Friday, November 13, 2015 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Fridays Mountain Time Host: Steve Terrell 101.1 FM Email me during the show! terrel(at)ksfr.org Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Tobacco Road by Southern Culture On The Skids
Drinking Problem by Audrey Auld
Tied by The Yawpers
MisAmerica by Legendary Shack Shakers
Still Sober (After All These Beers) by The Banditos
Streets of Bordeaux by Texas Martha & The House of Twang
Oui (A French Song) by Terry Allen
Swing Troubador by Christine Albert
When First Unto This Country by David Bromberg
Yuppie Scum by Emily Kaitz
Crazy Crazy Lovin' by Johnny Carroll
Hot Rod Lincoln by The Satellites
Blackeyed Susie by J.P. Nestor
No Judgement Day by Holly Golightly & The Brokeoffs
In New Orleans (Rising Sun Blues) by Dave & Phil Alvin
Cigarette Party by Dex Romweber Duo
LSD by Wendell Austin
UFO on Farm Road 318 by Sidney Ester
If You Mess with the Bull by Luke Reed
Long White Cadillac by Janis Martin
The Over You Rag by Electric Rag Band
Crazy Heart by Augie Meyers
Sorry You're Sick by Mary Gauthier
Bad Dog by Ted Hawkins
Dried Out River by Dad Horse Experience
Lucille by The Beat Farmers
Dust Off The Old Songs by Jason Eklund, Mike Good & Tom Irwin
Mary Lou by Kell Robertson
Big Train From Memphis by Mary & Mars
Cold Black Hammer by Joe Ely
My Walking Stick by Leon Redbone
Legend in My Time by Leon Russell Green Fields of France by Dropkick Murphys CLOSING THEME: Comin' Down by The Meat Puppets Like the Santa Fe Opry Facebook page Subscribe to The Big Enchilada Podcast! CLICK HERE Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
A version of this was published in The Santa Fe New Mexican November 13, 2015 Thursday, June 25, 2009. A beloved and influential innovator of modern popular music is dead. A stunned nation mourns.
Actually, most of those stunned and mourning people that day were grieving for some guy named Michael Jackson. But not me. The only tears I shed that summer day were for Richard Marsh, better known as Sky Saxon, the singer of one of most important ’60s-garage, proto-punk (and don’t forget flower power) bands in rock ’n’ roll history.
I didn’t care about the King of Pop! On that sad day, I looked to the Sky!
Saxon and his band, the Seeds, are now the subject of a well-researched, thoroughly entertaining, and totally rocking documentary called The Seeds: Pushin’ Too Hard.
I’ve been a Seeds fan since I was in junior high in the mid-’60s, which was back when their song (“You’re) Pushin’ Too Hard” was first a big hit. That tune fit in perfectly with some of the great snot-rock of the era such as “Dirty Water,” “96 Tears,” and “Psychotic Reaction.” but until this film I didn’t really know that much about Saxon or the Seeds.
The Seeds
First of all, this was a real band, not just a charismatic singer with a bunch of sidemen. Director Neil Norman (whose father Gene Norman signed the group to his GNP Crescendo Records) includes footage of recent interviews with former Seeds keyboardist Daryl Hooper (whose Wurlitzer electric piano with heavy tremolo made early Seeds records unforgettable) and fuzztone-guitar pioneer Jan Savage, as well as some footage and taped commentary of drummer Rick Andridge, who died in 2011.
I also didn’t realize that Saxon himself had been knocking around Hollywood for as long as he did, trying to get a break in the showbiz game. Born in Utah, he first went to Tinseltown in the late ’50s, initially signing to a label co-owned by Fred Astaire. Some of those quasi-doo-wop songs, which he released under the name “Little Richie Marsh,” can be found on YouTube today. They’re kind of cool, but you’d never realize these songs are the seeds of the Seeds.
The magic didn’t really start until Little Richie hooked up with Hooper and Andridge, a couple of high school pals who moved to Hollywood from their hometown of Farmington, Michigan. They started out covering the usual early rock classics. Things started to happen after they began writing their own songs.
Like many rock docs, much of the story told comes from famous folks who are fans of the film’s subject. Here we have the likes of the late Hollywood creep Kim Fowley, Bruce Johnston of the Beach Boys, members of the ’80s girl band the Bangles, Johnny Echols of the group Love, and others.
Iggy opines from his throne
My favorite celeb testimony in Pushin’ Too Hard is Iggy Pop, who says The Seeds “gave a lot of people a vocabulary.” Of Saxon, Iggy says, “Besides his great name, which is super cool, he doesn’t sound stoppable. He sounds like you can’t stop him or shut him up. ... He couldn’t really sing, but neither can anyone else who’s any fucking good.”
Watching the rise of the Seeds is exciting, and watching their fall in the documentary is painful. Norman presents the case that it was too much ego, as well as too many drugs, that led to Saxon’s decline and the disintegration of the band.
After two snarling, rocking albums came Future, an ill-conceived, badly executed third album — an artsy experiment, probably influenced by Sgt. Pepper’s Lonely Hearts Club Band and all the other “rock is art” idiocy of the era. The Beach Boys’ Johnston grouses, “I didn’t want to hear the Seeds with harps.” (Perhaps he didn’t recognize the irony here — a lot of people said the same thing about the Beach Boys’ Pet Sounds.)
Saxon’s appetite for LSD became a problem. “On stage it was like talking to a six-year-old,” a bandmate says. He tended to adopt stray humanoids who took advantage of his generosity and trust. Saxon’s house became a “flophouse for degenerates,” Savage says. “People fed Sky’s ego, giving him dope. He lost his edge.”
The Seeds broke up in 1969. Saxon apparently went to seed. (I apologize for that.) He lost his house, and folks would see him walking the streets or “wandering around the hills playing the flute,” according to one account in the film.
Saxon in later years
At one point in the ’70s, Saxon became involved with a utopian communal experiment (none dare call it cult) in Hollywood that ran a popular Sunset Strip health food restaurant (which is the subject of another fine documentary, The Source Family, released in 2012). Saxon was given a new name, “Arelich Aquarian,” by the group’s head honcho Father Yod. The former rock star worked in the restaurant and moved to Hawaii with the group when Yod decided it was time to flee the mainland.
There were reunions and reformations of the Seeds. Saxon recorded several solo albums (I have Transparency, which was released a few years before he died. It’s not bad, though it’s not the Seeds).
He eventually moved to Austin, where he worked with a band called Shapes Have Fangs. At the time of his death, he’d been planning on a tour with the contemporary versions of the Electric Prunes and Love.
The Seeds: Pushin’ Too Hard is showing at the Jean Cocteau Cinema (418 Montezuma Ave., 505-466-5528) at 7 p.m. on Wednesday, Nov. 18, and Thursday, Nov. 19. The doc’s director will be on hand both nights.
Tune in to Terrell’s Sound World on Sunday, Nov. 15, for a special segment featuring the music of the Seeds, Sky Saxon, and lots of cool bands covering their songs. The show starts at 10 p.m. with the Seeds set starting at the 11th hour. That’s on KSFR-101.1 FM.
This one is for all the Willie McBrides and the other forgotten heroes of forgotten wars. And for Kurt Vonnegut too.
Yesterday was Veteran's Day, a day to honor the men and the women who have served in the military. Veteran's Day was born in 1945 after the end of World War II.
But it started out as something different: Armistice Day. A day to mark the end of a war. Kurt Vonnegut spoke of Armistice Day in his 1973 novel Breakfast of Champions. (I was going to look for this passage in in my battered old copy of the book to use here, but those wackos at Wonkette made it easier for me to copy and paste.)
I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day. When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind. Armistice Day has become Veterans’ Day. Armistice Day was sacred. Veterans’ Day is not.
Indeed, I've heard lots of speeches by lots of politicians on Veteran's Day thanking veterans for their service and praising the military in general. But rarely do you hear them talk about the horror of war.
Eric Bogle
So in that spirit of Armistice Day as descried by Vonnegut, I'm going to share some moving songs about World War I -- and some of the most powerful anti-war tunes ever sung by human beings.
The first two were written by Eric Bogle. a Scottish folksinger who immigrated to Australia decades ago.
Both of the songs tell of the horrors of the War to End All Wars. And the first time I heard both of them I incorrectly assumed each was written by someone who had to be personally acquainted with that war. Actually Bogle wrote both of these songs in the 1970s.
To my ears the best versions of these Bogle songs are by Celt-Punk bands. Here is "The Band Played Waltzing Matilda" as recorded by The Pogues for their seminal 1985 album Rum, Sodomy & The Lash.
Bogle wrote the song "No Man's Land," which came to be better known as "The Green Fields of France" after visiting a graveyard in the French countryside and coming across the grave of an Irish soldier named Willie McBride who was killed in 1916. Here's the recorded version by The Dropkick Murphys from their 2005 album The Warriors Code.
Lastly here's John McCutcheon's "Christmas in the Trenches." I know it's a little early, but as McCutcheon says in the introduction to this live performance, the story needs to be told 365 days a year.
As I've said here many times before, I'm a huge fan of an amazing if obscure series of albums calledTwisted Tales from the Vinyl Wastelands.I've been a devotee of these crazy CDs ever since my friend Sean at KSFR alerted me to their existence.
Through the years I've played dozens of songs from Twisted Tales and on my radio shows and even did a segment of them on an episode of The Big Enchilada podcast.
So what is Twisted Tales From The Vinyl Wastelands?
As described in its own promo, the "series takes the listener on a dark adventure, a wrong turn into a bizarre, alternate world of American country music performed by small town, unknown hicks ..."
And as I wrote, "... in Twisted Tales you’ll find story songs, answer songs to popular hits of the day, and novelty songs. There are topical songs ripped from the headlines of the time and politically incorrect songs — some probably racist, or at least shockingly unenlightened. The tracks are full of sex. But there are usually tragic consequences attached to lovemaking. It’s the same with liquor and drugs or being a hippie."
Well here's some long-awaited news. Vinyl Wastelands mastermind G Minus Mark (who has a bitchen podcast called Truckers, Shuckers, Freaks and Geeks) has reimagined, reconfigured, reshuffled and reconfluberated Twisted Tales into a new series with original artwork by Olaf Jens, which will be available on vinyl and digital as well as CD.
Volume One, called UFO on Farm Road 318, is available now. Volume Two, Beating on The Bars is set for release next month, You can order both HERE.
And you can listen to all the songs from Volume 1 below (and download them HERE)
The original Twisted Tales CDs, 15 volumes, I believe, can be found at Norton Records.
Sunday, November 8, 2015 KSFR, Santa Fe, N.M. 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Webcasting! 101.1 FM email me during the show! terrell(at)ksfr.org Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Spend the Night by The Sonics
Hey Darling by Sleater-Kinney
Poor Queen by Thee Oh Sees
No Confidence by Simon Stokes
Crankcase Blues by Mudhoney
The Sharpest Claws by The Dirtbombs
Bo Diddley is Crazy by Bo Diddley
Hanged Man by Churchwood
Rappin' Rodney by Rodney Dangerfield
Evil Hoodoo by The Seeds
Sheeba by Sky Saxon
Cooking for Television by Jon Spencer Blues Explosion
One Kind Favor by Canned Heat
It Takes a Lot to Laugh, It Takes a Train to Cry by Bob Dylan
Mother-in-Law by Jello Biafra & The Raunch and Soul All-Stars
I Got Spies Watching You by Figures of Light
It's a Man Down There by Sir Douglas Quintet
After the Rain by Mission of Burma
Love Comes in Spurts by Richard Hell & The Voidoids
