Friday, May 27, 2005

TERRELL'S TUNEUP: BACK AT BUCK'S RANCH

As published in The Santa Fe New Mexican
May 27, 2005


For a jolting reminder of the era when both country music and local television productions were raw, real, spontaneous and fun, a good place to start is The Buck Owens Ranch Show DVD collection.

Available only through Owens’ Web site, these three discs contain episodes of Owens’ syndicated television show, which showed in some 100 markets between 1966 and 1972.

Before I get started here I’d be remiss not to give a consumer warning. Strictly speaking. these DVDs are a giant rip off.

Sold only separately they cost $29.99 each, plus postage and handling, so if you get all three the cost is over $100. Each disc contains only three 30-minute episodes — and unfortunately each one contains one inferior early ‘70s segment (more on that later).

That being said, I’m glad I spent the money. I love these DVDs.

Part of it is sentimental. The Buck Owens Ranch was taped in my hometown of Oklahoma City at WKY-TV studios. The show initially was sponsored by a local store, Mathes Brothers Furniture. I saw the very first episode in 1966 and rarely missed it on Friday night until I moved to Santa Fe in 1968.

But even more important than these precious memories, is the fact that nearly 40 years later, the music not only holds up, it’s even better than I remember.

The Buckaroos was an extremely tight little roadhouse band. “Tender” Tom Brumley was one amazing steel guitarist. But the real menace was guitarist/singer/occasional fiddler Don Rich. His guitar solos often were breathtaking and sometimes downright crazy. His harmonies with Owens could rip out your heart and stomp on it.

Though Buck and his band were the main focus, there were some fine guest performers as well. Bakersfield icon Tommy Collins was a frequent guest, performing mainly novelty songs, (at least on these DVDs.) Kaye Adams, famous for her proto-feminist trucker theme “Little Pink Mac,” also was a semi-regular.

By far the most surreal performance in this collection was J.D. Sumner & The Stamps Quartet, a gospel group, led by a frog-voiced singer with a pencil-thin mustache. (This group would become part of Elvis Presley’s stage show.) Here they sing “Poor Wayfaring Stranger.” I had to check the credits to make sure that David Lynch didn’t direct this episode. The Stamps, in their pompadours, matching green suits and otherworldly expressions are weird enough. But what about the sudden shifts of Sumner’s scalp? His hair looks like some sleeping mammal that wakes up only when Sumner hits certain notes.

The earlier definitely were the most fun. As the DVD notes explains, “During the first few years, the shows were performed live to tape—each segment between commercial breaks was done without stopping or editing!”

Indeed, there were some rough moments there. You sometimes can hear the sound man making adjustments in the middle of a song. Whenever someone sings near the fountain, you can hear the water gurgling. And at one point Buck practically has to shout at Tommy Collins, who was on another part of the set, to start a song.

But by 1970, the show became slicker, more professional -- and ultimately far less immediate and far less charming.

As the DVD notes explain, “In later years Buck brought his son Mike in to help and they started editing the shows together after the songs were taped.”

In the 1970 and ‘71 shows included in the DVDs, The Buckaroos still have Rich, though his role seems diminished. Brumley was gone. Instead of Tommy Collins and Kay Adams, there’s the cheesy Hager Twins and Buck’s talentless son, “Buddy Alan.” (I do like big-haired/mini-skirted singer Susan Raye, who had joined the Owens troupe by this time though.)

In short The Buck Owens Ranch had become a junior version of Hee-Haw, which Buck had started co-hosting in 1969.

Owens quickly was heading for artistic decline by 1970. But the mid ‘60s episodes included in these DVDs show Buck Owens in his prime.

{CLICK HERE for an interesting article that contains some deatils about The Buck Owns Ranch.}

Other notable music DVDs:

The Dirty South Live at the 40 Watt Club by Drive-By Truckers. The Truckers don’t make it out to New Mexico very often (last time was January 2002 when they played Burt’s Tiki Lounge in Albuquerque), so if you’ve been craving to see this band, this DVD might have to do.

The performances here, including nearly all the songs from their latest and best album The Dirty South, was recorded last August at the kick-off shows for their 2004 tour.

It’s a hometown crowd for The Truckers (who, like R.E.M. before them, rose from the Athens, Ga. Scene) so the energy is high and crowd’s enthusiasm seems to fuel the band.

Besides the Dirty South tunes, the Truckers also include some of their greatest older tunes, including “Sinkhole” and “The Southern Thing” and their wild-eyed Southern boy version of Jim Carrol’s “People Who Died.”

My only complaint: No “Steve McQueen.”


The Pretenders Greatest Hits
(to be released June 7). One of the first videos I ever saw on MTV featured guys in business suits jumping up and down in slow motion on “Back on the Chain Gang.” It’s true, Chrissie Hynde’s sad and soulful voice is the main draw of that beautiful song, but the video imagery, Chrissie in her denim jacket and windswept sheepdog bangs, helped burn it in my mind forever.

This collection includes classic late ‘70s/early ‘80s Pretenders works as well as increasingly less essential products going up to the late ’90s.

I started losing interest in The Pretenders’ music almost 20 years ago, and have been disappointed with all their post Learning to Crawl albums. But seeing a scowling Chrissie with graying hair and a black cowboy hat in the 1999 “Human” video, looking like some criminally insane cousin of Lucinda Williams makes me want to give some of her more recent stuff another listen.

Thursday, May 26, 2005

BELABORING THE OBVIOUS

When a member of the state press asks Gov. Bill Richardson about his intentions in 2008 he'll usually laugh and roll his eyes and act like this is something we're making up.

However, Richardson's ambitions are obvious to the national media as well. Check out today's edition of ABC News' The Note

Six things that are known:


1. What George F. Will thinks of the Democrats, the filibuster deal, and Harry Reid.

2. What Paul Gigot thinks of ethanol.

3. How badly Bill Richardson wants to be president. (Emphasis mine)

4. How high Sen. Grassley's frustration level is over Social Security.

5. How Michael Whouley reacted when Carlos Watson named him one of the five possible "next Karl Roves" on CNN.

6. How quickly the RNC will put out a press release on what Bob Rubin said yesterday to the House Democratic caucus.


The only other reference to the gov in today's Note is a link to a New Hampshire Union Leader story that mentions his upcoming trip to New Hampshire, which, if you believe the governor's office, has nothing to do with the 2008 New Hampshire primary.

ROUNDHOUSE ROUND-UP: WHOSE PARTY IS THIS ANYWAY?

As published in The Santa Fe New Mexican
May 26, 2005


Gov. Bill Richardson is catching flak in the blogosphere for amassing a $3 million re-election campaign treasury.

But the complaints aren’t coming from Republicans, who have yet to find an obvious frontrunner to challenge Richardson in 2006. They’re coming from fellow Democrats — specifically the progressive wing of the party, or as some of them call themselves, the “Democratic wing of the Democratic Party.”

Over on the Democracy for New Mexico blog, a site that grew out of Howard Dean’s national Democracy for America group, Dems have been going back and forth over a recent post by the blog’s co-founder and webmaster Barbara Wold.

“Is it just me, or is anyone else put off by Gov. Richardson’s already large campaign fund for the 2006 governor’s race?” Wold pondered .

“What peeves me is that we frequently hear ‘we have no money’ when we suggest that the Dems, particularly our County Parties, do something about building our Party BEFORE the next election cycle,” she wrote. “No wonder it’s so difficult to raise funds for party activities when the big honcho at the top sucks all the bucks into his own personal coffers for a race that’s way down the line.”

Noting a couple of major donors on Richardson’s contribution list — namely Miguel Lausell, a political and business consultant based in Puerto Rico who gave the governor $25,000, and California real-estate investor Richard L. Bloch, who also pitched in $25,000 — Wold wrote: “Hmm. I wonder what they expect to get from such generous donations to a governor’s race in New Mexico? We once were truly the party of the people. What are we now? The party of the big bucks contributors?”

This initial post prompted just a handful of replies. But one Democrat who noticed was Amanda Cooper, Richardson’s political director.

In a lengthy reply, Cooper defended her boss, saying Richardson “has taken the lead here in New Mexico and across the country when it comes to the importance of investing and strengthening the Democratic Party. New Mexico is the first state in the country to put grassroots organizers on the ground. The grassroots organizer program was conceived, developed and funded by Gov. Richardson and his organization. Gov. Richardson not only placed the organizers at the Democratic Party, he continues to raise and donate the money for them to work in communities around the state in an effort to help move the party forward.”

Cooper denied the guv keeps all his campaign contributions for himself.

She wrote that Richardson “invested over a half a million dollars in helping candidates run for office here in New Mexico just last cycle, over a million dollars registering people to vote, holding campaign trainings, and turning out people to the polls.”

Cooper’s post elicited major response. And some blog regulars weren’t impressed.

“Are these organizers working for Richardson or the Democratic Party?” one poster asked. “Is the party just a parking lot for Richardson organizers before they go over to his campaign in ’06?”

Another wrote: “We are all happy we have a Democratic governor. And we are all glad that Richardson has brought more attention and resources to our state. ... What we (are) concerned about is someone making a private kingdom out of donations from large donors and sucking up all the capital for himself instead of for ALL our candidates, and our on the-ground operations.”

Some defended Richardson.

“As the leader of our party and the executive branch, and with a punch clock on the national playing field, the governor is the most obvious recipient for special interest largesse, which is why he has three million in the bank,” one man wrote. Richardson, he said, “has shown that he is able to say no to some of his biggest donors.”

Another wrote: “Instead of sitting around complaining about Richardson, we should be happy that he’s investing in the party both in NM and across the nation. We have the chance to have a two term gov running for President of the United States. What’s not to like about that?”

One poster got all historic on us: “Machiavelli would be pleased, reacting like a Jacobin Mob, which one of our leaders will we bring to the guillotine today!! Need not worry about the GOP, we will cut the throats of our own.”

But keeping quiet in the name of party unity doesn’t seem likely with these folks. These guys think the higher-ups might learn some things from the lower-downs .

In one of her posts, Wold said: “I think one thing people in higher positions in the Party here and nationally don’t seem to fully understand is how much mistrust and disgust there is within the Dem base about how things have gone and who’s in charge of the message and how it’s communicated and disseminated. There is a massive sea change happening from the ground up and people are very frustrated with the business as usual attitudes of many of our ‘leaders.’ ”

Wednesday, May 25, 2005

ATTENTION NORTHERN NEW MEXICO MUSICIANS!

Pasatiempo editor Kristina Melcher asked me to post this. Feel free to copy it and pass it on to any northern New Mexico musician you know. I don't want to hear any whining if you get left out.

Will you be in Pasatiempo's Music Directory?

If a musician plays in northern New Mexico and nobody is there to hear it --
does it make a sound?

Don't put this to the test. Instead, tell us who you are (or your band,
ensemble, orchestra, or any other musical life forms play; where you play (Santa Fe, La Cienega, Cerrillos, Las Vegas, Pecos, Los Alamos, EspaƱola, Chimayo, Taos or any surrounding areas); and how others can contact you (by phone or online).

We¹d like to consider you for inclusion in our new directory. Deadline to
apply is Friday, June 10 at 5 pm.

E-mail your facts to pasa@sfnewmexican.com with "music info" in the subject line, or fax us at 505-820-0803. Or use the mail: send info to R. Benziker, Pasatiempo, The New Mexican, P.O. Box 2048, Santa Fe, NM 87504.

UDALL SIGNS ON CONYERS LETTER

As published in The Santa Fe New Mexican
May 25, 2005


U.S. Rep. Tom Udall has signed onto a letter asking that President Bush answer questions about a top-secret document written in 2002 by an adviser to British Prime Minister Tony Blair indicating the U.S. had already made up its mind to invade Iraq and planned to manipulate intelligence to justify it.

Rep. John Conyers,
D-Michigan, and 88 other Democratic members of Congress sent a letter to Bush earlier this month asking whether the July 2002 memo, unveiled by The Sunday Times of London on May 1, accurately portrayed the administration's thinking at the time. It also asks whether there was a coordinated effort to “fix” intelligence to justify an invasion.

Conyers’ letter said the memorandum — which has come to be known as “The Downing Street Memo” or to some war opponents as “The Smoking Gun Memo” — “raises troubling new questions regarding the legal justifications for the war as well as the integrity of your own administration.”

Udall — who voted against the Iraq war resolution in October 2002 — wasn’t among the first wave of Congress members to sign Conyers’ letter.

“So many reps didn't get a chance to sign it that they've done a second letter and he's on that one,” Udall spokesman Glen Loveland said in an e-mail Tuesday.

“Rep. Udall signed the (second) letter because he feels that the allegations need to be addressed,” Loveland said. “Many of our constituents still want answers about the planning that happened before the beginning of the war.”

A spokeswoman for Conyers said Tuesday that “four or five” Congress members, including Udall, had asked to sign on the request for Bush to answer questions about the memo.

Conyers’ second letter, dated May 23, chides Bush about not answering the original letter.

Bush spokesman Scott McClelland has said there is “no need” to respond to Conyers.

The Downing Street Memo, written by Blair foreign policy aid Matthew Rycroft, consists of secret minutes of a British cabinet meeting eight months before the invasion of Iraq and three months before Congress passed the resolution authorizing military force in Iraq.

No British official has challenged the authenticity of the memo.

The minutes quote the British intelligence chief Richard Dearlove saying who said of his American counterparts: “Military action was now seen as inevitable. Bush wanted to remove Saddam, through military action, justified by the conjunction of terrorism and (weapons of mass destruction). But the intelligence and facts were being fixed around the policy.”

The memo quoted British foreign secretary Jack Straw saying “the case was thin” for an invasion because Saddam Hussein “was not threatening his neighbors” and because “his WMD capability was less than that of Libya, North Korea or Iran.”

Monday, May 23, 2005

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 22, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
The Sky is a Poisonous Garden by Concrete Blonde
Eve Future by The Mekons
Debaser by The Pixies
Freedom by J. Mascis & The Fog
Panthers by Wilco
Cosmic Highway by Les Claypool

Johnny Gillette by Simon Stokes
Love to Burn by Neil Young & Crazy Horse
My Little Problem by The Replacements with Johnette Napolitano
People Who Died by The Jim Carrol Band
Sex With the Devil by Anne Magnuson

Puzzlin' Evidence by The Talking Heads
Under the Waves by Heavy Trash
Don't Step on the Grass by Steppenwolf
You Are What You Is by Frank Zappa
Detachable Penis by King Missile
Touch Sensitive by The Fall
South Street by The Orlons

Back on the Chain Gang by The Pretenders
Isis by Bob Dylan
We Both Go Down Together by The Decemberists
Here Come the Choppers by Loudon Wainwright III
Poison by Susan James
The House Where Nobody Lives by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, May 21, 2005

THE SANTA FE OPRY PLAYLIST

Friday, May 20, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Georgia Hard by Robbie Fulks
Blame the Vain by Dwight Yoakam
I Thought I'd Die by Karen Hudson
Dirty Little Town (Too Late For Prayer) by Jay Ruffin
Jamie Was A Boozer by Joe West
Blood, Sweat & Murder by Scott H. Biram
Cat Squirrel by John Schooley
I Ain't Got Nobody by Emmett Miller
Jimmy Martin Set
All Songs by Jimmy Martin except where noted
Grand Old Opry Song
I'm Sittin' on Top of the World
Hold Whatcha Got
My Walkin' Shoes
Tennessee by The Last Mile Ramblers
Save It Save
Losin' You (Might Be the Best Thing Yet)
Will the Circle Be Unbroken by The Nitty Gritty Dirt Band & Guests (Jimmy Martin plays guitar)

Charlie Poole set
All Songs by Charlie Poole except where noted
Shootin' Creek
Moving Day by Arthur Collins
It's Moving Day
He Rambled
If the River Was Whiskey
May I Sleep In Your Barn Tonight, Mister
May I Sleep In Your Barn Tonight, Mister by Hank Thompson
Can I Sleep in Your Arms by Willie Nelson
Goodbye Booze

All Go Hungry Hash House by Norman Blake
Hank and Fred by Loudon Wainwright III
The Other Side of Town by John Prine
You Wouldn't Know Love by Billy Joe Shaver
Summer Wages by David Bromberg
Baby Mine by Michelle Shocked
Take Me by George Jones
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, May 20, 2005

OH HAVE YOU SEEN THE MUFFLER MAN?



My daughter Molly sent me this link to this site devoted to the strange phenomenon of The Muffler Man, the fiberglass giant that appears in scattered places throughout this great land of ours.

There's even mention here of the Lumberjack at Central and Louisiana in Albuquerque near my favorite Vietnamese restaurant, the May Cafe.

This is part of the amazing Roadside America site, where it's easy to get lost for hours.

TERRELL'S TUNEUP: THE WORLD OF CHARLIE POOLE

As published in The Santa Fe New Mexican
May 20, 2005


So you thought country music was invented in 1927 when Jimmie Rodgers and The Carter Family recorded for Ralph Peer in Bristol, Tenn.? So you thought that Hank Williams was the original drunken driver on the Lost Highway and that Waylon and Willie were the original country outlaws?

Then get yourself familiar with Charlie Poole, a North Carolina banjo man whose unjustly short musical career and helped build the foundation for country music and whose short tragic life -- his drunken indulgences, his scrapes with the law -- became an early blueprint for rock ‘n’ roll excess.

Though scattered Poole compilations have been available through the years, Columbia Legacy this week released a three-disc Charlie Poole box set, You Ain’t Talkin’ To Me: Charlie Poole and The Roots of Country Music, with a classic R. Crumb cover and impressive liner notes by Hank Sapoznik, (a klezmer musician as well as author and scholar.)

But this 72-song box isn’t just a collection of Poole recordings. While Disc One is all Charlie, the subsequent discs include Poole tunes along with versions that preceded those recordings, and/or later versions by those who followed Poole. There’s even a song by a guy who bought Poole’s banjo when Charlie needed the cash in 1930. (This was Preston Young, who, with Buster Carter, recorded their version of “Roll in My Sweet Baby’s Arms” years before Flatt & Scruggs.) In other words, you can hear what inspired him as well as who he inspired. It’s a glimpse of Poole’s entire musical word.

So who is this Charlie Poole character?

Born in 1892 in Eden, N.C., Poole was a mill worker, a bootlegger and a baseball player. According to Sapoznik, Poole’s three-finger banjo style developed from a baseball injury -- a drunken Poole made a bet that he could catch a ball without a glove no matter how hard it was thrown. He ended up breaking his fingers.

Poole began playing a self-made banjo fashioned from a gourd at the age of eight. He eventually was able to afford a proper store-bought banjo with his profits from running an illegal moonshine still.

In the early to mid 20s, Poole’s band The North Carolina Ramblers did their share of rambling. They gigged out west in Montana and as far north as Canada. Poole and company traveled to New York in 1925 -- two years before the Bristol sessions -- where they got a contract with Columbia Records. From that original recording session that July, Poole had his first 78 rpm hit : “Don’t Let Your Deal Go Down Blues” backed with “Can I Sleep in Your Barn Tonight, Mister.”

“Deal” went on to become a Flatt & Scruggs bluegrass classic. “Sleep in Your Barn,” which has the basic melody of “Red River Valley” is a hobo song later recorded by bluegrass great Mac Wiseman and honky-tonk titan Hank Thompson. Country-western songwriter Hank Cochran refashioned it into a romantic ballad, “Can I Sleep in Your Arms.” which Willie Nelson included in his landmark Red Headed Stranger.

Sapoznik‘s description of Poole‘s live performances reads like something that would make Howlin’ Wolf or even Jerry Lee Lewis jealous: “By all reports, a Poole show was something to see. Punctuating sly twists on familiar songs with his rat-a-tat picking style, Poole would leap over chairs, turn cartwheels, clog dance on his hands, and shake up audiences with repertoire that was just as surprising. Typical sets would careen from prim, cautionary heart songs to a ditty usually reserved for bawdy house anterooms to fiddle tunes to over-the-top renditions of popular songs, before drawing to a close with a contemplative hymn.”

Indeed, Poole was no purist. He put his stamp on hoary old folk songs as well as Tin Pan Alley pop hits. He could sing historical ballads like “White House Blues” ( a remarkably un-mournful account of the assassination of President McKinley), maudlin sentimental tunes like “Husband and Wife Were Angry One Night” (in which a little girl pleads with her parents not to divorce), funny tunes like “The Hungry Hash House” and “The Man Who Rode a Mule Around the World,” drinking songs like “If the River Was Whiskey” and a call for temperance called “Goodbye Booze,” (which unfortunately Poole didn’t heed.)

And Poole took “coon songs” -- minstrel show novelty songs that made fun of Black people -- and scrubbed them of their racial overtones.

One such case was “It’s Moving Day.” Originally recorded in 1906 by Arthur Collins, it’s a “comically” take on a poor Black getting evicted by a landlord. But when Poole recorded it in 1930, evictions were commonplace for all races. Poole retains the song’s gentle humor, but shucks all of Collins’ shuck-and-jive.

Sapoznik’s description of Poole shouting down talkative audience members (“Did you people come here to talk or to listen?”) reminds one of a volatile scene from Elvis Presley’s movie Jailhouse Rock.

And in a description in the liner notes of a barroom bust by a Rorer descendant, Poole makes 50 Cent look like a wimp.

“One of the officers nabbed Poole. ‘Consider yourself under arrest,’ he told him. Never having been one to run from a fight, Poole replied, ‘Consider, hell!’ and came down across the officer’s head with his banjo, the instrument neck hanging down his front like a necktie. Another policeman pulled a revolver on Poole, who grabbed it as the two wrestled across the floor. The officer managed to get the barrel of the pistol in Charlie’s ear but as he pulled the trigger to kill him, Poole shoved the gun away so that it went off near his mouth. The explosion chipped his front teeth and left his lips bloodied and badly burned.”

The Depression killed Poole’s music career and booze killed Poole. He lost his recording contract by 1931. He died later that year, following a three-month booze spree, which Sapoznik says began as a celebration of an offer to appear in a Hollywood film.

The life and music of Charlie Poole seems like a worthy subject for a film.

Thursday, May 19, 2005

TAG! I'M IT!

Marlee MacLeod, bless her heart, sent me this little musical questionnaire game of tag. I've got to answer some seemingly harmless questions about music on my blog, then forward it to five other blogsters, who are obligated by some secret Code of the Web to post their answers and pass it on to five other blogsters. Kind of like a chain letter I guess, though the promise of riches and happiness and the threat of ruin and humiliation are only implied.

Check out Marlee's answers at her blog.

The last CD I bought was: I think I might be forgetting something I picked up in some bargain bin somewhere, but the last ones I remember were the new re-issue of Don't Slander Me by Roky Erickson and Sonic Youth's Sonic Nurse, which I bought on the same day. I think this was after I won The Q People, A Tribute to NRBQ on E-bay.

Song playing right now: "Some Humans Ain't Human" by John Prine. (On shuffle mode right now are Prine's Fair & Square, Georgia Hard by Robbie Fulks and The Appalachians (Companion to the Public Television Series.)

Five songs I listen to a lot, or that mean a lot to me:
1) "Rag Doll" by The Four Seasons
2) "Freddy's Dead" by Curtis Mayfield
3) "It Is No Secret What God Can Do" by Elvis Presley
4 ) "Georgia Lee" by Tom Waits
5) "All Apologies" by Nirvana
5 and a half) "Touch of Evil" by Tom Russell


Five people to whom I'm passing the baton (and who I hope forgive me):

1) Mike at The Unruly Servant
2) Ken at New Mexiken
3) Mary at Tua's Corner
4) Julia at Julia Goldberg's Blog
5) Tom at The Donegal Express

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 28, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...