Fe Opera
How Much: Tickets range between $25 and $85. Call Santa Fe Opera Ticket Office 986-5900
Contact Fan Man Productions

TERRELL'S TUNEUP: LET'S ALL GET DIXIE FRIED

A version of this appeared in The Santa Fe New Mexican
Sepetember 16, 2005

Every time I hear classic Southern rock these days, I always recall a weird bit of trivia from an old Beavis & Butthead cartoon that makes me chuckle. Beavis, according to a passing reference from Butthead, was sired by a roadie for The Marshall Tucker Band.

I’m not sure why that struck me as so funny. But it always makes me wonder how many little Beavises were spawned around this great land of ours during the bluesy, boozy era when hairy hoards of Southern rock warriors -- Marshall Tucker, Lynyrd Skynyrd, Wet Willie, Grinderswitch and of course The Allman Brothers roamed the Earth.

No one is calling it a “movement,” but in recent years there have been several bands from the South that proudly play upon their Southern roots. Though these groups don’t really sound much alike -- and none of them consciously imitate their 1970s forefathers -- in all of them I hear a little bit of the spirit of Duane Allman and Ronnie Van Zandt. And a little bit of Beavis & Butthead too.

Here’s a look at some recent Southern rock CDs.

*Aha Shake Heartbreak by Kings of Leon This is one of the most interesting and most satisfying bands from any region to arise in the last few years.

Originally hailing from Oklahoma, (now settled for several years in Tennessee), the core of the Kings consists of three brothers, Caleb, Nathan and Fared Followill, whose father, Leon Followill was a traveling Pentecostal preacher with an earthly fondness for The Rolling Stones and Neil Young. With their guitar-playing cousin Matthew, the Kings play a melodic, though stripped-down, style of guitar rock with a Southern accent.

The Kings’ 2003 debut album Youth and Young Manhood appeared on many a critic’s Top 10 list that year -- including mine. That album was so refreshing I feared a sophomore slump, like what happened with The Strokes (a non-Southern band with which the Kings are frequently compared.)

Luckily that’s not the case with Aha Shake Heartbreak. While it doesn’t quite have the element of surprise like their first one did, there’s not a dud in this new batch of songs.

“Slow Night, So Long,” the first track on the album starts off with a frantic guitar punctuating a tawdry tale of a one night of sin with a 17-year-old girl. “So far so good, she’s absolutely wasted,” Caleb sings in his slurred drawl. “She’s opened up like she really knows me/I hate her face but enjoy her company …”

The guitars build up to a Who-like frenzy before slowing down to a jazzy, almost Latin groove, over which Caleb croons a harsh refrain: “Rise and shine all you gold-digging mothers/Are you too good to tango with the poor poor boys?”

Indeed, sex and sin, often with hints of revulsion though usually with a big grin.

And a fair amount of self effacement, or at least self-consciousness about rock-star pretensions.

“Honestly I can see/ the giggling virgin overlooking me,” Caleb sings in a slow, Kinks-like melody “Rembo.” On another song, he sings “Girls are gonna love the way I toss my hair/Boys are gonna hate the way I seem.” Yet, in a previous tune, “Milk” he realizes a woman has noticed his comb-over.

For the purest pop pleasure, this CD offers the pumped-up, break-neck workout “Velvet Snow,” which features some Beach Boys-style harmonies on the last verse. I’m not sure what they’re singing about here. I’m not even going to check the lyrics in the CD booklet. The music sounds so revelatory, I don’t care what the words are.

* Electric Blue Watermelon by North Mississippi All Stars. As the sons of famed Memphis producer and session player Jim Dickinson, Luther and Cody Dickinson -- along with band mate Chris Chew on bass -- are true to the musical traditions of their region.

They’ll bend it, they shape it, make love to it and stomp on it. They’ll add elements of hip hop, New Orleans brass, basic funk and even feint echoes of electronica. They’ll bring in guests like Lucinda Williams and the Dirty Dozen Brass Band Robert Randolph. They’ve got some contributions from the late Otha Turner, who, until his death in 2003 at the age of 94, championed an obscure tradition of Mississippi fife-and-drum music.

Basically, Electric Blue Watermelon is an upbeat joy from start to finish. There’s wild abandon in romps like “Mississippi Boll Weevil” and “Bang Bang Lulu,” while tunes like “Deep Blue Sea” and the 7-minute “Mean Ol’ Wind Died Down” have haunting, melancholy melodies. Meanwhile, you’ll hear references to The Allmans’ “Blue Sky” in the guitars of “Hurry Up Sunrise.” And Luther’s slide guitar will remind a listener of Ry Cooder on several tracks. (Daddy Jim played on and produced several Cooder albums.)

My only complaint about the record is that the lyrics of so many songs, (“No Mo” and “Moonshine,” especially), are so nostalgic, wistfully harking back to a happier time when you could drink cheap booze in Junior Kimbrough’s bar and party down in the country on a Sunday night. Come on guys, you’re way too young to get hung up on the good old days.

The North Mississippi All Stars are opening for Lucinda Williams Tuesday at the Lensic Theater.


*Get Some by Nashville Pussy. This band’s basic sound can be described as a lot of Nuge and a lot of Iggy Stooge. It’s wild, raunchy good-time metal with lyrics about sex, drinking and raising holy hell. Pretty dumb, but tight, relentless rock.

A look at the song titles probably tells you as much as you need to know about this album: “Pussy Time,” “Hate and Whiskey” “Lazy White Boy,” “Meaner Than My Mama” and my favorite, “Hell Ain’t What It Used to Be,” (a comical conversation with the Devil. Remember when all those pinheads used to be seriously concerned with “Satanic” metal?)

And to their credit, Pussy does a great cover of Ike & Tina Turner’s “Nutbush City Limits”

TERRELL'S SOUND WORLD PLAYLIST

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