Thursday, September 15, 2005

ROUNDHOUSE ROUND-UP: RAISING FUNDS FOR WHAT?

A version of this was published in The Santa Fe New Mexican
Sept. 15, 2005


Former North Carolina Sen. John Edwards talked a lot about the “two Americas” when he ran for president — and later vice president — last year.

Tonight he’ll be in New Mexico speaking to the America that can afford to pay $1,000 to go to a political shindig.

Edwards is the scheduled guest of honor at a fundraiser for a political action committee started by state Attorney Patricia Madrid. The event is planned for Los RondeƱa Winery in Los Ranchos de Albuquerque.

Madrid was Edwards’ state campaign manager for last year’s New Mexico Democratic presidential caucus. On one visit to the state Edwards referred to Madrid as “my rock star.”

Most national political observers believe Edwards is running for president again.

What’s uncertain are Madrid’s political plans. Her term is up at the end of next year and she is legally prohibited from seeking a third term.

In addition to the fundraiser, Edwards also is scheduled to speak today at a luncheon of the New Mexico Council on Crime and Delinquency and an event to support the proposed minimum wage increase in Albuquerque.

The money raised at the winery will go to Madrid’s PAC, Justice for America (not the Justice League of America, as I mistakenly said a couple times around the office Wednesday.) The stated purpose of the PAC is for “supporting and mentoring minority women in politics.”

In the most recent report filed with the secretary of state, the PAC had raised $93,500 between December 2004 and May 2005.

Madrid spokeswoman Caroline Buerkle said Tuesday that the funds eventually could be used for a campaign if Madrid runs for a state office.

However campaign finance laws prohibit money from a state PAC — like Justice for America — to be used in a campaign for federal office. There has been some speculation that Madrid might run for the Congressional seat held by Republican Heather Wilson.

Buerkle declined to comment about her bosses’ political intentions but said to expect an announcement in the near future.

Wouldn’t it be ironic: If someone took out a payday loan to go see John Edwards — just one day after Madrid called for tougher restrictions on payday loans?

Speaking of fundraisers: Gov. Bill Richardson had one for his re-election campaign Tuesday night at the Eldorado Hotel. But tickets to that only cost $50. Of course Edwards wasn’t there. Edwards and Richardson very well could end up as rivals in the 2008 presidential contest.

Richardson’s political director Amanda Cooper said Wednesday that about 300 people attended.

A growing force: The Bill Richardson Flack Army is adding another member. On Monday Jon Goldstein, who currently is director of communications at the state Environmental Department, will go to work at the governor’s communications office.

He will join Billy Sparks, Gilbert Gallegos, Pahl Shipley and Yasine Mogharreban in spreading the word about the “bold,” “innovative,” “dramatic” and “historic” actions of the administration to “move New Mexico forward” and “help the working families.”

But Shipley said Wednesday that Sparks, whose title is “deputy chief of staff for communications” will be doing more work in areas like homeland security, emergency response and immigration and less work with the news media. Shipley recently was given the title “director of communications.”

The governor’s staff didn’t add a new position, Shipley said. Richardson’s education policy adviser Liz Gutierrez is going to work for the new Department of Higher Education, so the governor’s staff remains at 49 — which is nearly twice the number he started out with two years ago.

The current fourth-floor press machine replaced Gov. Gary Johnson’s one-woman press office, Diane Kinderwater.

Feasting and freezing: In last week’s Roundhouse Round-up I wrote about Sen. Joe Carraro’s call for an investigation of Public Service Company of New Mexico for giving huge bonuses to its top executives while drastically increasing the cost of natural gas to its customers.

A PNM spokesman on Wednesday said he believes there are misconceptions about the company. “We don’t make a profit on the cost of gas,” said spokesman Don Brown. “We purchase gas on behalf of our customers and pass on the cost. The only way we make money on gas is on the delivery. But that’s only about 25 percent of the gas bill.”

Bonuses at PNM, Brown said are based on the financial performance of the company. “It has nothing to do with natural gas,” he insisted. “The customers don’t pay for the bonuses, the stockholders do.”

Brown admitted that it looks bad when the utility is talking about 60-70 hikes in heating bills while at the same time handing a bonus check of more than $900,000 to CEO Jeff Sterba earlier this year. Bonuses and salaries for PNM's top five executives totaled $3.1 million last year, up from $2.6 million in 2003.

But don’t expect the top PNM brass to forego their bonuses as a part of any p.r. move, Brown said. “We’re looking for real ways to help our customers,” he said. “The price of gas and employee bonuses are completely unrelated.”

Wednesday, September 14, 2005

MAYBE I SHOULD JUST STICK TO THE TEXT BOOK




While studying for my upcoming test in my political science class, I took a little side trip to read up on James Madison -- and came across a very funky influence in his first administration as president.

No evidence though that Bootsy ever served as secretary of war.

(I took this photo myself at the 1994 Lollapalooza in Phoenix)

A MUSICAL TIME WASTER


As if I have that much time to waste ...

I don't know why, but driving down to Albuquerque this morning listening to the Waco Brothers, I got the idea to compile an Amazon.com list of my favorite alt country albums of the '90s.

You can find The Santa Fe Opry's Top 10 Alt Country Albums of the '90s HERE.


My numero uno was The Waco Brothers' Cowboy in Flames, which I still lvoe more and believe is more essential than anything by Whiskeytown or Steve Earle or Lucinda ... or anything the Wacos have done since. (If you disagree, feel free to use the comment feature here to express your incorrect opinion.)

No, this isn't the first Amazon list I've created. A couple of years ago I did The Santa Fe Opry's Proto Alt Country Albums (60s & 70s). You can find that HERE

Monday, September 12, 2005

TERRELL'S SOUND WORLD PLAYLIST

Sunday, August 28, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Guest co-host Stanley "Rosebud" Rosen

ANNUAL LABOR SHOW: SONGS FOR THE WORKING FOLK
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Plenty Tough Union Made by The Waco Brothers
There is Power in the Union/We Shall Not Be Moved/Public Workers Stand Together by The Solidarity Singers
How can a Poor Man Stand Such Times and Live by The Del-Lords
If Jimmy Didn't Have to Go by Charlie King & Karen Brandow
Sad State of Affairs by The Descendents
Mr. President Have Pity on the Working Man by Randy Newman
Working Man's Blues by Merle Haggard
A Working Man Can't get Nowhere Today by Peter Case
Joe Hill by Paul Robeson
De Colores/We Were There by The Brooklyn Women's Chorus
The Rebel Girl by Hazel Dickens

Morning Dew by Bonnie Dobson
Kill for Peace by The Fugs
Waist Deep in the Big Muddy by Pete Seeger
Welcome to My Working Week by Elvis Costello
Babies in the Mill by Dorsey Dixon
Wreck of the Old '97 by Johnny Cash
Sweetheart on the Barricade by Richard Thompson & Danny Thompson
Laurence/Bread & Roses by Utah Phillips & Ani DiFranco
El Picket Sign by Tatro Compesino
La Lucha Continuara by Danny & Judy Rose Redwood
16 Tons by Tennessee Ernie Ford
Talking Union/Last Night I Had the Strangest Dream by Pete Seeger
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, September 10, 2005

THE SANTA FE OPRY PLAYLIST

Friday, September 9, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Fiesta by The Pogues
Guacamole by The Texas Tornados
El Mosquito by Eddie Dimas
Una Mas Cerveza by Billy Bacon & The Forbidden Pigs
All You Ever Do is Bring me Down by The Mavericks
Volver Volver by Angel Espinosa
La Bamba by Los Lobos
Yo Soy Chicano by The Royal Jesters

Join the Club by The Waco Brothers
Cherry Lane by Ryan Adams
The Bloody Bucket by Grey DeLisle
Private Thoughts by Chip Taylor & Carrie Rodriguez
To Ramona by The Flying Burrito Brothers
We Never Killed Each Other (But Didn't We Try) by Dallas Wayne
Sold American by Kinky Friedman & The Texas Jewboys
My Girl's Pussy by R. Crumb & The Cheap Suit Serenaders

Country Jones by Goshen
Politics of the Dead by Hundred Year Flood
The Combines Are Comin' by Joe West
Let's Waste Another Evening by Josh Lederman y Los Diablos
First There Was by Johnny Dowd with Maggie Brown
A-11 by Marti Brom
Last Night I Had the Strangest Dream by Johnny Cash
Crawdad Song by Clothesline Revival with Mrs. Vernon Allen

Joe Thibodeux by Jimmy Lee Hannaford
Can't You See I'm Soulful by Eleni Mandel
Responsibility by Steve Forbert
If I Told You by Mary Alice Wood
I Ain't Got No Home by Bruce Springsteen
I Wish I Was in New Orleans by Tom Waits
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, September 09, 2005

VIVA LA FIESTA!!!!

I was too exhausted last night to post about the burning of Zozobra, but I've got to say it was one of the best burnings I've ever seen. The fireworks easily were the most impressive I've ever seen, plus the pageantry just keeps getting better and better. (I was told that my buddy Al Faaet was one of the drummers during the burning. I thought I saw Al up there, but it was pretty far away ..)

A little personal perspective: I've only missed two Zozobra burnings since moving to Santa Fe in 1968. Once in 1973 when my college friends and I got too drunk and arrived late, and in 2003 when I had to cover a presidential debate in Albuquerque.


I first saw Zozobra as a toddler back in the '50s, back when people used to drive their cars into Fort Marcy Ballpark. It scared the living crap out of me, but I was fascinated at the fiery, moaning monster.

Here's a picture of my daughter Molly and me at the 1981 Zozobra. She was about 7 months old at the time. (Unfortunately no such pictures of my son Anton exist. By the time he was born, i'd gotten out of the habit of taking a camera to Zozobra.)

Looking forward to lunch on the Plaza. Pig Boy Willy is gone (no, Coventry, I'm not talking about the governor) but those fajitas from San Antonio make me happy.

Viva la Fiesta!

Here's The New Mexican's account of Zozobra.

And here's some funny old New Mexican coverage, going back to the '30s. (I wish I could write stories that had "Wild Eyed Monster" in the headline ...)

UPDATE (Friday afternoon): This is horrible! El Rey de Los Fajitas, the food booth from San Antonio that is home to the "Texas Tornadoe" (sic) chicken and beef fajita, is not on the Plaza this year! Known for the colorful fighting roosters painte on the booth, maybe all the anti-cockfighting activity here scared them off. Fiesta has lost both Pig Boy Willy and El Rey. What a revoltin' development ...

HELPING NEW ORLEANS MUSICIANS

Last Sunday during BeauSoleil's performance, band leader Micheal Doucet had festival staff pass around buckets to collect money for New Orleans musicians who were victims of Katrina.

I donated, as probably did most who were there, though I wasn't sure of what exactly the fund was. But I got an e-mail this morning that I think explains it. Apparently it has something to do with the New Orleans Musicians Clinic.


Last evening 150 New Orleans musicians came together at Grant Street, one of Lafayette's ( 2 1/2 hours sw of New Orleans in the heart of the Cajun country) famed music clubs.In a culture where even our funerals have dancing and music, silence is a bleak testiment to the loss of soul. The absence of instruments seemed to add a note of desperation as musicians tenatively walked into the unfamiliar club. Their solemn faces reflected uncertainty and despair.

Brittany Kite, the second generation proprieter of the club, had opened her heart to New Orleans displaced musicians and to the newly arrived staff of the New Orleans Musicians Clinic. It was a simple gesture of kindness, a heartfelt welcome. ...

Noted Cajun musicians Micheal Doucet (Beausoliel) and Zachary Richard gently moved through the crowd, hugging their comrades, promising their support. Doucet has volunteered to produce the (Healthcare For Musicians)fundraising street dance next week. Richard is helping to organize paid gigs for musicians in the schools and shelters.
For more information on helping musicians who were victims of Katrina, CLICK HERE

And here's a list of New Orleans musicians who are known to be safe after the hurricane. Yes, Irma Thomas and Alex Chilton are among them. CLICK HERE



TERRELL'S TUNEUP: RECENT ALT-COUNTRY (WHATEVER THAT IS)

A version of this was published in The Santa Fe New Mexican
September 9, 2005

No Depression magazine is celebrating its 10th anniversary, which means that the concept of "alternative country" has been around for more than a decade.

It never became the next big thing as some people predicted for about 10 minutes in the mid 90s, but there are still some fine alternative country artists out there. Here’s a round-up of some recent examples:

* Freedom and Weep by The Waco Brothers. Starting out as a side project for Mekon Jon Langford, the wonderful Wacos have been around for about as long as No Depression magazine.

In the mid ‘90s some of their songs were full of snide references to President Clinton. ("Dollar Bill the Cowboy" for instance.) But these days another president has won the Wacos’ hearts. In the liner notes of Freedom and Weep, Brother Dean Schlabowske’s thank-you list concludes with, "Most of all, thanks to W for all the material."

No, President Bush’s name isn’t mentioned once in the lyrics. There are some lines that could be interpreted as rage against the White House. "Loaves and fishes, drugs & guns -- One for all and all for one/Dumb boy the patriot -- one day, one day, you’ll run out of luck," Langford spits in "Chosen One."

Or there’s the election-night depression of "Rest of the World," where Schlabowske sings "The champagne’s still on ice/Might as well down it tonight/It ain’t gonna wait four more years/Nor will your rights."

But mostly its an atmosphere of political malaise that permeates the songs of Freedom and Weep. "If you’re think you’re getting screwed, join the club," sings steel guitarist Mark Durante on the closing song. "If you’re sick and tired of being used, join the club."

But while the words speak of a nation shrinking in liberty and prosperity, the music here is classic hard-charging, hard-chugging Waco Brothers. Truly this is music to dance on the ashes by.

*Cold Roses by Ryan Adams & The Cardinals. Some have said this double-disc set is Adams’ ode to The Grateful Dead -- at least the psychedelic-country Workingman’s Dead/ American Beauty -era Grateful Dead.

It’s true, there are some very Dead-like tunes here -- the opening cut "Magnolia Mountain" for instance -- that surely have Jerry Garcia grinning in the Great Beyond.

But to me this album isn’t so much a Dead tribute as it is a return to Whiskeytown. This is the closest Adams has come to that "damned country band" he started "because punk rock is too hard to sing."

The sound of Cold Roses is more country than anything he’s done since his first solo album Heartbreaker. On a song called "Cherry Lane," Adams even sounds he’s attempting a Hank Williams yodel.

Much of the credit for the country feel here should go to his band, especially steel guitarist Cindy Cashdollar, an Austin veteran who has played with Asleep at the Wheel among others.

Some songs are practically begging for some mainstream country star to turn into schlock, such as the gorgeous "When Will You Come Back Home." Of course these are balanced by songs like "Beautiful Sorta," which rocks with a rockabilly swagger.

* Red Dog Tracks by Chip Taylor & Carrie Rodriguez. Gram Parsons and Emmylou Harris set the standard for male/female country duets. I’m not saying that Chip and Carrie reach that pinnacle, but if anyone deserves the Gram & Emmylou Award this year, it has to be this duo.

Taylor is a grizzled veteran of the music world. His biggest contribution to western civilization is the ‘60s garage-band classic "Wild Thing," (Yes, someone actually wrote "Wild Thing." It didn‘t just burst forth from the Forbidden Cavern as you might have assumed.) He also wrote "Angel of the Morning," a sexual-guilt hit full for both Marilee Rush and Juice Newton.

Rodriguez doesn’t have that history, but she’s sure got the talent. Her voice is a sultry, sexy drawl, comparable in some ways to Lucinda Williams, but sweeter. She’s also a fine fiddler, showing off that talent in the bluegrassy instrumental "Elzick's Farewell."

The strongest songs here are the slow, longing, dreamy ones that show off not only the irresistible vocal harmonies but guest picker Bill Frisell’s guitar as well These include "Private Thoughts," "Once Again, One Day … Will You Be Mine." and "Big Moon Shinin’," which has one of the best country metaphors I’ve heard in awhile: "I am a 12-year-old Macallan scotch -- on the third shelf of the bar/ waitin’ for you to just … drink me up."

A couple of Hank Williams songs here ("My Bucket’s Got a Hole in It" and "I Can’t Help It (If I’m Still in Love With You)" are well and good, but seem like filler. If Taylor’s still writing this impressively all these years after "Wild Thing" there’s surely a couple of spare originals that would have been better.

* Iron Flowers by Grey DeLisle. Someday historians will surely debate which was worse -- "Stairway to Heaven" by Dolly Parton or "Bohemian Rhapsody" by Grey DeLisle.

But despite that weird misstep, which kicks off the album, DeLisle has released another album of aural delight.

Her last effort, The Graceful Ghost lived up to its name in spookiness and ethereality. There are hints of that spirit here, most obviously on quite songs like the title number "Sweet Little Bluebird."

But on Iron Flowers she’s backed on most songs by a full band and sounds much tougher. In fact, on some songs like the rockabilly gospel of "God’s Got It," and the fierce acoustic romp called "The Bloody Bucket," she even shows evidence of a Wanda Jackson growl. And on "Blueheart," backed by a fuzz tone-loving band called The Amazements, she sounds outright grungy.

Thursday, September 08, 2005

ROUNDHOUSE ROUND-UP: SOME WILL FEAST, SOME WILL FREEZE

A version of this was published in The Santa Fe New Mexican
September 8, 2005


Sen. Joe Carraro, R-Albuquerque made some news with his recent proposal to temporarily suspend the 17-cents-a-gallon state tax on gasoline — an idea also taken up by Santa Fe City Councilor David Pfeffer and poo-pooed by Gov. Bill Richardson.

But another Carraro energy proposal, made in the same news release as his tax holiday proposal last week, has gotten virtually no attention.

Carraro is calling for an investigation of Public Service Company of New Mexico for giving huge bonuses to its executives while increasing the cost of natural gas to its customers.

“Carraro said his constituents are complaining that PNM said natural gas bills could increase 60 percent this winter over last winter,” the release said. “They are asking the senator how the regulated company can be allowed to give its executives such huge bonuses at a time the consumer is hurting?

The release quotes Carraro: “I say, the PNM officials could earn their bonuses by lowering monthly bills for New Mexicans not because the bills are skyrocketing. Their company is making a lot of money because of the high price of natural gas, not because of any clever efforts by the PNM officials.”

An April Associated Press story said that bonus and salary compensation for PNM's top five executives totaled $3.1 million in 2004, up from $2.6 million the previous year. PNM chairman, president and CEO Jeff Sterba's salary rose 15 percent to $687,886, while his bonus increased by 84 percent to $910,000 for a total of $1,597,886, the wire service reported.

“All I know is that it causes problems when folks who are struggling because of the high prices of gas see other folks making so much money because of these uncalled for raises,” Carraro said.

He suggested that “outraged New Mexicans” call the state Public Regulation Commission for an explanation and called upon the PRC to investigate.

When the levee breaks: On Wednesday, Andy Lenderman and I had a story concerning U.S. Sen. Pete Domenici’s role as chairman of the Senate Energy and Water Appropriations Subcommittee, which over the last few years, has slashed the budget for Army Corps of Engineers flood projects in Louisiana —- though not slashing it as much as the White House has recoomended.

News organizations, most notably the New Orleans Times-Picayune have noted the dramatic decrease in flood project funding, which began about the same time as the government geared up for the war in Iraq.

Domenci’s office responded to the story, saying that even if three major hurricane and flood-control projects in Louisiana had been completed, New Orleans still would have flooded.

A Domenici spokesman pointed to a recent statement by Lt. Gen. Carl Strock, Commander of the U.S. Army Corps of Engineers, during a media conference call on September 1.

“In fact, the levee failures we saw were in areas of the projects that were at their full project design... So that part of the project was in place, and had this project been fully complete ... (West Bank, Southeast Louisiana, and Lake Ponchartrain) it’s my opinion, based on the intensity of this storm, that the flooding of the Central Business District and the French Quarter would still have occurred. So I do not see that the level of funding is really a contributing factor in this case.”

Strock’s comments raised some eyebrows in Congress.

“What that, in essence, says is that you’re not going to worry about the biggest disasters that could occur, you’re only going to worry about the smaller ones,” Rep. David Obey of Wisconsin, the ranking Democrat on the House Appropriations Committee told The Washington Post this week.

Wednesday, September 07, 2005

A TREE FALLS IN HATTIESBURG


Filmmaker Robert Mugge e-mailed this photo of bluesman Vasti "Vast Eye" Jackson standing beside a huge tree that smashed his storage shed at his Hattiesburg, Miss. home during the hurricane last week.

Fortunately, Vasti -- and his guitar -- survived. Here's a photo, taken by Kathi Lee Jackson, used with permission. (And here's another Vasti link)

CHARMAINE'S NIGHTMARE

My friend and former neighbor Jimmie Lee Hannaford drew my attention to the harrowing account of singer Charmaine Neville, (yes, part of the famous New Orleans musical family), who helped rescue people stranded in New Orleans in the wake of Katrina. (I took the liberty of breaking the transcript up into paragraphs to make it easier to read ... if not easier to take.)


"I was in my house when everything first started. ... When the hurricane came, it blew all of the left side of my house off, and the water was coming in my house in torrents. I had my neighbor, an elderly man, and myself, in the house with our dogs and cats, and we were trying to stay out of the water. But the water was coming in too fast. So we ended up having to leave the house.

We left the house and we went up on the roof of a school. I took a crowbar and I burst the door open on the roof of the school to help people on the roof. Later on we found a flat boat, and we went around the neighborhood in a flat boat getting people out of their houses and bringing them to the school. We found all the food that we could and we cooked and we fed people.

But then, things started getting really bad. By the second day, the people that were there, that we were feeding and everything, we had no more food and no water. We had nothing, and other people were coming into our neighborhood. We were watching the helicopters going across the bridge and airlift other people out, but they would hover over us and tell us "Hi!" and that would be all. They wouldn't drop us any food or any water, or nothing.

Alligators were eating people. They had all kinds of stuff in the water. They had babies floating in the water. We had to walk over hundreds of bodies of dead people. People that we tried to save from the hospices, from the hospitals and from the old-folks homes.

I tried to get the police to help us, but I realized, we rescued a lot of police officers in the flat boat from the 5th district police station. The guy who was driving the boat, he rescued a lot of them and brought them to different places so they could be saved.

We understood that the police couldn't help us, but we couldn't understand why the National Guard and them couldn't help us, because we kept seeing them but they never would stop and help us.

Finally it got to be too much, I just took all of the people that I could. I had two old women in wheelchairs with no legs that I rowed them from down there in that Ninth Ward to the French Quarters, and I went back and got more people.

There were groups of us, there were about 24 of us, and we kept going back and forth and rescuing whoever we could get and bringing them to the French Quarters 'cause we heard that there was phones in the French Quarters, and that there wasn't any water. And they were right, there was phones but we couldn't get through.

I found some police officers. I told them that a lot of us women had been raped down there by guys who had come from the neighborhood where we were, that were helping us to save people. But other men, and they came and they started raping women [unintelligible] and they started killing, and I don't know who these people were. I'm not gonna tell you I know, because I don't.

But what I want people to understand is that, if we hadn't been left down there like the animals that they were treating us like, all of those things wouldn't have happened. People are trying to say that we stayed in that city because we wanted to be rioting and we wanted to do this and, we didn't have resources to get out, we had no way to leave. When they gave the evacuation order, if we coulda left, we would have left.

There are still thousands and thousands of people trapped in their homes in the downtown area. When we finally did get to, in the 9th ward, and not just in my neighborhood, but in other neighborhoods in the 9th wards, there are a lot of people still trapped down there... old people, young people, babies, pregnant women. I mean, nobody's helping them.

And I want people to realize that we did not stay in the city so we could steal and loot and commit crimes. A lot of those young men lost their minds because the helicopters would fly over us and they wouldn't stop. WE would do SOS on the flashlights, we'd do everything, and it came to a point.

It really did come to a point, where these young men were so frustrated that they did start shooting. They weren't trying to hit the helicopters, they figured maybe they weren't seeing. Maybe if they hear this gunfire they will stop then. But that didn’t help us. Nothing like that helped us.

Finally, I got to Canal St. with all of my people I had saved from back then. I, I don't want them arresting nobody else. I broke the window in an RTA bus. I never learned how to drive a bus in my life. I got in that bus. I loaded all of those people in wheelchairs and in everything else into that bus, and we drove and we drove and we drove and millions of people was trying to get me to help them to get on the bus. But..."

{At this point she breaks down and is consoled by the priest.}
Here's a link to a video of this interview CLICK HERE

IN THE GHETTO

Being a critic with a fondness for music that falls into the big-umbrella category known as "alternative country" ("Whatever that is," No Depression magazine used to ask) one of the most irritating, over-used rockcrit cliches that drives me nuts is the term "the alt-country ghetto."

It had been a couple of years since I'd stumbled across this in print. Then yesterday I got the press bio on The Old 97s new live CD, written by 97s singer Rhett Miller himself.

"I'd only recently been exiled to the ghetto of alt-country (for some stupid reason, I'd thought that what we were doing was classic American rock and roll."

I swear to God, the only musicians quicker to shun a label are New Age musicians.

I did a Google search this morning for "alt-country ghetto" and got 116 hits. Here's some examples:

" ... Fulks' subsequent attempts to break out of the alt-country ghetto in his career ..."
Baltimore City Paper 2001

"While this may sound like typical rhetoric from upstarts trying to avoid being cast into the alt-country ghetto ..."
All Music Guide review of Tennessee by Lucero, 2002

"... and the music was eclectic enough to break him out of the alt-country ghetto ..."
All Music Guide review of Rock N Roll by Ryan Adams 2003

" ... gave Tweedy the musical muscle to make the leap from the alt-country ghetto to a richer pop universe ..."
The Portland Phoenix 2004

"Laura Veirs might be the bridge between the alt-country ghetto and the Sheryl Crow-revering mainstream."
Attributed to Mojo magazine in a 2005 press release for Laura Viers

"... (Tift Merrit) trades in bedtime tunes for stay-out-all-night rockers, busting out of the alt. country ghetto with a self-described "rock-soul throw down."
Austin Live Wire 2005

Others to rise from the Alt-Country Ghetto include Fred Eaglesmith, Dave Alvin, The Jayhawks, Jim Lauderdale, The Geraldine Fibbers and The Willard Grant Conspiracy.

In fact, I bet if you looked hard enough you could find that anyone I've ever played on The Santa Fe Opry, nay, anyone ever associated with alternative country has broken out of the Alt. Country Ghetto.

Tuesday, September 06, 2005

COWGIRL HURRICANE BENEFIT

Here's the line-up so far for the benefit performance for the Gulf Coast flood victims, at the Cowgirl BBQ, 319 S. Guadalupe Street, 8 p.m. Saturday.

Chris McCarty & Friends
Busy McCarroll & Baird Banner
Toho Dimitrov & the Blues Machine
Jon Gagan & Friends
Sapphire
Pat Malone
Matthew Andre
Round Mountain
Star Anaya
The Motor Kings
and more Special Guests

The cover charge of $10 will be donated directly to the American Red Cross.Musicians to perform (partial listing):

Musicians wanting to donate their talents for a few numbers, contact the Cowgirl, 982-2565

Monday, September 05, 2005

LATINO USA

I'd forgotten until Latino USA came on this morning that I was part of a panel discussing the illegal immigration issue and Gov. Bill Richardson's presidential candidacy.

You can listen to it HERE (MP3) or HERE (Real Audio)

THIRSTY EAR DAY THREE

Several times this weekend during the Thirsty Ear Festival I found myself sinking into the music, only to have my sweet mood rudely interrupted by hideous visions from the Gulf Coast -- bodies in the streets, people stranded on rooftops, people wading waste-high through sewage-tainted water.

No, Katrina didn't ruin the festival for me. Far from it. I'm pretty well convinced that this was the best Thirsty Ear ever. Still, those pangs of guilt and horror and anger put a hard perspective on the affair.

It was indeed fortunate that the climax of the festival Sunday night was a Louisiana band. Beausoleil didn't preach or mourn or rage. They did what they do best, play the music of their land and their people, play the vibrant, celebratory, sometimes mournful but mainly joyful music that for centuries has brought joy, comfort and pride to the Cajun people. Leader Michael Doucet spoke openly about the disaster. His underlying message was of hope and optimism, a faith that the people of Louisiana, to borrow a little Faulkner, would not only endure but prevail.

Earlier in the day, the professorly Doucet did a "workshop" in the Hotel on the history of Cajun music. He took questions from the audience, often playing fiddle and singing to illustrate his answers.

A few other thoughts on the festival:

* The Tarbox Ramblers: This trio was Sunday's big surprise. These are a bunch of old (well, not that old) bald guys from Boston who play a crunching, stomping stripped-down blues.

I'd never heard of these guys and wasn't expecting much from them. So I was pleasantly surprised, in fact amazed at how much fun they were.

Thirsty Ear had a questionnaire asking, among other things whether the festival should get bigger-name acts (which would mean a hike in ticket prices). I voted no. One of the things I love about Thirsty Ear is the opportunity to discover acts like The Tarbox Ramblers.

* Nels Andrews & The El Paso Eyepatch Undoubtedly the worst slot at Thirsty Ear is the opening act on Sunday morning. Even though it starts at 1:30 p.m., a good number of festival-goers haven't quite shaken off Saturday night. There's just a slow trickle of people and most of them seek refuge in the shade of the buildings of the old-west film set instead of in front of the stage, where performers like them to be.

That being said, Albuquerque songwriter Andrews got a good strong response with his poignant, often mournful tunes. My favorite songs from his album Sunday Shoes -- "Central Avenue Romance," "Lilli Marlene" -- sound even better live. Plus they do a rocking version of Gordon Lightfoot's "Sundown."

*Alvin Youngblood Hart: The big old growling bear played a strong set on the main stage. Not quite as awe inspiring as his previous Thirsty Ear gig. Of course this year, the late Ralph Moore wasn't around to share his homemade brownies with me. Old Ralph was a hell of a baker.

Every time Alvin's played this festival he's performed Doug Sahm's "Lawd I'm Just a Country Boy in This Great Big Freaky City." This time was no exception. And now it's finally on an Alvin album, the new Motivational Speaker.

* Joe West This weekend started with Joe West, at his Human Cannonball CD release party at Tiny's Thursday. (Seems like months ago ...) So it was only appropriate to end it with Joe at his "Americana stomp" in the Eaves Ranch saloon.

Actually, I meant to hop back and forth between Joe's gig and the Alvin Youngblood Hart blues jam across the street, but either Joe's music was too captivating or I was too exhausted to move. So I stayed and I'm happy I did. Joe's way too young to be named a Santa Fe Living Treasure. But I know that's what he is.

All in all, it was a wonderful festival this year. KBAC's Luther Watts, who served as emcee, kept reminding people that Thirsty Ear didn't happen last year -- and people were afraid it wouldn't come back. I'm glad those fears were for naught and hope Thirsty Ear remains a Labor Day weekend tradition here.



My friend Dana and me at Thirsty Ear 2005

Sunday, September 04, 2005

THIRSTY EAR DAY TWO

(Or should it be "Day One" since the real "Day One" was all at night?)

I've got to get ready to get back to Eaves Ranch because Jeff Dowd is doing his regular shift for KSFR's Sunday Blues show, so I've got to get the KSFR booth ready.

So just a few stray thoughts about the festival yesterday.

* Headliner Rickie Lee Jones performed solo, most with an acoustic guitar, then a few piano songs -- among them my favorite Rickie Lee song, "We Belong Together" from her second album Pirates. Unfortunately, the volume was a little low and my enjoyment of my favorite Rickie song was marred by some loudmouth jerk behind me who must have thought festival goers had paid their money to listen to his mindless chatter.

Rickie was about 20 minutes late taking the stage, then, surprising, refused to do an encore, even though the audience was cheering for one. She apparently was suffering some kind of cold or allergies, as at one point she had to stop and blow her nose between songs.

* This year's surprise hit probably was soul man Earl Thomas, described by my New Mexican colleague Natalie Storey as "an attractive man in tight pants and cowboy boots." (See Natalie's coverage, including a photo of Earl, HERE.) I wasn't familiar with Thomas (or his pants) until yesterday, but I was impressed. With his music, of course. The festival propaganda compares him to Sam Cooke and Otis Redding. I hear some Howard Tate in there too.

Thomas played with just an acoustic guitarist backing him. I can't help but think a full band would add a lot, but unplugged he still was quite enjoyable. My favorite song he did was a cover of "Ode to Billy Joe." (This reminded me of the late Joe Tex's cover, though Joe reworked the last verse: "And me I spend my time eatin' cold watermelon up on Choctaw Ridge/And I spit the seeds in the muddy waters of the Tallahatchie ...") Thomas said he hoped to come back to Santa Fe soon. I hope he's right.

* James McMurtry probably got the strongest audience response of the day. His deadpan drawl reciting sardonic lyrics over his loopy guitar and tough rhythm section, known as "The Heartless Bastards" is an irresistible combination. The highlight was the hilarious "Choctaw Bingo," a twisted tale of a family reunion for an Okie meth lab operator. Mike Judge should make a cartoon of this song.

* Otis Taylor also was mighty, though toward the middle of his set the rain finally convinced me to leave the area in front of the stage to the dry comfort of the KSFR booth. Otis is my favorite living bluesman (watch Pasatiempo during the next couple of weeks for my review of his excellent new album Below the Fold.) Taylor's new band isgood, though not quite as powerful as the lineup of Kenny Pasarelli and Eddie Turner, who played with him last time he performed at Thirsty Ear.

* Goshen has been around Santa Fe for 10 years or so, but yesterday was the first time I've ever seen them live -- and it was all I'd hoped it would be. Slide guitarist Grant Hayunga is the center of the group, which yesterday included Hundred Year Flood's Palmer boys backing him up -- Jim on drums, Bill on keyboards. They sounded like Bo Diddley on crystal meth.

Goshen and Flood are part of the Frogville Records clan (as is Joe West, ThaMuseMeant, etc.). Frogville definitely is the coolest thing going on musically in Santa Fe these days. I love seeing these guys out at each other's gigs, supporting each other, etc. Santa Fe has to support them too. Go to their shows. Buy their CDs.

Gots to go.

MANSIONS REDUCED TO MATCHSTICKS

My crony Chuck McCutcheon of Newhouse News Service last week flew over the Gulf Coast with a group of National Hurricane Center folks surveying Katrina's damage.

His story is HERE

Saturday, September 03, 2005

THIRSTY EAR DAY (ACTUALLY NIGHT) ONE

Unfortunately duties at work kept me away from the festival until 8:30 or 9 p.m. I got to Eaves Ranch in time to hear the last two and half songs by Hundred Year Flood -- which made me sad. I'd been looking forward to seeing them again. What I heard though sounded tremendous and they really had the crowd going.

I'd also been wanting to hear Boris McCutcheon, a current Albuquerque resident, but I was way too late for that. Got to meet the boy though. He says he'll be doing a bunch of gigs at the Cowgirl in the near future.

And dammit, I missed the Chipper Thompson/Mason Brown/Roger Landes Zoukfest set that opened the show, though I got to hear a little of Chipper and Kim Treiber's acoustic set in the "Hotel" later in the evening.

So the only full set I got to hear was that of Alex Maryol. I hadn't hear him in about two years, and it seems the kid is only getting stronger and more confident. His music seems to be going from good-time bar blues toward an Ian Moore-like psychedelia, which I think is a good thing.

Alex's basic band consists of himself on guitar, Mark Clark on drums and Willie McGee on bass. But the set really came to life when they were joined by guitarist/singer and longtime Maryol partner Ken Valdez and Freddy Lopez on harmonica.

Valdez was just seething with energy. He looked like a rhino about to charge. He and Alex have a wonderful chemistry together. I know they have their own careers and ideas on music, but, to use an old cliche this is a classic case of the sum being greater than its individual parts.

I'll blog on Thirsty Ear more tonight -- unless I stay too late and wait til the morning.

Friday, September 02, 2005

KATRINA BENEFIT AT THE COWGIRL

I just got this press release from Nick at the Cowgirl:

Songwriter Chris McCarty, formerly of the Steve Miller Band is organizing and headlining a benefit performance for the Gulf Coast flood victims, which will be held at the Cowgirl, 319 S. Guadalupe Street, Santa Fe on Saturday, September 10th from 8pm on into the evening.

The cover charge of $10 will be donated directly to the American Red Cross.

As the lineup is being put together at this very moment, a subsequent press release will follow shortly with the musicians listed.
I'll update once I get the list.

FATS AND R.L.


It was one of the few bright notes coming out of the Hell hole that is New Orleans, but I was very relived last night when I found that Fats Domino had been found and was alive and well. The horror that is New Orleans is unimaginable, but the thought that Katrina had claimed Fats made it just that much worse.

But has anyone heard whether Irma Thomas has been found yet?


XXXXXX


I was very sad to hear about the death of R.L. Burnside though. I remember two grea shows of his at teh old Santa Fe Music Hall. I also recall that about six years ago Burnside had to cancell his headlining gig at the Thirsty Ear Festival due to health problems. Corey Harris said a prayer for him on stage at the festival that year. I'm sure more will be said this weekend.

TERRELL'S TUNEUP: JOE & JOSH

{NOTE: This is being posted later than usual because I was out late at Tiny's for the CD release party of the first CD reviewed below. Joe and band and various pickers did a great show, including one of the most moving versions of Glen Campbell's "Rhinestone Cowboy" I've ever heard.}

A version of this was published in The Santa Fe New Mexican
September 2, 2005

Why should I review Joe West? He does a good job himself of summing up his musical outlook on his new album The Human Cannonball, on a song called “Jam Bands in Colorado”


“I’m a country singer, a little punk rock ‘n’ roll, I got a beatnik poet somewhere in the soul …”
West has earned his status as one of Santa Fe’s favorite singer/songwriters. His wry wit, laconic drawl and simple yet memorable country-soaked melodies provide an ongoing poignant -- and usually humorous -- of life in the southwest.

The Human Cannonball won’t disappoint old fans and hopefully will win him some new ones.

As usual, he’s got a good collection of musicians backing him up, including longtime crony Frank Rolla on banjo, Ben Wright (formerly of Mary & Mars) on guitar, and members of Frogville Records label mate Hundred Year Flood. On the banjo-driven stomper “Oklahoma Bound,” it sounds like everyone singing or playing is having the time of their lives.

There’s tunes of twisted love. The opening track, “The Combines Are Coming” an easy-paced hillbilly tune (that starts off with someone torching a trailer park) tells of an affair with a married woman. When the narrator asks about her wedding ring, the woman says her husband is working out of town. “And I love him more than you’ll ever know/But I’m not the type to kiss and tell.”

There’s tall tales like “Jimmy Joe the Wrangler,” the story of a “Philippino queen” who takes revenge on a group of Ted Nugent-loving redneck bullies in an Oklahoma bar.

There’s some sardonic topical songs that are fun, if relatively inconsequential. “Straight Man in a Gay World,” for instance. And there‘s “Jam Bands in Colorado” pokes fun of our northern neighbors’ String Cheese/Leftover Salmon neo-hippie scene. Some folks, he says have suggested West himself hook up with the jam banders. But he knows he wouldn‘t fit in. (Because he’s a country singer, a little punk rock ‘n’ roll …)

And there’s even 43 seconds of lo-fi political commentary called “Talkin’ Terror Yodel.” This offers sage foreign policy advice : “If you piss in the wind, it’s gonna come back at you.”

Since his earliest work, West has a wonderful knack at making fun of Santa Fe, its artistic pretensions and its realities that lurk beneath its hyped-up image. Sometimes he uses City Different images in a surreal way, such as in “Trotsky’s Blues,” in which he reports seeing the Russian revolutionary at Bert’s Burger Bowl.

In “Cowgirl Hall of Fame” West sings a slow, sweet tribute to one of his most frequent musical venues in town, even though the lyrics aren’t literally about the local bar and restaurant.

West likes to sing loving tributes to locals who can’t afford the proverbial “$2,000 Navajo Rug.” A few years ago he did Mike the Can Man, an entire E.P. about a local character who collects aluminum cans for recycling. On Cannonball, he signs of “Anita Pita,” about a single mom who vacuums art galleries for extra cash.

West, a veteran of the gospel brunch at the Cowgirl, ends Cannonball with a spiritual message. He might or might not be singing the song “Heaven” with a completely straight face, but I’d to think he’s sincere when he urges folks not to be jealous of successful friends or bitter about their own shortcomings because “Jesus and his angels are rootin’ for you.”

Not a complex message, but one worth hearing. I think Jesus is rooting for Joe West.

Also Recommended:

*Let’s Waste Another Evening
by Josh Lederman y Los Diablos. Josh Lederman might just be the Joe West of Boston. I bet the two would have a lot to talk about.

Lederman’s band, with the Mexican-sounding name, has been described as the kings of “Jewish-Celtic Folk Punk.” Indeed, there’s an obvious Pogues influence here -- a prominent accordion and Irish-sounding melodies played rowdy but rarely sloppy.

They also can do rocked-out versions of other folk styles. The instrumental “Te Portki Tancuja” contains elements of Cajun music and polka.

But Lederman’s voice, which sounds like a hoarser version of John Linnell of They Might Be Giants, is one of the major draws.

He’s also a fine songwriter, telling stories of lost love and lost weekends.

“The Waltzing Ladies,” has a melody similar to “The Wildwood Flower” tells of poor girls gone wrong. “My Sweet Caroline” is an outright country kicker about “playing lots of cards and smoking cheap cigars” to get his mind off an absent lover.

“China Town,” probably the most Pogue-like song here, alternates between brutal and irresistible mandolin interludes. Lederman sings of heartache and debauchery, name checking Charles Bukowski in the process.

“Will I Miss the City” is a perfect album ender, about a ramblin’ guy about to pull up stakes.


“Will I sing the same songs over and over down the rail?/Will I find my way out when the rain has washed away the trail?/Will I ride the thunder, or come home slithering like a snail?/when the rain has gone and washed away the trail?”
My favorite tune here is a cover of a traditional Irish outlaw song, “Newry Highwayman.” It’s the same basic story of “Brennan on the Moor” or “Wild Colonial Boy.” But this song has echoes of the funeral fantasies found in American jazz and blues tunes like “Saint James Infirmary” and “Dyin’ Crapshooter Blues.”


“And when I’m dead and in my grave/A fancy funeral please let me have/Six highwaymen to carry me/Oh give them broad swords and sweet liberty … Six pretty maiden to bear my pawl/Give them white roses and garlands all/And when I’m dead,they’ll speak the truth,/ He was a wild and wicked youth.”
Indeed, this is a wild and wicked album.

Thursday, September 01, 2005

GREAT MUSICAL WEEKEND


Lots of music ahead for Santa Fe this Labor Day weekend.

The big thing, of course is the Thirsty Ear Festival, Friday night then all day Saturday and Sunday. You probably can find me there at the KSFR booth, peddling propaganda about public radio.

But this weekend begins Thursday -- tonight -- at Tiny's Lounge where Joe West is having a CD release party for his new album Human Cannonball. (More on this CD real soon.)

ROUNDHOUSE ROUND-UP: THE GREENS BACK FRAN (WHEN ASKED)

A version of this was published in The Santa Fe New Mexican
Sept. 1, 2005


Santa Fe Municipal Judge Fran Gallegos is one of two elected officials in New Mexico who is a member of the Green Party (the other being Gary Clauss, a member of the Silver City Town Council.)

But so far, the Greens have been mysteriously silent about Gallegos’ recent suspension by the state Supreme Court over what the state Judicial Standard Commissions says is “a myriad of ethical violations” on the judge’s part.

Until now.

I called one of the party’s two recently elected co-chairmen, John Otter of Santa Fe on Tuesday and asked whether the Greens had taken a stand on the Gallegos situation — and if not, why not?

Otter confirmed that the party hadn’t made any public statements about the case. He said he wasn’t familiar with the details of the case — which includes allegations of Gallegos altering drunken-driving case records to make her look tougher on DWI — but that he personally has the “highest respect” for the judge.

He also said party leaders would be meeting that night and that the topic was likely to come up.

On Wednesday, Otter said the basic consensus of the Greens about Gallegos was that “We have every confidence in her and her efforts to benefit the community.”

If Gallegos did make a “misstep,” Otter said, “we’re sure it wasn’t to benefit herself.”

“We need to know more about the current charges,” Otter said. “Nobody’s perfect. Everyone makes mistakes. Her work has been very beneficial to Santa Fe.”

Not the most spirited, hard-hitting defense. But that’s what he had.

Otter said Gallegos hadn’t spoken with him or other Green leaders since the high court suspended her with pay for 90 days last month.

Carol Miller, a past state co-chairman of the Greens and a former Green candidate for Congress, also had praise for Gallegos, though she too said she wasn’t up on the specific case against the judge.

“My personal position is that she’s innocent until proven guilty,” Miller said Tuesday. “I have high regards for Fran Gallegos.”

Santa Fe elections officially are “non-partisan” — which means candidates don’t run as Democrats, Republicans or Greens. However, since she was first won her office in 1996, the Greens have touted Gallegos’ election victories as their own.

(For a couple of years, Santa Fe city government had three elected Green officials. But in 2002, City Councilor Cris Moore didn’t seek re-election. Later that year, Councilor Miguel Chavez switched from the Green Party to become a Democrat.)

Gallegos ran as a Green in her first political race. That was in 1994, when she gave Democrat Richard “Buzzy” Padilla a scare in a magistrate judge race.

Gallegos in July spoke to a state “Green Gathering." According to an item on the state party’s Web site, Gallegos, “spoke of her struggles with both major parties and her gratitude to Greens who gave her a home and helped her gain and retain office, and implement her successful and innovative programs.”

Could one of those “struggles” refer to her problems with the state Judicial Standards Commission, which would explode in public a month later?

Grist for the conspiracy buffs: This is probably just all coincidence. There’s probably nothing to it. I’m probably being terribly irresponsible for even suggesting there’s some dots here that have any possibility of being connected.

But what the heck ...

In early August, following a memorial service for a Santa Fe woman killed by a drunk driver, Gov. Bill Richardson said he was disturbed by The New Mexican’s investigation that revealed Gallegos had altered some DWI case records.

“I find the reports about the DWI records very troubling,” Richardson said. “I plan to seek advice from my legal counsel about what steps might be taken with (the Judicial Standards Commission).”

Soon thereafter the commission recommended Gallegos be suspended.

The JSC’s general counsel is Jim Noel, who is the husband of Richardson’s political director, Amanda Cooper.

The plot thickens.

This week Santa Fe Mayor Larry Delgado chose a substitute judge to take over during the 90-day suspension period. The substitute judge, Sonya Carasco-Trujillo, is a top aide to Richardson’s loyal Lt. Gov. Diane Denish.

And if you really want to carry it to an extreme, Gallegos, before becoming a judge, also worked in the lieutenant governor’s office — though she worked for Lt. Gov. Walter Bradley, a Republican.

Wednesday, August 31, 2005

POTATOHEADS FOR KATRINA RELIEF


O.K. Here's the deal:

The fine folks at CD Baby, who sell my album and oh so many more, have offered to let artists donate their profits to the Red Cross in order to help the Gulf Coast relief effort.

I'm doing it with my CD, Picnic Time for Potatoheads. It costs $12.97 and nearly nine bucks of that will go to the Red Cross.

I'll do this at least until the end of the year, so remember the gift of Potatoheads this holiday season ...

I won't get a dime of it -- just that warm feeling a musician gets when you know your work is doing more than just providing a soundtrack to debauchery.

Buy it. Don't be a chump.

And if you don't want my tacky music, here's the gallery of CD Baby artists who are donating their profits to Katrina Relief.

Tuesday, August 30, 2005

PFEFFER TO ANNOUNCE FOR SENATE

A version of this was published in The Santa Fe New Mexican August 30, 2005 City Councilor David Pfeffer — a former Democrat who switched parties this year after campaigning for President Bush in the 2004 election — is expected to announce his candidacy for U.S. Senate in Albuquerque today. 

Pfeffer, 60, who represents the north-side District 1 on the council, would be running against popular Democratic Sen. Jeff Bingaman, a four-term incumbent who earlier this year announced his intent to seek re-election. 

A Monday news release for Pfeffer said the councilor “has been touring New Mexico in recent months exploring a run for the United States Senate, meeting with GOP groups in Taos, Clovis, Los Alamos, Roswell, Albuquerque, Socorro, Alamogordo, Las Cruces and other communities.” 

The news release said Pfeffer would “discuss his political plans” at today’s news conference. In a telephone interview Monday he declined to publicly discuss his decision about the Senate race — though he joked about the unlikeness of holding a press conference in Albuquerque to announce he is seeking re-election to his Santa Fe council seat.

Most political observers agree that Bingaman will be hard to beat. His career has been virtually free of controversy. After defeating an incumbent Republican Sen. Harrison “Jack” Schmitt in 1982, Bingaman has been re-elected by healthy, usually landslide margins. 

A statewide poll of 600 New Mexican adults conducted Aug. 12 through Aug. 14 by the Survey U.S.A. organization showed that 59 percent of those polled approved of Bingaman’s performance in the Senate while only 26 percent disapproved. (The margin of error was plus or minus 4 percent.) 

But one of Pfeffer’s City Council colleagues — a Democrat — said Pfeffer’s chances shouldn’t be dismissed. Councilor Carol Robertson-Lopez said Pfeffer is articulate and media savvy, and probably is the best-known of the eight Santa Fe city councilors. Robertson-Lopez also said she expects the Republican Party to pour impressive amounts of cash into Pfeffer’s campaign. 

Earlier this month Pfeffer acknowledged that he has raised more than $5,000 for his Senate campaign. But he refused to name any of his contributors and refused to say who owns the two planes he used during the “exploratory” part of his campaign. Bingaman already has raised more than $1 million for his re-election effort.

Monday, August 29, 2005

TERRELL'S SOUNDWORLD PLAYLIST

Sunday, August 28, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Like a Hurricane by Neil Young & Crazy Horse
New Orleans is Sinking/Fire in the Hole/Nautical Disaster by The Tragically Hip
Louisiana 1927 by Randy Newman
Tokyo Storm Warning by Elvis Costello

That Big Weird Thing by Drywall
Call of the West by Wall of Voodoo
Driftin' by Big Ugly Guys
Pistol of Fire by Kings of Leon
Highway 61 Revisited by Bob Dylan
School Days by The Kinks
She's Up North by James Bilacody & The Cremains

Hookers in the Street by Otis Taylor
Porch Monkey's Theme by Alvin Youngblood Hart
She Caught the Katy (And Left Me a Mule to Ride) by Taj Mahal
Neon Messiah by Terrance Trent D'Arby
Monty is That You? by Quincy Jones
Who Was In My Room Last Night? by The Butthole Surfers

True Love by X
She Floated Away by Husker Du
World Leader Pretend by REM
Swingin' Party by The Replacements
Sea of Love by Iggy Pop
Letters from the Ninth Ward/Walk Away, Rene by Rickie Lee Jones
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, August 27, 2005

THE SANTA FE OPRY PLAYLIST

Friday, August 26, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
The Ballad of Charles Whitman by Kinky Friedman & The Texas Jewboys
Old Man from the Mountain by The Gourds
I Got Stoned and Missed It by Shel Silverstein
Newry Highwayman by Josh Lederman & Los Diablos
The Whole Thing Stinks by Rico Bell & The Snake Handlers
Missing Link by The Waco Brothers
Hammerhead Stew by Delbert McClinton
Birds, Bees, A Girl & Me by Starlings TN

Private Thoughts by Chip Taylor & Carrie Rodriguez
I've Been Fooled by Eleni Mandell
Waiting by Jon Nolan
All You Can Cheat by Robbie Fulks
Let it Ride by Ryan Adams & The Cardinals
Dark End of the Street by Frank Black
Sorrow on the Rocks by Porter Wagoner
Many Tears Ago by Durwood Haddock

THIRSTY EAR FESTIVAL SET
Oklahoma Bound by Joe West
Central Avenue Romance by Nels Andrews
Manos Arriba by Alvin Youngblood Hart
Silly Fool by Goshen
My Grandfather's Land by Beausoleil
Whippersnapper Snake/Snake Road by Chipper Thompson
Come On by Hundred Year Flood

Beautiful Prison by Boris McCutcheon
Get Up Jake by Raising Cane
God Don't Ever Change by Alex Maryol
Boy Plays Mandolin by Otis Taylor
Can't Make It Here by James McMurtry
So Long by Rickie Lee Jones
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, August 26, 2005

HEY, KIDS ....

Here's a link to my story in today's New Mexican about the proposal to prohibit liquor sales at all-ages shows in nightclubs. CLICK HERE

Here's the deal kiddies -- the state probably will adopt these new regs and one excuse they will use is that hardly any youngsters showed up to give their side of it.

I humbly suggest if you really care about this issue, don't just whine about it at the coffee house or on your blogs. Show up to the meeting Tuesday morning! It'll be boring and bureaucratic and at the inconvenient hour of 9 a.m. But if you care, be there and let them know.

Santa Fe Alcohol and Gaming Hearing on Minors on Licensed Premises
Tuesday, Aug. 30, 9:00 AM
Regulation and Licensing Dept.
Rio Grande Conference Room
2550 Cerrillos Rd.
Santa Fe, NM

Here's from the official release of the Department of Regulation and Licensing:

At the hearing, the Hearing Officer will allow all interested persons reasonable opportunity to provide testimony. If you are unable to attend the hearings, written comments may be made to the Alcohol and Gaming Division at P. O. Box 25101, Santa Fe New Mexico 87504. Written comments must be received by August 8, 2005 to allow time for distribution to the Alcohol and Gaming Division Director and available at the hearing.
You can find a copy of the actual proposal HERE.

And here's a copy of an e-mail from Fan Man's Jamie Lenfesty:

Live music in New Mexico is under attack by Alcohol and Gaming.

As you may know, the NM Alcohol and Gaming commission has been considering a change to the rules that allow minors to attend concerts at venues that have liquor licenses. Aside from having no real basis in any actual complaints and further limiting the options for teens in New Mexico, this would ostensibly mean the end of the Sunshine and Launchpad in Albuquerque. No matter whether you have ever been to either of those clubs or what you may think of them as venues, they are pretty much the only remaining clubs for smaller artist to play in New Mexico.

They have been successful because they have been very carefully able to control their spaces to have COMPLETELY SEPARATE, CONTROLLED areas for those patrons who are 21 and over and choose to drink, and for fans who are under 21 and just want to see the band. Given the litany of things that one may argue are morally and culturally bankrupt in America, I do not believe that the major threat to our youth is being in the presence of adults drinking alcohol at concerts. Excluding minors from these events will only serve to further isolate and alienate them, driving them more and more to uncontrolled underground parties where drugs and alcohol are readily available. I know for a fact that I personally would have imbibed less as a teen if I would have been able to attend concerts at Minneapolis clubs like First Avenue instead of house parties at whomevers parents happened to be out of town that weekend. Now, as a parent of two, I also know I would much prefer my own kids attend a concert at the Launchpad then drive off to who knows where to do who knows what.

While purportedly seeking to protect our youth from the evils of drink, this new legislation hypocritically does nothing to address much less controlled alcohol service at venues like the Journal Pavilion, Kiva Auditorium and Sandia Casino Amphitheater, where patrons are allowed to buy alcoholic beverages and take them out into the theaters themselves, intermingling with patrons of all ages and where an unscrupulous person might even give a drink to a friend who is under age. The Sunshine and Launchpad are being unfairly targeted unless the greater issues at these larger, big money, corporate venues are to also addressed.

I hope you will consider showing your support for live music by attending the hearing at Alcohol and Gaming on Tuesday Aug. 30 at 9:00 AM. Full information is attached and below. I will be there, along whit others form the music community. If you cannot attend but would like to have your comments included feel free to email me your thoughts and remarks.

A NEW HOME FOR CHARLIE GITEAU'S BRAIN


One consequence of the Defense Department's decision to close Walter Reed Army Medical Center is that the National Museum of Health and Medicine will have to be relocated.

My friend Chuck took me on a tour of this fascinating and macabre little attraction when I was in Washington, D.C. a few years ago. It's the type of place the Addams Family would enjoy. You can see fragments of Abraham Lincoln's skull and the bullet that killed him, various pickled body parts and this cute array of baby skeletons. ("Hi! I'm Caspar the Friendly Skeleton ...")

Here's a link to a story that was on NPR last May.

TERRELL'S TUNEUP: WALL OF BBQ

A version of this was published in The Santa Fe New Mexican
August 27, 2005


As a solo artist, Stan Ridgway is nothing short of an eclectic, eccentric musician.

He draws from all sorts of musical sources -- garage rock, horror movie soundtracks, crime jazz, and more. His most recent solo album, last year’s Snakebite, showed a fine knack for rootsy country and blues.

Lyrically, Ridgway has a skewed outlook and a soft spot for losers, loonies, small-time crooks and society’s dregs. Most of his songs are sympathetic to his characters. He grants them dignity and many of his songs seem to offer a ray of hope for those struggling beneath the underbelly.

But when Ridgway records as the front man of his band Drywall, all bets are off.

And, after a ridiculously long recess, Drywall is back with Barbecue Babylon, “The Third Installment of the Trilogy of Apocalyptic Documents.”

Drywall is Ridgway, his wife, keyboardist Pietra Wexstun and guitarist/bassist Rick King.

(For those keeping score, the first installment was 1995’s Work the Dumb Oracle, which contained some of Ridgway’s most intense songs -- “Police Call,” “Bel Air Blues,” “Big American Problem.” The second was The Drywall Incident which was mainly instrumental tracks.)

Like Work the Dumb Oracle, the songs on the new album are darker, harsher, more extreme both musically and lyrically than Ridgway‘s other work. Rays of hope don‘t last long in Drywall Land. And except for a few stray moments, forget about kindness or dignity.

And, yes, the world of Barbecue Babylon is apocalyptic. Corruption is everywhere. A desperate spirit of lawless has settled over the land. Thievery and murder abound, but the government has gone even more insane than the populace. To play on a few song titles here -- It‘s a “Land of Spook” run by people seemingly intent on achieving a “Wargasm.”

Life is cheap. Love is tawdry. Paranoia thrives. (“The AARP is after me," sings one sad Ridgway narrator.) Doom is always just around the corner.

Luckily, Ridgway’s twisted humor still abounds.

Not only does Ridgway make a great carnival barker at the gates of Armageddon, but the music here is some of the strongest he’s ever done.

The opening tune “Goin’ on Down to the BBQ,” is a deceptively upbeat tropical romp with shaking maracas and a happy organ that sounds like it might break into “Tequila” at any moment. The song sounds like a darker version of Joe “King” Carrasco. "Tammy Got a Knife with a razor blade/ She brought her baby with a burnt teddy bear/ Lost her finger on a midnight swinger/ Cook it up and like it medium rare.”

But after the cops break up the backyard party, Drywall goes straight for the Bizarro world with the acid jazzy “Fortune Cookies.” A honking sax soars over the techno rhythms as Ridgway declares, “Fascist state television, it’s a blast … that‘s the way the cookie crumbles.”

On “Big Weird Thing,” against a throbbing electronic sonic backdrop punctuated by sampled voices and sinister clanking bells, Ridgway goes into a berserk rant. He sounds like the celebrated crank Francis E. Dec (Google him, if you dare) or one of those frothing preachers and political crackpots that David Byrne and Brian Eno sampled from short-wave radio broadcasts on My Life in the Bush of Ghosts. “It’s a whitewash! Disintegration! Surely something that just seems to rot and fester … Show me these things and I shall salute it.”

On Barbecue, Drywall sounds more like a band than they did on Dumb Oracle. Wexstun, whose voice is a proven delight on her own albums (released under the name Hecate’s Angels) gets two solo spots on this album. The most impressive is “Bold Marauder,” an old Richard & Mimi Farina song that‘s appropriately sinister and, yes, apocalyptic for a Drywall CD:.

“For I will sour the winds on high and I will soil the river/And I will burn the grain in the field and I will be your mother/And I will go to ravage and kill and I will go to plunder/And I will take a fury to wife and I will be your mother/And death will be our darling and fear will be our name …”

Pietra’s also out front on “Something’s Gonna Blow” (with Stan providing unison baritone backup.) This one, with its rolicking garage-rock backup, reminds me of the Farinas also, their more rocked-out tunes like’ “House Un-American Blues Activity Dream” (or maybe Frank Zappa’s “Trouble Every Day.“) Drywall’s tune is a bitchen funky-chicken dance about economic decay.

There’s a secret hidden track featuring the voice of the president of the United States of America. Ridgway surely remembers The National Lampoon’'s infamous cut-and-paste manipulation of a Richard Nixon speech (“I am … a crook …”). He’s done the same shock-and-awe editing here for President Bush.

“Every year by law and by custom we meet here to threaten the world,” the president says, backed by an ominous Mid Eastern sounding Drywall instrumental track, interrupted every now and then by applause. “We must offer every child in America three nuclear missiles … We are building a culture to encourage international terrorism … I have a message for the people of Iraq: `Go home and die.’ ”


There’s one notable calm in the madness of Barbecue Babylon, a cool, almost jazzy little finger-popper called “Buried the Pope.” Ridgway released this surprising reverent tune as a free internet download just days after Pope John Paul II’s death.

“A world choked up with lies and politician doublespeak/ Nowhere to get the truth sometimes, but some will always seek/ Now you can criticize it, run it down/ Maybe religion’s not your dope/ But it’s hard to argue solid about a man of peace and hope/ That’s the day they buried the pope.”

But the funeral is just a short respite for Ridgway’s outrage. Elsewhere he has nothing but contempt for the large and in charge. In a sweet, almost western-sound waltz called “Robbers & Bandits & Bastards & Thieves,” he sings, “Hey nothing’ is new, this story is old/ Some will always steal tin and then sell it for gold …”

That’s not the case for Ridgway and Drywall. They’re selling pure gold with this record.

(Barbecue Babylon is available only at Stan Ridgway concerts and the internet. Check out CD Baby)

UDATE: This just in from International Ridgway HQs: Barbeque Babylon will be out and in record stores and at Amazon Aug. 30th.

So there ya go.

Thursday, August 25, 2005

ROUNDHOUSE ROUND-UP: TOUGHER QUESTIONS

A version of this was published in The Santa Fe New Mexican
August 25, 2005

After the criticism that Gov. Bill Richardson received for his appointment of former state police officer Tommy Rodella for Rio Arriba County Magistrate Judge earlier this year, the governor said he was going to get tougher on the selection process for judges.

At first the promise seemed rather empty. As documented in this column last month, some applicants for a Santa Fe County magistrate position described their interviews with Richardson as short and superficial.

Since then, Rodella resigned after criticism from Richardson over a drunken driving case Rodella had handled.

So now there’s a new application form for magistrate positions that shows Richardson at least is asking tougher questions than before.

Some of the questions on the form — which is available on the governor’s web site — seem to be directly inspired by Rodella — who had been investigated by state police for several alleged infractions, including using his influence as a cop to fix traffic tickets to garner political support for his wife, State Rep. Debbie Rodella, D-San Juan Pueblo.

Richardson and his staff claimed he was unaware of these problems until they hit the papers.

Among the new questions:

* “Is there any past or present conduct in your professional or personal life that creates a substantial question as to your qualifications to serve in the judicial position involved or which might interfere with your ability to so serve?”

*“Have you ever been terminated, disciplined, admonished, warned, reprimanded, sanctioned or otherwise punished for any conduct that occurred in your present or previous employment? If so, please explain the nature of the conduct and the result.”

*“To the best of your knowledge, have your ever been investigated by your present or previous employer for misconduct? If so, please explain the nature of the allegation(s) and the result.

Applicants are now asked to sign waiver forms giving up their rights to confidentiality for personnel records, including files related to disciplinary investigations.

The new form asks whether the applicant has been arrested or charged with any misdemeanor or felony other than a minor traffic offense. Separate questions ask about drunken driving charges and domestic violence offenses.

There’s a special question for lawyer applicants. “If you are an attorney, have you ever been the subject of a formal complaint or charged with any violation of any rules of professional conduct in any jurisdiction? If so, have you ever received any discipline, formal or informal, including an ‘Informal Admonition(?) If so, when, and please explain.”

There’s one for judges who apply: “If you have served as a judge, has any formal charge of a violation of the Code of Judicial Conduct been filed against you, and if so, how was it resolved?”

One applicant for the position, former public defender Andrew O’Connor, said this week he thought the new questions were “intrusive” and possibly illegal.

O’Connor admitted he probably doesn’t have much of a chance of getting the appointment due to comments he made last month in this column after being rejected for the Santa Fe magistrate position. He said the only question the governor asked in the previous interview was “Is there anything in your past that would hurt me politically if I appoint you?”

Alien Nation: Did Richardson just have a “Sister Souljah moment”?

You remember Sister Souljah, don’t you? If so, it’s probably not for her music but for her coming under fire in 1992 by Democratic presidential hopeful Bill Clinton. The rapper had made a statement about “killing white people,” which candidate Clinton repudiated — even though the repudiation was repudiated by some Clinton allies like the Rev. Jesse Jackson.

On this week’s Latino USA syndicated radio show (heard locally on KUNM FM), Richardson -- talking about his recently declared state of emergency for our state's border with Mexico -- used the phrase “illegal alien” to describe undocumented immigrants.

Some Hispanic activists who those who work for immigration rights say that term is offensive. But those who favor a crackdown on people who enter the country illegally say the objection to the phrase is unbridled political correctness.

Richardson used the term at least twice on that show and once during his interview with Chris Wallace on Fox News Sunday.

Maria Hinojosa of Latino USA called him on it, noting that this was the first time she’d ever heard him say “illegal aliens.”

Richardson responded, “ ... as a matter of frustration, I have, you know, started using ‘illegal aliens’ because I have seen how some of the traffic of these individuals in trucks and cars come into my state.”

He said human traffickers known as “coyotes” and “other crime-infested people” are hurting some of his constituents, including “many that are Hispanic.”

Wednesday, August 24, 2005

90 DAYS WITH PAY

By DEBORAH BAKER Associated Press
August 24, 2005

SANTA FE - The state Supreme Court on Wednesday temporarily suspended a Santa Fe municipal judge while a disciplinary panel investigates allegations
of misconduct.

Judge Frances Gallegos will be suspended with pay for 90 days as of Monday, the high court ruled following a hearing.

So I'm trying to figure out what I can to at work to get a three-month suspension with pay ...

Monday, August 22, 2005

BACK TO WORK, BACK TO SCHOOL

I returned to work today after a two-week vacation. First time in two weeks that I wore long pants. Luckily it was a pretty easy day.

But tomorrow should be even stranger. I'm going back to school -- and even to my old alma mater, The University of New Mexico.

I'm already feeling like Rodney Dangerfield in Back to School. But instead of "Hot Lips" Houlihan, my professor will be former U.S. Sen. Fred R. Harris, a fellow Okie in exile.

I'm taking Harris' American Politics class. For years I nagged my daughter to take this. Only recently I realized that my real motivation was that I wanted to take it myself.

But the cool thing is that my daughter is going to take the class with me. She'll probably embarass me and get a better grade. But I'll probably be the only student with a direct memory of Harris' jingle when he ran for Senate back in the '60s:

The man from Oklahoma
Is a man that you can trust
A vote for Fred R. Harris
Is a vote of confidence ...

OTIS, MY MAN!

This just in from the Thirsty Ear Festival publicity machine:

OTIS TAYLOR REPLACES ODETTA IN LINEUP:
Due to an injury, ODETTA will be unable to perform at the Santa Fe Thirsty Ear Festival on Saturday, Sept. 3. We have little hard information on the injury, other than it's caused the cancelation of all her pending performances. We're all hoping for a thorough recovery. Replacing her is critically acclaimed bluesman OTIS TAYLOR, a W.C. Handy award winner whom Guitar Player magazine calls "arguably the most relevant blues artist of our time." One of our personal favorites, Taylor and his band play stark, original, hard-hitting, trance-like blues whose stories are often based in sometimes brutal history ...

I'm sorry to hear about Odetta's injury, but the cold hard truth is, I'd much rather see Otis. I'll never forget his performance at the 2001 (Dang, has it been that long?) Thirsty Ear, the year they held it at the Bonanza Creek movie ranch.

Speaking of the festival, I'll be doing a lengthy Thirsty Ear set on Friday night's Santa Fe Opry (10 p.m. Friday on KSFR, 90.7 FM)featuring the music of James McMurtry, Beausoleil, Ricki Lee Jones, Alvin Youngblood Hart, etc.

TERRELL'S SOUNDWORLD PLAYLIST

Sunday, August xx, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Let Me Take You to the Beach by Frank Zappa
Goin' on Down to the BBQ by Drywall
Garbagehead by Eric "Roscoe' Ambel
Slow Night, So Long by The Kings of Leon
The Wagon by Dinosaur Jr.
Pokin' Around by Mudhoney
Moonraker by Hog Molly

Dog Food by Iggy Pop
Wild Thyme (H) by The Jefferson Airplane
Soul Kitchen by X
Rumble on the Docks by Link Wray
Shady Grove by Quicksilver Messenger Service
Sing Remember Me by James Bilacody & The Cremains
Bumble Bee by The Searchers
The House of the Rising Sun by Frijid Pink

Missed Your Big Chance by Mark Weber & Out of Context
Say I Am (What I Am) by Tommy James & The Shondells
Distant Shore by Robert Cray
Terrorized by Willie King & The Liberators
Government Lied by Otis Taylor
Dope by Stuurbarrd Bakkebaard
El UFO Man by Jonathan Richman

My Baby Joined the Army by Terry Evans
You Are So Beautiful by The Rev. Al Green
The Lion This Time by Van Morrison
Miss Patsy by Richard Thompson
This One's From the Heart by Tom Waits & Crystal Gayle
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, August 20, 2005

THE SANTA FE OPRY PLAYLIST

Friday, August 19, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Back From the Shadows Again by The Firesign Theatre
Diggy Liggy Lo by Doug & Rusty Kershaw
On the Sly by The Waco Brothers
Chaos Streams by Son Volt
Different Drum by Michael Nesmith
Ignorance is the Enemy by Rodney Crowell with Emmylou Harris and John Prine
Whiskey 6 Years Old by Marti Brom
Winter Time Blues by John Hiatt
Violet by Frank Black

Every Morning by Jon Nolan
Trotsky's Blues by Joe West
Meadowlake Street by Ryan Adams
We Sure Make Good Love by George Jones & Loretta Lynn
Railroad Bill by Dave Alvin
Skid Row Joe by Porter Wagoner
Just Because I'm a Woman by Dolly Parton
I Love Nickels and Dimes by Robbie Fulks

VASSAR CLEMENTS TRIBUTE


Dirty Drawers by Vassar Clements with Elvin Bishop
With a Vamp in the Middle by John Hartford
Lonesome Fiddle Blues by The Nitty Gritty Dirt Band with Vassar Clements
Honey Babe Blues by Vassar Clements with Maria Muldaur
Land of the Navajo by Old and In the Way
White Room by Vassar Clements with John Cowan



American Boy by Eleni Mandell
Touch of Evil by Tom Russell with Eliza Gilkyson
Buffalo Skinners by Tim O'Brien
Something Strange is Happening by The Clothesline Revival
Pray For the Boys by Flatt & Scruggs
Sweet Little Bluebird by Grey DeLisle
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, August 19, 2005

OOOOPS!

Sorry, but I've got to unring a bell.

Seems like I've got to unring a bell here.

Turns out that this week's Terrell's Tune-up was held this week because of all the Indian Market stuff. (Sure wish I'd known that was going to happen a couple of Sundays ago when scrambling to get that column written before I left town ...)

Anyway, I've temporarily pulled what was supposed to be this week's column, my reviewing of the new Drywall album Barbecue Baylon. If you read it while it was posted here for 14 hours or so, please forget everything I said ... until next week when I post it again.

For dynamic coverage of Santa Fe Indian Market, read this week's Pasatiempo in Friday's Santa Fe New Mexican. (Speaking of Indian Market, I freelanced a story on tomorrow night's Native Roots & Rhythms concert at Paolo Soleri. Sorry, it's not online. But an old story I did on NR&R in No Depression is here (scroll down).

Thursday, August 18, 2005

MORE VACATION PIX

This is the last batch, I promise ...


The Southwest Chief pulls into Lamy, Aug. 9, 2005.
Johnny Cash inspired me to take this train ... Posted by Picasa

I really thought this was Ozzie until he asked for a tip to have his picture taken.
Fake Ozzie's web site is here. Posted by Picasa

"Clowns to the left of me/Jokers to the right ..."
(Having fun on Redondo Beach)

Posted by Picasa

Give me that old time (Venice Beach) religion .. Posted by Picasa

"If I could just get off this L.A. Freeway without gettin' killed or caught .." Posted by Picasa

LAURELL'S LISTS

Laurell Reynolds not only was kind enough to substitute for me on my radio shows on KSFR last weekend, she also sent me her playlists.

They're not in my usual format, but who cares? Here's what you heard last week on The Santa Fe Opry and Terrell's Sound World:

The Santa Fe Opry
Friday, August 12, 2005


Buck Owens-Buckaroo
Emmylou Harris-Ain't Livin Long Like This
Tammy Wynette-Your Good Girl's Gonna Go Bad
Gordon Lightfoot-Bossman
Jamie Hartford Band-Who Cut Your Heart Out?
Byrds-100 Years From Now
-Blue Canadian Rockies
Waylon Jennings-Lovin Her Was Easier
-Freedom To Stay

Michael Hurley-Natl Weed Growers Assc.
Holy Modal Rounders-Bound to Lose
-Statesboro Blues
Janette & Joe Carter-Through The Eyes Of An Eagle
Sandy Denny-Tommorrow Is A Long Time
Loretta Lynn & Conway Twitty-Feelins'
Kitty Wells-Making Believe
-It Wasn't God Who Made Honky Tonk Angels
Jeanne Pruett-Satin Sheets
Patsy Montana-I Only Want A Buddy Not A Sweetheart

The Statler Brothers-Flowers On The Wall
Ricky Nelson-Lonesome Town
Everly Brothers-Cryin' In The Rain
Tommy Duncan-Who Drank My Beer?
Lynn Anderson-Rose Garden
Gram Parsons & Emmylou Harris - Love Hurts
Neil Young-Wayward Wind
Dolly Parton-Coat Of Many Colors
Tanya Tucker-Would You Lay With Me (In A Field Of Stone)

Maria McKee-If Love Is A Red Dress
Patsy Cline-Crazy
Cordelia's Dad-Knife
Judy Roderick-Someone To Talk My Troubles To
-Woman Blue
Townes Van Zandt-For The Sake Of The Song
Meat Puppets-Comin Down

Terrell's Sound World
Sunday, August 14, 2005


The Hombres-Let It All Hang Out
Frank Zappa-Take Your Clothes Off When You Dance
-Fountain Of Love
Pink Floyd-Ibiza Bar
Spinal Tap-Listen To The Flower People
Strawberry Alarm Clock-Rainy Day Mushroom Pillow
The Amboy Dukes-Journey To The Center Of Your Mind
Status Quo-Pictures Of Matchstick Men
The Moving Sidewalks-Crimson Witch

The Silver Apples-Oscillations
-Lovefingers
The Monkees-The Porpoise Song
Jethro Tull-A New Day Yesterday
The Byrds-I'll Feel A Whole Lot Better
The Yardbirds-I Ain't Got You
-Got Love If You Want It
Jefferson Airplane-Watch Her Ride
Grateful Dead-China Cat Sunflower

X-White Girl
-Your Phone's Off The Hook
David Bowie-Speed Of Life
Pink Floyd-The Nile Song
-Cymbaline
-Cirus Minor
-Biding My Time

Derek And The Dominos-Why Does Love Got To Be So Sad?
Country Joe And The Fish-Section 43
Crosby, Stills & Nash-Marrakesh Express
Jewel-Pieces Of You
Sinead O'Connor-My Darling Child
The Yardbirds-White Summer
Jerry Lee Lewis-Over The Rainbow

TERRELL'S SOUND WORLD PLAYLIST

  Sunday, July 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell E...