Thursday, October 15, 2015
THROWBACK THURSDAY: Send Me to the 'Lectric Chair!
Judge you want to hear my plea
Before you open up your court
But I don't want no sympathy
'Cause I done cut my good man's throat
I caught him with a trifling Jane
I warned him 'bout before
I had my knife and went insane
And the rest you ought to know
These, of course are the opening lines of "'Send Me to the 'Lectric Chair," a black-humor ditty recorded in 1927 by The Empress of the Blues, Bessie Smith.
The song, credited to George Brooks -- which was a pseudonym for Fletcher Henderson, the influential bandleader and music director. This is one of many tunes he wrote for Bessie. But it's the most memorable.
The woman in the song is begging the judge to send her to the chair because she knows she has to reap what she's sown.
And if the judge was prone to having sympathy for the poor woman, it probably dissipated after she added these details to her true confession:
I cut him with my Barlow
I kicked him in the side
I stood here laughing o'er him
While he wallowed around and died
Yep, by that time he probably was ready to send her to the Devil down below, just like she requested.
Here's Bessie's original:
In 1958 Dinah Washington released an album called Dinah sings Bessie Smith. " 'Lectric Chair" was on it. Below is a TV performance by Washington. I don't know which show it is but it's sometime after her Bessie album was released.
Like a lot of folks my age, I came to this song through David Bromberg's version, which appeared on his 1974 album Wanted Dead or Alive. It's still a staple of his live shows. Playing the lead himself on acoustic guitar, Bromberg turned " 'Lectric Chair" into a crazy Dixieland romp. He changed the lyrics slightly to make the narrator/killer into a man. (Instead of a "trifling Jane," his loved one was messing around with a "gambling Joe.")
One of my favorite touches is when Bromberg, when begging the judge, says, "Mr. Sirica, please ..." (This was recorded during the Watergate era, remember.)
Here's a live 1977 performance.
And somehow this funny little song of crime and punishment led to a very short but very strange 2009 film of the same title directed by Guy Maddin and Isabella Rosselini. Actually the film doesn't seem to have much to do with the tune -- except the fact that a snippet of Bessie's song comes in briefly at the 1:31 mark.
For more deep dives into songs, check out The Stephen W. Terrell Web Log Songbook
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