|(Art by James Clark. Used with permission.)|
So, after a few basic repairs please enjoy the tale of that Devil's herd thundering across the sky.
A version of this was published in The Santa Fe New Mexican
October 30, 2009
An impressionable 12-year-old rode to the top of an Arizona hill one afternoon with an old Cowboy friend to check a windmill. A big storm was building and they needed to lock the blades down before the wind hit. When finished, they paused to watch the clouds darken and spread across the sky. As lightning flashed, the Cowboy told the boy to watch closely and he would see the devil’s herd, their eyes red and hooves flashing, stampede ahead of phantom horsemen. The Cowboy warned the youth that if he didn’t watch himself, he would someday be up there with them, chasing steers for all eternity.
More than 60 years ago this frightening vision, now found on the Western Music Association Web site, was etched into the consciousness of America. “Ghost Riders in the Sky” is a perfect Halloween song for the West. It’s the only cowboy song in which “yippie-yi-yay” becomes a demonic taunt. The boy who heard the tall tale from the old cowpoke would grow up to be forest ranger/songwriter Stan Jones.
“Ghost Riders” became a huge hit in 1949, a year after Jones wrote it. Pop-folkie Burl Ives was the first to record it that year. Frank Sinatra, Bing Crosby, and Peggy Lee chased the devil’s herd, too, and before the end of the year, avant jokester Spike Jones merrily mutated the saga of the demon cows and fire-snortin’ horses. But the biggest hit at that time came from pop crooner Vaughn Monroe, also in 1949.
Of course, it didn’t stop there. It’s been covered by everyone from Concrete Blonde to Dean Martin. Frankie Laine, another popster with an ear for cowboy songs (think “High Noon” and “Rawhide”) also covered “Ghost Riders.”
Artists like Bob Wills, The Sons of the Pioneers, Gene Autry, and Marty Robbins brought “Ghost Riders” back West. Dick Dale went surfing with it. Ronnie Dawson made it a rockabilly romp. The Southern-rock group called The Outlaws introduced it to the dazed and confused generation in 1980. Johnny Cash sang it with the Muppets. Tom Jones took it to Vegas, and the Legendary Stardust Cowboy took it to Mars.
The fact that “Ghost Riders” has a cinematic feel to it is no accident. Jones did a lot of soundtrack work for John Ford Westerns, including writing music for The Searchers (in which John Wayne spoke a catch phrase that inspired a Buddy Holly hit, “That’ll Be the Day”) and Rio Grande.
When Jones wrote “Ghost Riders,” he was working for the National Park Service in Death Valley.
According to the Western Music Association Web site, “The Park Service made Stan its representative to Hollywood film crews when they came to Death Valley. After a long, hot day of filming, cast and crew members often sat around and listened to Stan’s songs and stories. They encouraged him to get a publisher in L.A.” Shortly after, “Yippee-yi-yay, yippee-yi-yo,” was being heard across the land.
My two favorite versions of “Ghost Riders” are no longer in print. The one that raised goose bumps on me as a kid was on a 1964 LP called Welcome to the Ponderosa by Lorne Greene — yes, a tacky TV tie-in from Bonanza’s Ben Cartwright. This version has a full-blown orchestra, a chorus, and Greene’s distinct gravely voice. (Greene’s hit “Ringo” was also on this album.)
Then there’s the country-rock version from New Mexico’s own Last Mile Ramblers, from their 1974 album While They Last. The artist currently known as Junior Brown is playing guitar, and the vocals are by Spook James. This was always a highlight of the Ramblers’ shows at The Golden Inn and Bourbon & Blues.
I’m not sure how many cowboys changed their ways because of the warning in the song. But next time you see lightning in the sky, look for those red-eyed cows and gaunt-faced cowboys.
Here's an entire herd of "Ghost Riders" videos.
Ler's start out with Marty Robbins
Johnny Cash and his pals, The Muppets.
Last Mile Ramblers
The Legendary Stardust Cowboy
And my sentimental favorite, Lorne Greene
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