Showing posts sorted by relevance for query Al Hurricane. Sort by date Show all posts
Showing posts sorted by relevance for query Al Hurricane. Sort by date Show all posts

Monday, October 23, 2017

R.I.P. Al Hurricane

























I was on the air doing my radio show last night when I learned of the death of Alberto Sanchez, better known as Al Hurricane. He died from prostate cancer, He was 81.

Anyone know of any gatherings, tributes, memorials for Al? Let me know. E mail me at sterrell(at)sfnewmexican.com  thanks

Al was the undisputed king of New Mexico music. I've been a fan for about 40 years but I didn't get to meet him until 1998 when I interviewed him for the New Mexican. At that point he still was going strong as a musician.



Here's a copy of that interview

A version of this was published in The Santa Fe New Mexican
June 7, 1998


It's star time New Mexico style.

The band is pumping a Norteno beat and the audience is warmed up. Literally. It's an outdoor show on a hot afternoon, but nobody seems to mind the sweat and the sun.

"Are you ready for the star of the show?'' the man behind the keyboards asks. The crowd roars in approval.

"Well, sorry. We're not bringing him out yet.'' But the bandleader's smile gives away his little joke. "No, I'm just kidding. Here he is, ladies and gentleman, the star of the show, the Godfather of New Mexico music, and my father, Mr. Al Hurricane!''

The Godfather emerges from his tour bus parked to the left of the stage as all eyes turn to him. He cuts a dashing figure white suit, white shoes, a mop of black curly hair and a face marked by a black eye patch a grim souvenir of a life as a traveling musician turned into a celebratory trademark of a man and his music.

"Orale!" Hurricane shouts, waving his hand in greeting and grinning. Some shout back. Others just clap and cheer louder. By now it's a standing ovation and he hasn't even started.

He basks in the moment. This more than the money, he says is what propels Alberto Nelson Sanchez, the man behind the Hurricane.

For about 40 years Sanchez/Hurricane has been making a living with his music. He owns his own record company, Hurricane Records, which still thrives in the age of the compact disc. In past years his family also owned its own recording studio and nightclub in Albuquerque.

And while the entertainment business is full of stories of careers destroying family relationships, the musician's road seems to have had an opposite effect on the Sanchez clan.

Hurricane has shared the stage with his younger brothers "Tiny Morrie" and "Baby Gaby," who was part of a recent show at Camel Rock Casino. He has seen his son, Al Jr., grow up to become his bandleader, and his nieces and nephews find musical careers of their own. He currently is working with his youngest daughters on what he hopes will turn into a recording project.

But the road has had its share of pain and loss for Hurricane as well.

He lost an eye in an automobile wreck on the way to a gig in Colorado in November 1969.

Both of his marriages ended in divorce, the second one with extremely tragic consequences.

In 1986, soon after his second divorce, his ex-wife's boyfriend killed his 2-year-old daughter. The boyfriend, Ruben Lopez, and Hurricane's ex-wife each were convicted of charges of child abuse resulting in death. Both served time in prison. Hurricane had a heart attack soon after the killing.

But his family, his music and his fans all helped him heal and go on.

The Godfather! ("Don't call me `El Padrino'," he later cautions a reporter. "There's a singer down in Texas who goes by El Padrino.") As the crowd outside of Camel Rock Casino cheers, it's easy to see that the man called Hurricane has won a big spot in their hearts. And you can tell he feels that love. Maybe that's why he doesn't immediately take the stage, but goes right for the center of the crowd.

Holding a wireless microphone, Hurricane sings his first several tunes right there among the people. Between songs he shakes hands with his fans, tells jokes with the men and flirts with the ladies. (Nothing raunchy, mind you. Not far away in the audience is Bennie Sanchez Hurricane's mother). During one song, he dances with a little girl who has come to the show with her parents.

Indeed, it's an all-ages show. As Hurricane finally joins his band on stage and more couples start dancing, you can see many generations. Men and women who look old enough to be the parents of the 61-year-old Hurricane dance next to couples in their teens not to mention small children who scamper about the concert area.

It's an inter-generational gathering on stage also. Hurricane's son, Al Jr., 38, leads the band and is a recording artist in his own right. At the recent Camel Rock gig, two daughters, Erika, 20 and 13-year-old Danielle the twin sister of the girl who was killed sang a few songs. Other sons and daughters have played with him in the past.

Hurricane has been playing music in public since he was younger than Danielle.

He was born in Dixon in 1936, but spent most of his early years in Ojo Sarco. His mother gave him the nickname "Hurricane'' as a child.

"I couldn't reach across the table without spilling a bunch of things and knocking everything over," he said in a recent interview at one of his favorite Mexican restaurants in Albuquerque.

The Sanchez family moved to Albuquerque when Al was 9 years old. At first he found himself picked on because of his light complexion and natural blonde hair. (His jet black toupee is one of the worst-kept secrets in New Mexico entertainment circles).

But his music helped him win acceptance. Both his mother and his father, Margarito, who died in 1979, encouraged him in this direction, he said.

As a youngster he worked as a strolling troubadour at restaurants in Albuquerque's Old Town. As a student at Albuquerque High School he formed his own band.

During the late 1950s and early 1960s, Bennie Sanchez began a career of promoting rock shows at the old Civic Auditorium in Albuquerque. Among those who performed were James Brown, Chuck Berry and Elvis Presley. Hurricane said he played with Chubby Checker in Santa Fe at a show his mother produced.

The young Hurricane's group was frequently chosen to open the show for touring national acts and sometimes was hired as a ``pickup'' band for famous singers coming through town without their own backup groups.

This is how Hurricane hooked up with Fats Domino. For a short time he traveled with Domino, though he said he turned down a chance to tour Europe as a part of Domino's band in the early 1960s because he did not want to leave his wife and young children.

Hurricane had married his high school sweetheart Nettie. The couple had four children Al Jr., Darlene, Sandra and Jerry.

Hurricane said he also played some concerts as a guest guitarist with Marvin Gaye's band in the mid-1960s.

While he loved rock and soul music, by the late 1960s he realized "people here were hungry for Latino music."
The Godfather-to-be cut his first album Mi Saxophone in 1967 for a small independent record company. Soon after that, he and his family started Hurricane Records, which produced albums for Hurricane, Tiny Morrie and Baby Gaby, and later Al Jr.

More than 40 albums would be released on vinyl during the next couple of decades. Like other record companies in recent years, Hurricane now only deals in CDs and tapes. Hurricane said he has six of his own albums currently available on CD.

Meantime, brother Morrie and his mother set up a family recording studio on San Mateo Boulevard, purchasing recording gear from Norman Petty Studios in Clovis. "Norman Petty offered us a deal on his Buddy Holley equipment," Hurricane said.

And noticing that there was no venue in Albuquerque for Chicano music, the family bought the Far West nightclub on west Central Avenue.

Thus the Sanchezes became a mini-music industry of their own recording music at their own studio, distributing it on their own label and playing live at their own nightclub.

The family toured quite a bit in those days, mainly through the Western states with cities that had sizable Hispanic communities.

It was on the way to one of those out-of-state gigs that Hurricane lost his right eye.

"It was November First, 1969, in Walsenberg, Colorado,'' Hurricane recalled. "We were in our way up to a show in Denver. I was in a car, there were six of us, band members, you know. We were pulling a trailer with our equipment. Tiny, Gabe and my mom were behind us about two or three hours.''

The car hit an icy bridge and started to slide, Hurricane said. ``It turned over five times and I came out of the driver's side.''

There was a shard of glass stuck in his eye.

Hurricane's wife and children came to the hospital, he said. They got off the elevator as nurses wheeled him by in a gurney, "I heard my wife tell my son, `Look at that poor man. I hope your dad is not in that bad of shape.' My face was so swollen up my own wife didn't recognize me.''

The accident and the new eye patch didn't stop the music. But his first marriage soon came to an end. Hurricane remarried in 1971.

With his new wife, Hurricane had four more children Nelson, Erika and the twins Danielle and Lynnea.

By the early 1980s, Hurricane decided to sell the nightclub and the recording studio.

Tiny Morrie and his family moved to Mexico, where his son Lorenzo Antonio became something of a teen idol. Morrie's daughters would form a Spanish-language pop group called Sparx a few years down the road.

Baby Gaby by this point had decided to quit the music business. He became a postal worker but still performs occasionally.

The mid-1980s became the most horrible time in Hurricane's life the second divorce, the killing of Lynnea, the heart attack, which he says came about due to the stress of losing his little girl.

Lynnea Sanchez was pronounced dead on arrival at University of New Mexico Hospital on Nov. 5, 1986. An autopsy later showed that she died of blunt trauma to the back or the abdomen.

Hurricane's wife, Angela Sanchez, then 34, and her boyfriend Ruben J. Lopez, then 44, were arrested. In September 1987 a jury convicted both of child abuse leading to death.

Lopez was sentenced to nine years in prison. He was released in 1992 and is still on parole. Angela Sanchez was sentenced to six years and served about half her term.

Hurricane said he had no choice but to go on and be strong. "She went to prison and suddenly I had to be the mother and the father of my children, '' Hurricane said. "You know it really touched me. Last Mother's Day my son Nelson called me and said `Happy Mother's Day, Dad. You were my father and mother.' ''

These days Al Hurricane has slowed down. Not nearly as much touring, just a couple of gigs a week. He says he's working on a new album but doesn't want to say when to expect it. "Whenever I say, it would be later,'' he said.

But he still loves the music, still loves the applause, still loves it when a fan interrupts an interview to get an autograph and a kiss.

And the Godfather loves passing his music on to a younger generation. He recalled a recent show at a school in Las Vegas, N.M. The students he said were just as enthusiastic, if not more, than his regular audiences. "They were grabbing me, caressing me, '' he said. "I told the vice principal later that I felt like Elvis Presley. He told me, `You are our Elvis Presley.' "


Here are some videos, starting with one that was produced by Natalie Guillen for The New Mexican two years ago:








Thursday, October 11, 2007

ROUNDHOUSE ROUNDUP: POLITICAL HURRICANE

A version of this was published in The Santa Fe New Mexican
October 11, 2007


One problem that political reporters and bloggers are having since last week’s news that Sen. Pete Domenici, R-N.M., isn’t running for re-election is coming up with fresh metaphors for the effect that announcement is having on state politics.

Earthquake. Upheaval. Reshuffling the deck. Tsunami. Frenzy. Stampede. I believe all of those have been used, many of them by me. So let’s just go all the way and say it ripped a hole in the fabric of political reality in New Mexico.

So now I’m going to talk about a Hurricane. No, not another metaphor for tumult. I’m talking about the man with the eye patch who definitely is the most colorful supporter who attended Rep. Heather Wilson’s otherwise low-key announcement news conference in Albuquerque last week — the Godfather of New Mexico music, Al Hurricane.

Unfortunately, he was only there to show his support for Wilson’s Senate bid, not to sing. But, talking to Hurricane after the announcement, I learned something about Heather Wilson I’d never imagined.

She plays the banjo!

Hurricane said he and Wilson were at a presentation for students at an Albuquerque middle school, and she joined him on banjo for a song.
'MARTY
If state Democrats don’t want to lose the all-important bluegrass vote, they might have to bring in Sen. Robert Byrd, D-W.V., to do a little fiddling on the campaign trail. Indeed, this race could take a turn for the musical. Democrat Marty Chávez, besides being mayor of Albuquerque, plays electric guitar. He played “Louie Louie,” “Hang on Sloopy” and some other songs with the band that opened for Joan Jett at a Fourth of July concert at Balloon Fiesta Park.

Meanwhile, back on Capitol Hill: Republican U.S. Rep. Steve Pearce of the state’s southern Second Congressional District was still sitting tight as of Wednesday, though sources close to him confirmed the congressman “has started talking to folks about putting together a finance committee and some form of exploratory committee.”

One rule of thumb: When a potential candidate starts talking about “exploratory committees” that almost always means he or she is going to run.

One Republican with whom I spoke this week said Pearce doesn’t need to jump in the Senate race right away. He can sit back, see whether Gov. Bill Richardson decides to run for Senate (I haven’t bugged the Richardson camp today to get a denial, but earlier this week I got an emphatic “No.”) and keep raising money for a House race, which could be transferred to a Senate campaign.

The exploratory committee route might suggest that’s what Pearce is doing.

But my source close to Pearce said, “I don't believe that's a strategy he would pursue. He is strongly considering a run now and will make a decision sooner rather than later. Once the pieces are in place and he's comfortable with a decision, (Pearce will) put out a statement. But it could go either way.”

The club of The Club: While state Republicans were casting their first stones at Chávez on Tuesday, attacking his record as mayor, Wilson was facing an attack — from her right. The conservative Club for Growth, a national anti-tax group, released a statement saying Wilson’s economic record “runs both deep and wide in liberal waters.” The statement quoted club president Pat Toomey saying, “Last time I checked, supporting tax hikes, pork projects, and other liberal policies is not the mark of an economic conservative.”

Replacing Heather: About the time that Bernalillo County Sheriff Darren White was announcing his bid Wednesday to seek the GOP nomination for Wilson’s congressional seat, a Democrat, former Health Secretary (and St. Michael’s High School graduate) Michelle Lujan Grisham, announced she’ll be holding a news conference to announce her intention to run for the seat.

One person who is not having a news conference is state Rep. Al Park, D-Albuquerque. Park said last week that he was considering the race for CD 1. He confirmed Wednesday that he won’t be entering the race. “I’ve got to put family first,” he said. He will, however, run for re-election to the state Legislature, where he chairs the House Judiciary Committee.

So far in that congressional race, Republican candidates include White and possibly state Rep. Janice Arnold-Jones of Albuquerque, while Democrats include Albuquerque City Councilor Martin Heinrich, former assistant Attorney General Jon Adams and (probably) Grisham.

Bad news from Nevada: Gov. Bill Richardson has said many times that he needs to do well in Nevada to keep his presidential hopes alive. Therefore a new poll from the Silver State by American Research Group has to be extremely disappointing for his campaign.

The poll of 600 Nevada residents likely to participate in the Democratic caucus in January show only 5 percent support Richardson, putting him in a distant fourth place. What’s worse for the governor is this is one point down from the last ARG Nevada poll in June. The poll was taken Friday through Tuesday and has a 4 percent margin of error.

Another ARG poll released Wednesday shows Richardson pulling 7 percent among likely Arizona Democratic primary voters. That poll interviewed 600 likely voters and had a 4 percent margin of error. U.S. Sen. Hillary Clinton has a wide lead in both states.

BLOG BONUS

Seeing Al Hurricane last week made me realize that the profile I did of him nine years ago hasn't been up on the Internet since my original web site went down several years ago. So what the heck ...

A version of this was published in The Santa Fe New Mexican
June 7, 1998


It's star time New Mexico style.

The band is pumping a Norteno beat and the audience is warmed up. Literally. It's an outdoor show on a hot afternoon, but nobody seems to mind the sweat and the sun.

"Are you ready for the star of the show?'' the man behind the keyboards asks. The crowd roars in approval.

"Well, sorry. We're not bringing him out yet.'' But the bandleader's smile gives away his little joke. "No, I'm just kidding. Here he is, ladies and gentleman, the star of the show, the Godfather of New Mexico music, and my father, Mr. Al Hurricane!''

The Godfather emerges from his tour bus parked to the left of the stage as all eyes turn to him. He cuts a dashing figure white suit, white shoes, a mop of black curly hair and a face marked by a black eye patch a grim souvenir of a life as a traveling musician turned into a celebratory trademark of a man and his music.

"Orale!" Hurricane shouts, waving his hand in greeting and grinning. Some shout back. Others just clap and cheer louder. By now it's a standing ovation and he hasn't even started.

He basks in the moment. This more than the money, he says is what propels Alberto Nelson Sanchez, the man behind the Hurricane.

For about 40 years Sanchez/Hurricane has been making a living with his music. He owns his own record company, Hurricane Records, which still thrives in the age of the compact disc. In past years his family also owned its own recording studio and nightclub in Albuquerque.

And while the entertainment business is full of stories of careers destroying family relationships, the musician's road seems to have had an opposite effect on the Sanchez clan.

Hurricane has shared the stage with his younger brothers "Tiny Morrie" and "Baby Gaby," who was part of a recent show at Camel Rock Casino. He has seen his son, Al Jr., grow up to become his bandleader, and his nieces and nephews find musical careers of their own. He currently is working with his youngest daughters on what he hopes will turn into a recording project.

But the road has had its share of pain and loss for Hurricane as well.

He lost an eye in an automobile wreck on the way to a gig in Colorado in November 1969.

Both of his marriages ended in divorce, the second one with extremely tragic consequences.

In 1986, soon after his second divorce, his ex-wife's boyfriend killed his 2-year-old daughter. The boyfriend, Ruben Lopez, and Hurricane's ex-wife each were convicted of charges of child abuse resulting in death. Both served time in prison. Hurricane had a heart attack soon after the killing.

But his family, his music and his fans all helped him heal and go on.

The Godfather! ("Don't call me `El Padrino'," he later cautions a reporter. "There's a singer down in Texas who goes by El Padrino.") As the crowd outside of Camel Rock Casino cheers, it's easy to see that the man called Hurricane has won a big spot in their hearts. And you can tell he feels that love. Maybe that's why he doesn't immediately take the stage, but goes right for the center of the crowd.

Holding a wireless microphone, Hurricane sings his first several tunes right there among the people. Between songs he shakes hands with his fans, tells jokes with the men and flirts with the ladies. (Nothing raunchy, mind you. Not far away in the audience is Bennie Sanchez Hurricane's mother). During one song, he dances with a little girl who has come to the show with her parents.

Indeed, it's an all-ages show. As Hurricane finally joins his band on stage and more couples start dancing, you can see many generations. Men and women who look old enough to be the parents of the 61-year-old Hurricane dance next to couples in their teens not to mention small children who scamper about the concert area.

It's an inter-generational gathering on stage also. Hurricane's son, Al Jr., 38, leads the band and is a recording artist in his own right. At the recent Camel Rock gig, two daughters, Erika, 20 and 13-year-old Danielle the twin sister of the girl who was killed sang a few songs. Other sons and daughters have played with him in the past.

Hurricane has been playing music in public since he was younger than Danielle.

He was born in Dixon in 1936, but spent most of his early years in Ojo Sarco. His mother gave him the nickname "Hurricane'' as a child.

"I couldn't reach across the table without spilling a bunch of things and knocking everything over," he said in a recent interview at one of his favorite Mexican restaurants in Albuquerque.

The Sanchez family moved to Albuquerque when Al was 9 years old. At first he found himself picked on because of his light complexion and natural blonde hair. (His jet black toupee is one of the worst-kept secrets in New Mexico entertainment circles).

But his music helped him win acceptance. Both his mother and his father, Margarito, who died in 1979, encouraged him in this direction, he said.

As a youngster he worked as a strolling troubadour at restaurants in Albuquerque's Old Town. As a student at Albuquerque High School he formed his own band.

During the late 1950s and early 1960s, Bennie Sanchez began a career of promoting rock shows at the old Civic Auditorium in Albuquerque. Among those who performed were James Brown, Chuck Berry and Elvis Presley. Hurricane said he played with Chubby Checker in Santa Fe at a show his mother produced.

The young Hurricane's group was frequently chosen to open the show for touring national acts and sometimes was hired as a ``pickup'' band for famous singers coming through town without their own backup groups.

This is how Hurricane hooked up with Fats Domino. For a short time he traveled with Domino, though he said he turned down a chance to tour Europe as a part of Domino's band in the early 1960s because he did not want to leave his wife and young children.

Hurricane had married his high school sweetheart Nettie. The couple had four children Al Jr., Darlene, Sandra and Jerry.

Hurricane said he also played some concerts as a guest guitarist with Marvin Gaye's band in the mid-1960s.

While he loved rock and soul music, by the late 1960s he realized "people here were hungry for Latino music."
The Godfather-to-be cut his first album Mi Saxophone in 1967 for a small independent record company. Soon after that, he and his family started Hurricane Records, which produced albums for Hurricane, Tiny Morrie and Baby Gaby, and later Al Jr.

More than 40 albums would be released on vinyl during the next couple of decades. Like other record companies in recent years, Hurricane now only deals in CDs and tapes. Hurricane said he has six of his own albums currently available on CD.

Meantime, brother Morrie and his mother set up a family recording studio on San Mateo Boulevard, purchasing recording gear from Norman Petty Studios in Clovis. "Norman Petty offered us a deal on his Buddy Holley equipment," Hurricane said.

And noticing that there was no venue in Albuquerque for Chicano music, the family bought the Far West nightclub on west Central Avenue.

Thus the Sanchezes became a mini-music industry of their own recording music at their own studio, distributing it on their own label and playing live at their own nightclub.

The family toured quite a bit in those days, mainly through the Western states with cities that had sizable Hispanic communities.

It was on the way to one of those out-of-state gigs that Hurricane lost his right eye.

"It was November First, 1969, in Walsenberg, Colorado,'' Hurricane recalled. "We were in our way up to a show in Denver. I was in a car, there were six of us, band members, you know. We were pulling a trailer with our equipment. Tiny, Gabe and my mom were behind us about two or three hours.''

The car hit an icy bridge and started to slide, Hurricane said. ``It turned over five times and I came out of the driver's side.''

There was a shard of glass stuck in his eye.

Hurricane's wife and children came to the hospital, he said. They got off the elevator as nurses wheeled him by in a gurney, "I heard my wife tell my son, `Look at that poor man. I hope your dad is not in that bad of shape.' My face was so swollen up my own wife didn't recognize me.''

The accident and the new eye patch didn't stop the music. But his first marriage soon came to an end. Hurricane remarried in 1971.

With his new wife, Hurricane had four more children Nelson, Erika and the twins Danielle and Lynnea.

By the early 1980s, Hurricane decided to sell the nightclub and the recording studio.

Tiny Morrie and his family moved to Mexico, where his son Lorenzo Antonio became something of a teen idol. Morrie's daughters would form a Spanish-language pop group called Sparx a few years down the road.

Baby Gaby by this point had decided to quit the music business. He became a postal worker but still performs occasionally.

The mid-1980s became the most horrible time in Hurricane's life the second divorce, the killing of Lynnea, the heart attack, which he says came about due to the stress of losing his little girl.

Lynnea Sanchez was pronounced dead on arrival at University of New Mexico Hospital on Nov. 5, 1986. An autopsy later showed that she died of blunt trauma to the back or the abdomen.

Hurricane's wife, Angela Sanchez, then 34, and her boyfriend Ruben J. Lopez, then 44, were arrested. In September 1987 a jury convicted both of child abuse leading to death.

Lopez was sentenced to nine years in prison. He was released in 1992 and is still on parole. Angela Sanchez was sentenced to six years and served about half her term.

Hurricane said he had no choice but to go on and be strong. "She went to prison and suddenly I had to be the mother and the father of my children, '' Hurricane said. "You know it really touched me. Last Mother's Day my son Nelson called me and said `Happy Mother's Day, Dad. You were my father and mother.' ''

These days Al Hurricane has slowed down. Not nearly as much touring, just a couple of gigs a week. He says he's working on a new album but doesn't want to say when to expect it. "Whenever I say, it would be later,'' he said.

But he still loves the music, still loves the applause, still loves it when a fan interrupts an interview to get an autograph and a kiss.

And the Godfather loves passing his music on to a younger generation. He recalled a recent show at a school in Las Vegas, N.M. The students he said were just as enthusiastic, if not more, than his regular audiences. "They were grabbing me, caressing me, '' he said. "I told the vice principal later that I felt like Elvis Presley. He told me, `You are our Elvis Presley.' "

Sunday, August 30, 2015

Viva Al Hurricane!

El Godfather in action
The Godfather of New Mexico music, Alberto Sanchez, better known as Al Hurricane, is hanging it up. At the age of 79, he's near the end of his "Farewell Tour." What's being billed as his last show will be Saturday, Sept. 5, during the Fiesta de Santa Fe’s Mariachi Extravaganza at the Fort Marcy Ballpark.

I was saddened to learn that Al is suffering from Stage 4 prostate cancer.

My New Mexican colleague Staci Matlock just wrote a wonderful profile of Hurricane's life and career in today's paper. You can find that HERE. You also should check out some more videos of Al's interviews, shot by Natalie Guillen, HERE.

And if you've really come down with Hurricane mania, you can even check out the 1998 profile I did.  I tacked it on a political column from a few years ago in which I'd mentioned Al. CLICK HERE (and scroll down for the profile.)

New Mexico loves you, Al!

Enjoy some of his music below.



Friday, July 16, 2010

Hurricane Warning for Santa Fe

Al Hurricane that is.

The Godfather of New Mexico music and his son Al Hurricane, Jr., will perform 7:30 pm, Saturday, August 7 Santa Fe Community Convention Center at a benefit dance for the Santa Fe Fiesta Council.

Al the Elder released his first album in 1967. Hurricane has released 29 more albums with his latest in 2007.

CLICK HERE and scroll down to find my 1998 profile of Al, Sr.

Tickets are $15 per person or $25 per couple and can be purchased at the Lensic Peforming Arts Box Offfice, by phone at (505) 988-1234 or online.

Friday, January 07, 2011

RADIO HURRICANE

Al Hurricane, the Godfather of New Mexico Music -- and who was featured in the latest New Mexico Blue Book -- will perform live at Albuquerque's KiMo theater, 8 p.m. Feb. 16.

And if you can't make it to the theater, you can listen to it live on the radio,  KANW 89.1.

You can read my 1998 profile of Al HERE (scroll down)

Friday, May 19, 2006

TERRELL'S TUNE-UP: MUSIC IN EXILE

A version of this was published in The Santa Fe New MexicanMay 19, 2006

New Orleans soul matriarch Irma Thomas is leading a camera crew through her hurricane-damaged home. She points to what looks like a bas-relief portrait of herself on the floor. Like virtually everything else in the house, it’s water-damaged.

“Ironically, it looks like I’ve got a tear coming out of my eyes,” Thomas says with a laugh. “I’ve had a few of those, trust me.”

This is a scene from New Orleans Music in Exile, a new film from music-documentary master Robert Mugge, scheduled to debut Friday, May 19, on Starz InBlack, a premium cable/satellite channel.

The film, shot last fall, tells the story of Hurricane Katrina from the perspective of those engaged in New Orleans’ greatest export — music.

If, like me, you’re one of those people who shed a tear of joy when Fats Domino was found alive in Katrina’s aftermath after being reported missing for several days and who followed Web sites that listed New Orleans musicians who had been accounted for and those still missing, this film is for you.

“The story of what’s happening in New Orleans is so big, you can turn on a camera anywhere there and get something interesting,” Mugge told me in an interview last November, shortly after he’d shot most of the documentary. “You can talk to anyone you see on the street and get a great story. So music makes it a manageable focus.”

Mugge lets musicians tell their stories about how the hurricane devastated their world. Thomas takes us into what’s left of her nightclub, the Lion’s Den. There she points out the Christmas lights that Mugge and his crew put up about 10 years before while filming a happier documentary.

Similarly, piano man Eddie Bo goes into his coffee shop for the first time with his manager and sister, several weeks after Katrina. It’s lucky that the film doesn’t come in Smell-o-Rama.

The film takes us to cities musicians have fled to — possibly for good. Bo’s gone to Lafayette, La. Cyril Neville and The Iguanas moved to Austin, Texas, a city whose live-music scene rivals that of New Orleans. Trumpeter Kermit Ruffins and ReBirth Brass Band went to Houston, where they found a home at a joint called the Red Cat Jazz Café.

These exiles are grateful to be welcomed in their new locales. “All of the musicians here have opened their arms to us like you would not believe,” Ruffins says.

Eddie Wilson, owner of Threadgill’s in Austin, tells how singer Marcia Ball approached him in September to tell him that Neville was moving there. “She told me, Wilson, you take care of these people. And in her eyes she says ‘or your ass is grass.’” Neville got a regular gig at the famed restaurant.

But their homesickness is obvious.

Even though Ruffins is well-known in his home town, he had to prove himself at a weeknight open jam session at Red Cat before he got a steady gig. In an interview in the film, he nostalgically talks about how he’d walk up the street before a gig in New Orleans and catch five different bands before his own show.

Phil Frazier of ReBirth Brass Band regrets the band is no longer able to do all the little gigs — the backyard birthday parties, the jazz funerals — it used to do.

One of the film’s major undercurrents is the fear that even if New Orleans is rebuilt, it will never be the same. Will the city rise again? Or will it be transformed into a Disney-like tourist playground?

“There’s gonna be a great big fight that’s gonna go on for who’s gonna own what in New Orleans and whether that’s really gonna be New Orleans,” says Neville, who has been outspoken in his criticism of the New Orleans power structure. “It’s a spiritless body,” he says. “And that’s all it’s gonna be without those people from the 6th, 7th, 8th, and 9th wards.”

Dr. John is more optimistic. “Well, I can’t say what it could be now,” he drawls. “But I know that with some serious help, it could be New Orleans, because we plannin’ on comin’ back stronger than ever.” But that promise is somewhat at odds with the weary and worried expression the Doctor has throughout the documentary.

As in all Mugge films (others include Deep Blues, Last of the Mississippi Jukes and Gospel According to Al Green), the music speaks even more clearly than his interview subjects. There are some dynamic performances here.

My favorite new discovery is ReBirth Brass Band, which performs a song called “Lord, Lord, Lord” in a Houston park.

Dr. John does a spirited take on his hoodoo classic “I Walk on Guilded Splinters” (shown just before an actual living-room voodoo ceremony shot in a neighborhood where electricity hadn’t been restored).

The Iguanas do a Mexed-up version of the Nick Cave song “Right Now I’m A-Roamin’” at the Continental Club in Austin.

And it wouldn’t be a film about Katrina without Randy Newman’s “Louisiana 1927.” Originally appearing on Newman’s 1974 epic album Good Old Boys, this tune has virtually become the official theme song of Katrina. With its reference to a cynical President Coolidge coming down with “a little fat man” to survey the damage of a terrible flood and the refrain “Louisiana, Louisiana, they’re trying to wash us away,” Newman’s lyrics resonate stronger than ever. Aaron Neville, who had recorded the song before, sang it on the Concert for Hurricane Relief television special last September. Newman cut a new version of it for the Our New Orleans benefit CD. And Marcia Ball does a soulful version in the documentary.

I hope Starz releases the film as a DVD and that it includes full performances of these songs and others. The importance of New Orleans to American music has become almost a cliché since Katrina. But Mugge’s film shows just how true that truism is and what a cultural tragedy that hurricane created.

On the radio: There’s no soundtrack album,at least not yet, for New Orleans Music in Exile. But I’ll play some of the music and other works by the musicians discussed here on Terrell’s Sound World, Sunday on KSFR, 90.7 FM. The show starts at 10 p.m., and the New Orleans set will start just after 11 p.m.

Sunday, July 26, 2020

TERRELL'S SOUND WORLD PLAYLIST





Sunday, July 26, 2020
KSFR, Santa Fe, NM
Webcasting!
9 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrell(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Be in the Now by Alien Space Kitchen
Down to the Dogs by Dead Moon
Lap Dancer by Big Ugly Guys
Blue Ain’t My Color by Chubby & The Gang
Baby Please Don’t Go by The Fuzztones
Catfight by The Barbarellatones

Mr. Tuna’s Big Old Place by Thinking Fellers Union Local 282
Sam the Homosapien by Mean Motor Scooter
Lust by The Tryfles
Geraldine by The A-Bones
West York Ballad by The Mekons
Man With Soul by Alex Maiorano & The Black Tales
La Mula Bronca by Al Hurricane
Deteriorata by Norman Rose

Wrecked by Sleeve Cannon
Angel on the Road by X
I’m a Pig by Jono Manson
Speedway by Alan Vega
What Jail is Like by Afghan Whigs
I See the Light by The Five Americans
Hi Ho Baby by Lightning Beatman
Budujemy Nowy Dom (We Are Building a New Home) by Kazik

Revolution Kids by REQ’D
Walker on the Wild Side by The Grannies
Your Love by Marshmallow Overcoat
Purple Merkin Power by Purple Merkins
Can’t Stop Buying Records by Dave Del Monte & The Cross Country Boys
Don’t Wanna Wash Off Last Night by Gaunga Dyns
Somebody Told the Truth by Peter Case
I Was a Teenage Kiddie Porn Star by Al Foul & The Shakes

R.I.P. Rep. James Lewis
Eyes on the Prize by Mavis Staples
We Shall Not Be Moved by Sharon Jones
People Get Ready by The Chambers Brothers
Why (The King of Love is Dead) by Nina Simone
The Alabama Bus (Parts 1 & 2) by Brother Will Hairston
Say It Loud, I’m Black and Proud Part 1 by James Brown

Good Ship Venus by Loudon Wainwright III
Plastic Jesus by Gal Holiday & The Honky Tonk Revue
Down Off the Farm by Kipp Bentley
I Had an Od Cow by Baby Gramps
Hard Travelin’ by Tim Timebomb
In the Heat of the Night by Ray Charles
You Gotta Move by Sam Cooke
Where Did the Night Go by Gil Scott-Heron
Gun by Little Sparta with Sally Timms
Mysteries of Love by Julie Cruise
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

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Sunday, September 21, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, September 21, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

SUPPORT THE KSFR FALL FUNDRAISER!
Call me during the show 505-428-1382 or PLEDGE ONLINE

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
It's Money That I Love by Randy Newman
Money Money by The A-Bones
Money (That's What I Love) by Jerry Lee Lewis
I Need Some Money, I Want Some Money by Swamp Dogg
Money Won't Change You by James Brown
Before the Money Came by Bettye Lavette

Maniac Rockers From Hell by The Meteors
Chocolate Drop by Howlin' Wolf
(I'm Not Your) Scratchin' Post by The Dirtbombs
Cab it Up by The Fall
Vampiro by Los Peyotes
Seething Psychosexual Conflict Blues by Figures of Light
Only to Other People by The Detroit Cobras
Addictos Al Ye Ye by The Hollywood Sinners
Dos Hojas Sin Rumbos by Al Hurricane

BRIAN WILSON SET
All songs by Brian Wilson except where noted
That Lucky Old Sun/Morning Beat
Heroes & Villains by The Beach Boys
My Jeanine by Brian Wilson & Van Dyke Parks
Rio Grande
Cabin Essence
Add Some Music to Your Day
Still I Dream of It
Surf's Up by The Beach Boys
Going Home

Meth of a Rockette's Kick by Mercury Rev
Always by Leonard Cohen
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Tuesday, April 09, 2019

Santa Fe Bandstand 2019 Schedule

Outside In Productions just announced this summer's Santa Fe Bandstand schedule.

Shinyribs at 2018 South by Southwest 
Ad it's going to kick off with none other than Shinyribs!

In a magnificent act of copy-and-paste, here's that schedule:


• Opening Night with SHINYRIBS (June 19): Shinyribs is an American country-soul, swamp-funk band. Known for his outrageous outfits and on-stage antics, front man Kevin Russell delivers a rousing dance party of a show that’s impossible to forget. Winners of “Best Austin Band” at the 2019 Austin Music Awards.

PETER ROWAN AND THE FREE MEXICAN AIRFORCE with LOS TEXMANIACS (June 22): Grammy-award winner Peter Rowan comes back to Old Santa Fe for his 3rd Bandstand appearance. For this special show, Peter will be backed by New Mexico’s own Grammy winning conjunto band Max Baca y Los Texmaniacs.

LA MERA CANDELARIA (June 27): This LA-based band fuses cumbia with the relaxed vibes of son cubano, creating a refreshing new musical mix. Founder Stephani Candelaria hopes her lyrics, which tackle queer relationships and gender roles, inspire cultural change in her community.

JIM LAUDERDALE (July 10): Jim Lauderdale is a 2-time Grammy winning Americana icon, a singer-songwriter whose unmistakable rhinestone-incrusted silhouette has been a symbol for creative integrity and prolificacy for
thirty-one albums over decades of recording.
Terrance Simien at Santa Fe Bandstand, June 2014

TERRANCE SIMIEN AND THE ZYDECO EXPERIENCE (July 16): For 35 years, two- time Grammy award winning artist Terrance Simien, 8th generation Louisiana Creole has been shattering the myths about what his indigenous Zydeco roots music is – and is not. Don’t miss this special Cajun dance party.

AL HURRICANE, JR. (July 20 at SWAN Park): Affectionately known as "The Godson" of New Mexico Music, Al Huricane Jr. proves the apple doesn’t fall far from the tree, having created numerous solo albums and
contributed such celebrated songs as "Flor De Las Flores" to New Mexico's unique style of Spanish music.

AMY HELM (July 24): Amy Helm is an American singer-songwriter and daughter of The Band drummer Levon Helm and singer Libby Titus. She is a past member of the Levon Helm's Midnight Ramble Band and Ollabelle.

LOS STRAITJACKETS (August 1): Mixing the familiar sounds of Dick Dale, Duane Eddy, and the Ventures, Los Straitjackets create their own version of energetic surf guitar twang, complete with Mexican wrestling masks.

ELIZA GILKYSON (August 7): Eliza Gilkyson is a twice Grammy-nominated (2006/2015) singer songwriter and activist who is one of the most respected musicians in Folk, Roots and Americana circles.

DAVINA AND THE VAGABONDS (August 8): With influences ranging from Fats Domino and the Preservation Hall Jazz Band to Aretha Franklin and Tom Waits, Davina and the Vagabonds have grown from a down-and-dirty
blues band into one of the most exciting acoustic ensembles on the international stage.

Friday, October 05, 2007

WHAT A WEEK!


I'm a political junkie, but with all the stuff going on these past few days I feel like I'm about to OD.

And now Julia's accusing me of hagiography. At least it's not child hagiography.

Besides all the scrambling for Pete Domenici's seat (Heather in, Udall out, Pearce pondering, Lyons leaning, Richardson closing the door), the latest story is about state Sen. John Grubesic's announcement he's not running for re-election. Here's an early Web version of the story. But check The New Mexican tomorrow. There's much more, including a possible surprise candidate.

My favorite part of Heather's announcement press conference today was seeing Al Hurricane there and getting to yack with him for the first time in at least a couple of years. Al's a long-time Wilson supporter. But whatever your politics, he's a great New Mexican musician. I'll play a song of his on the Santa Fe Opry tonight.

No politics for me this weekend. I'm taking my son to see They Might Be Giants at the Santa Fe Brewing Company Sunday. If you see me there do me a favor and don't try to talk politics. back in 1992 or so I took my daughter to see TMBG in Albuquerque and I had to threaten to strangle this guy WHO WAS ON ACID and wanting to talk politics (!!!!) during the concert.

Sunday, June 11, 2023

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 11, 2023
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrell(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Cautious by Anton Terrell
I'm Shakin' by Little Willie John
Nchiwewe by Keturah
Good Night For A Heart Attack by Nashville Pussy
I Stopped The Duke Of Earl by The Upfronts 
Praying For A Miracle by The Syncopates
TTT Gas by The Gourds
Chicksvile U.S.A. by Jimmy Gray

Bop, Man, Bop by Doug Amerson & His Dude Cowboys
He's A Mighty Rock by The Joy Harmonizers
It's Just Not True by The Goldstars
Bring It Down To Jelly Roll by John Fogerty 
Mr. Gasser by Mr. Gasser & The Weirdos 
Drag Hag by The Weird-ohs
Lethal Love by Eilen Jewell 
You Knock Me Out by The Tenants 
Jimmy Joe, The Hippybilly Boy by Ed Sanders
Twice as Bright by Nick Shoulders

Ring The Bell by True Believers 
Bad News by Alejandro Escovedo & Jon Langford
Homemade Pie by Johnny Dowd
Mi Saxophone by Al Hurricane
Crazy Love by Joey Dee & The Starliters
Psychotic Reaction by Brenton Wood 
They Call It Rock by Rockpile
I'm Cramped by The Cramps
Be Off To The Moon by Dr. Strange Love

Just Like A Bird Without A Feather by Samuel L. Jackson
The Creeper by Al Duvall 
Wildebeest by The Handsome Family 
Is That You in the Blue? by James Leg
Lost Generation by The Lost Generation
Your Song by Love Psychedelico
Little Trouble Girl by Sonic Youth
The Beast In Me by Nick Lowe
(Weather alert pre-empted my closing theme, so I didn't even get to say goodbye! )





Thursday, October 26, 2017

THROWBACK THURSDAY: Remembering Fats Domino


On Monday night, while editing one of my stories about the career of the late Al Hurricane, my editor Howard Houghton had a question about a reference to Fats Domino. Fats was in the story, of course, because Hurricane had toured with him briefly as a young man. Howard, a serious blues fan, asked whether we should identify Domino as an "early rock giant" as I had done in the piece, or an "early R&B giant." While either description is accurate, I argued that more people probably know him as a rock 'n' roll star.

"He's one of the last of the early rockers left," I said.

That was true Monday night.

But now Antoine Dominique Domino Jr. is gone.

Like Elvis Presley, Chuck Berry, Buddy Holly and the other founding fathers, I remember loving Fats Domino's music before I even started grade school. Maybe, being a fat kid myself I had a certain affinity for The Fat Man. But it's deeper than that. Just hearing him sing and play piano made me feel happy deep inside.

More than a quarter century ago, before my son was born, I wanted to name him "Antoine" to honor Mr. Domino. My then-wife wasn't quite sold. She thought such a French-sounding name might sound too affected, So we compromised and named him "Anton." It would be nice if I could say my son became a huge Fats Domino fan. He's not -- but he has an open mind and a healthy curiosity about music, so maybe one day.

By the way, as soon as I learned about Fats' death I sent Howard a link to the New Orleans Time Picayune obit. When I got to work, he threw this part of the story right into my face:

Mr. Domino was one of the Rock and Roll Hall of Fame's first 10 inductees.

But in a 1956 interview, Mr. Domino said, "What they call rock and roll is rhythm and blues, and I've been playing it for 15 years in New Orleans." 

Lord keep you, Mr. Domino. Here are some of my favorite (and not overplayed) tunes from the late giant. Here's his first hit, "The Fat Man."




The Beatles always cited Fats Domino as a major influence. The first time I heard "Lady Madonna" in 1968 I thought it was an obvious tribute to the man from New Orleans -- and Paul McCartney has admitted as much. I guess Fats liked it too. Just a few months later he released his own version.



This is a fairly recent (2011) version of a fairly obscure Domino song from 1956.



In the mid 1980s, Domino teamed up with another Louisiana star, Doug Kershaw to cover "Don't Mess With My Toot Tooty," a song that not long before had been a hit for zydeco singer Rockin' Sidney. (Check out the guest appearances by David Carradine and Louisiana Gov. Edwin Edwards in this video.



Finally, here's a sweet tribute to The Fat Man from Albuquerque poet Hakim Bellamy, which he released Wednesday after Mr. Domino died.




Thursday, May 21, 2009

BLIP.FM ADDS VIDEOS

My old No Depression board buddy Paul Bonanos writes in The New York Times about Blip.fm's latest deal with Youtube to bring music videos to its service.

Paul's story is HERE .

His Blip page is HERE

My Blip page is HERE.

And below is a very short clip of Al Hurricane and his brother Tiny Morrie. The video doesn't show up when you embed the blip, so I'll embed the Youtube itself.



Sunday, October 09, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 9, 2011 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Volare by Alex Chilton
Raw Power by Iggy & The Stooges
Blues for Joe by The Monsters
Angry Hands by Manby's Head
Bad Boy by HeadCat
One-Eyed Girl by The Compulsive Gamblers
Old Folks Boogie by Jack Oblivian
Crawdaddy by Nine Pound Hammer
White Rabbit by The Frontier Circus

Spook Factor by The Memphis Morticians
Get Down (and Get Stupid) by The Del-Gators
Electric Band by Wild Flag
Family Tree by Black Lips
Sweet Jesus by Elvis Hitler
Sister Ray Charles by JC Brooks & The Uptown Sound
Booty City by Black Joe Lewis & The Honeybears
Natural Man by The Dirtbombs
Crazy Clown Time by David Lynch

Victory Song by Scott H. Biram
Hail Bop! by The Bassholes
Primitive by Southern Culture on the Skids
The Pimps Don't Like It by Juke Joint Pimps
I Might Just Crack by April March
Good Bye Johnny by The Gun Club
Baila Bailme by Al Hurricane

Kool Thing by Sonic Youth
In the Dark by Jay Reatard
Outside Woman Blues by Blind Joe Reynolds
Frankie and Johnny by Kazik Staszewski
Lazy River Road by The Persuasions
Surf's Up by The Beach Boys
Greater Day by The Rev. James Cleveland
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis


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Monday, March 21, 2011

Gotcher Brand New Big Enchilada RIGHT HERE!

THE BIG ENCHILADA


I'm a grandfather now but I can rock just like a young whippersnapper. A couple of slugs of Geritol and I'm as good as new. Here's some rockin' tunes for the young at heart and old of fart. As Popeye says, "You've got to save your youth for your old age." This episode includes tons of the usual garage/punk/pyschobilly/R&B/ trash rock that I love so well. And we end with a freeform set that's an ode to grandfatherhood. Someday my grandson will hear this. Hopefully he won't be too disturbed.

Play it here:



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Here's the playlist

(Background Music: No Tienes Mi Querer by The Rollings)
Don't Let me Down by The Pornostuntman
The Heist by Gotham City Mashers
Baby I Grind by Les Sexareenos
Spook Factor by Memphis Morticians
No Great Shakes by Hipbone Slim & The Knee Tremblers
I Need Your Lovin' by Wolfman Jack & The Wolfpack
Good Time by The Mighty Hannibal

(Background Music: Sweet Georgia Brown by Cab Calloway)
Floor Length Hair by Kid Congo & The Pink Monkey Birds
Cheetah Eyes by Clone Defects
Walking Through My Dreams by The Big Bopper
Boogiehut by The Get Lost
Red River St. by The Kill Spectors
The Monkey by The Great Gaylord
Eres Casado by Al Hurricane

(Background Music: Old Folks Boogie by Captain Beefheart & The Magic Band)
Granddaddy's Rockin' by Mac Curtis
Rock 'n' Roll Grandpap by Don Rader
Dirty Old Man by Thee Headcoatees
I Am My Own Grandpa by Asylum Street Spankers
Silver Threads Among the Gold by Jerry Lee Lewis
Grandpa's Boogie by Grandpa Jones
Look at Granny Run by Howard Tate
(Background Music: Sloop John B by Joseph Spence)

Sunday, January 31, 2021

TERRELL'S SOUND WORLD PLAYLIST





Sunday, January 31, 2021
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrell(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Poor Poor Pitiful Me by Warren Zevon
Euthanize Me by The Cavemen
Uranium Rock by The Cramps
Love by Country Joe & The Fish
I’d Rather Be a Loser by Rick Holmstrom
Stay on Me by The Goon Mat & Lord Bernardo
Commander Salamander by Oh! Gunquit
Her Incredible Shoes by Dan Melchior & Das Menace
Dos Hojas Sin Rumbo by Al Hurricane
(Background Music: Polarized by Manby’s Head)

Fugitivo de Alcatraz by Los Saicos
Road of Joys by Herzegovina
Stroller Pollution by Quintron & Miss Pussycat
Tenderest Kiss by Divine Horesemen
It’d Be Sad if it Wasn’t So Funny by Lonesome Bob
Whatever Happened to Cheetah Chrome by Tommy Womack
Waco Love: Joe Camarillo with Jon Langford
Rollin’ Voodoo by Cheetah Chrome
Alley Oop by The Bozo Dog Doo-Dah Band
(Background Music: Begin the Beguine by Esquivel)

Joe Camarillo tribute set
Shoot Shoot by Joe Camarillo (with Dollar Store)
We Know It by The Waco Brothers
I Want to Destroy You by Dollar Store
We Move On by Ramblin’ Deano

Whatcha Gonna Do by Scott H. Biram
Messin’ With the Hook by John Lee Hooker & Canned Heat
Shanghai by Degurutieni
(Background Music: Voodoo Love by The Waitiki 7)

City Soleil by Afghan Whigs
Black Juju by Alice Cooper
Missouri Gal by Big Sandy & His Fly-Rite Boys
Picture on the Wall by Rachel Brooke
Souvenirs by Grandpaboy
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Like the Terrell's Sound World Facebook page


     Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this. CLICK HERE

Subscribe to The Big Enchilada Podcast CLICK HERE

Monday, October 22, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 21, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

with special guests Chuck McCutcheon, Liisa Ecola and Scott Gullett
Now simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Timothy by The Buoys
Gimme Dat Harp Boy by Captain Beefheart
Misery Goats by Pere Ubu
Duplexes of the Dead by The Fiery Furnaces
Where Evil Grows by The Gore Gore Girls
Slum Goddess by The Fugs
Tijuana Hit Squad by Deadbolt
The Whole Thing Stinks by Rico Bell
I Have Been To Heaven And Back by The Mekons
Roll In My Sweet Baby's Arms by Deadmen's Hollow

Ghost Song/Dawn's Highway/Newborn Awakening by Jim Morrison & The Doors
Morrison by Robert Mirabal
Alabama Song by Kazik Staszewski
Wreck on the Highway by The Waco Brothers
Back Door Man by The Doors

Hulkster in Heaven by Hulk Hogan
The Cutester Patrol by The Grandmothers
Comin' Around the Mountain by Hound Dog Taylor & The Houserockers
Feast of the Mau-Maus by Screamin' Jay Hawkins
Shoot Your Shot by Junior Walker
All Night Lover Man by Swamp Dogg
Dozin' and Droolin' by Root Boy Slim & The Sex Change Band
Banana Split for My Baby by Louis Prima

Sensitive New Age Guys by Christine Lavin
La-Ti-Da by Marcia Ball
Whatever Happened to P.J. Proby by Van Morrison
Niki Hoeky by P.J. Proby
El Rebelde by Al Hurricane
The Man in Paper Hat by Eleni Mandell
So Long Baby Goodbye by Jo-El Sonnier
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, October 27, 2017

THE SANTA FE OPRY PLAYLIST



Friday, Oct. 27, 2017
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens
(It's a) Monster's Holiday by Buck Owens
(Ghost) Riders in the Sky by Marty Robbins
Frankenstein's Monster by Legendary Shack Shakers
I Flipped by Ray Condo & The Ricochets
Hot Dog That Made Him Mad by Carolyn Mark
Don't Say it by Margo Price
Delta Dawn by Hellbound Glory
Keep Your Mouth Shut by Beth Lee & The Breakups
You Gonna Miss Me by Eilen Jewell
Don't Mess with My Toot Toot by Fats Domino & Doug Kershaw

Harder Than Your Husband by Frank Zappa with Jimmy Carl Black
The End by The Imperial Rooster
The Tombstone Hymn by  Rev. Tom Frost
Let it Roll by Dinosaur Truckers
Wrong Honky Tonk by Phoebe Legere
Honky Tonk Halloween by Captain Clegg & The Night Creatures
Eatin' Crow and Drinkin' Sand by Jesse Dayton
I Wish You Knew by Dale Watson & Ray Benson

Marie Laveau by Bobby Bare
Up to No Good Livin' by Chris Stapleton
Honky Tonk Flame by Tyler Childers
Let's Have a Party by Wayne Hancock
Back When We Was Young by Joe West
Sentimiento by Al Hurricane
Mi Madrecita by Baby Gaby
Who's Gonna Fill Their Shoes by George Jones

Just Because I'm a Woman by Dolly Parton
Sweet Cruel World by Max Gomez
Lindsey Button by David Rawlings
You Don't Hear Me Crying by Modern Mal
Never Come Home by Robbie Fulks
The Pilgrim by Emmylou Harris & Kris Kristofferson
CLOSING THEME: Comin' Down by The Meat Puppets


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Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Saturday, October 06, 2007

THE SANTA FE OPRY PLAYLIST

Friday, October 5, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

email me during the show! terrell@ksfr.org

Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Hello World by Horace Heller
2000 Man by The Gourds
New Lee Highway Blues by David Bromberg
Don't You Wish It Was True by John Fogerty
The Girl on Death Row by T. Tex Edwards & Out on Parole
The Crossing by Ray Campi
Shell of a Man by Johnny Bush & Justin Trevino
La Mula Bronca by Al Hurricane

In the Highways by The Peasall Sisters
John Law Done Burned Down the Liquor Sto' by Chris Thomas King
Fishing Blues by Taj Mahall
Hitchhiker by Blue Velvet Band
Big Rock Candy Mountain by John Hartford
He's Coming to us Dead by Ralph Stanley
Coffee Blues by John Sebastion & David Grisman
One Cut, One Kill by Bone Orchard
Ashes of Love by Rose Maddox

Don't Look and It Won't Hurt by Richmond Fontaine
Cut the Cards by Chris Whitley & The Bastard Club
The Ballad of Terri McGovern by Joe West
Gambling Charlie by Michael Hurley
I'd Rather Be Your Enemy by Lee Hazlewood
Waking Dream by Trailer Bride
Colorado by Chevy Chase
Scattin' the Blues by Les Primitifs du Futur

Study War No More by Michelle Shocked
Evening Gown by Jerry Lee Lewis with Mick Jagger & Ronnie Wood
Angel of the Morning by Chip Taylor & Carrie Rodriguez
Old Friends by Roger Miller, Willie Nelson & Ray Price
Big in Vegas by The Derailers
Whispering Pines by The Band
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Sunday, August 03, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, August 3, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
I Wish That I Was Dead by The Dwarves
Taxi Driver by The Rodeo Carburettor
Night of Broken Glass by Jay Reatard
Wedgie Wipeout by The Wipeouters
Day Time Girl by Sky Saxon
I'm in With the Out Crowd by Sam the Sham & The Pharoahs
Thanks a Lot by Dengue Fever
Don't Bring Me Down by The Animals
Dog Food by Iggy Pop

Penny & The Young Buck by The Gluey Brothers
Can't Take 'em Off by Andre Williams & The New Orleans Hellhounds
Sweet Tooth by King Khan & The Shrines
Puddin' Truck by NRBQ
Snake Charmer by The Puddle Jumpers
Hot Tamale Baby by Buckwheat Zydeco
Can't Judge a Book by Bo Diddley
Louie Louie by The Kingsmen

Pappa Did the Chicken by Little Sammy
Boss Lady by The Detroit Cobras
The Ballad of Hollis Brown by Thee Headcoats
Davey Crocket by Thee Headcoatees
Buzz the Jerk by The Pretty Things
Hey Little Girl by Thunderbirds
Don't You Want a Man Like Me by Little Brother
Baila Bailme by Al Hurricane
Rub Every Muscle by Half Japanese

Tremblin' White by Hundred Year Flood
Freckle Song by Chuck Prophet
Listen by Screamin' Jay Hawkins
Take a Bath by Charles Sims
La Sombra by Cordero
Don't Change on Me by Ray Charles
I Believe in Tomorrow by Tiny Tim & Bravc Combo
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

WACKY WEDNESDAY: Albums Named for Unappetizing Food

O.K., I'll admit this is a pretty dumb idea.  It came to me yesterday after I ran into my friend Dan during my afternoon walk along the ...