Wednesday, September 30, 2015

WACKY WEDNESDAY: Happy Blasphemy Day




Today, in case you didn't know, is International Blasphemy Rights Day.

And my boss still wants me to go to work.

But this is serious. This little-known holiday is a tradition that goes back all the way to 2009. It originated with the Center for Inquiry's Campaign for Free Expression. According to the group's website, the day was created "to show solidarity with those who challenge oppressive laws and social prohibitions against free expression, to support the right to challenge prevailing religious beliefs without fear of violence, arrest, or persecution."

Blasphemy Rights Day is observed every September 30, the website says, "to commemorate the publishing of the Jyllands-Posten Muhammad cartoons, which angered religious believers around the world, many of whom expressed their disapproval with violent protests, riots, and in some cases, murder."

Yes in many parts of the world you can be jailed, executed or disappeared just by expressing ideas the ruling religion deems blasphemous.

Places ruled by Islamic fundamentalists is one example. And just a few years ago, Pussy Riot showed that blasphemy can land you in prison in Russia.



So I'm proud to be an American, to live in a land where you can blaspheme til you're blue and, even though you'll probably piss off a lot of believers, and maybe even get beat up by righteously outraged, usually your life and liberty won't be threatened.

In honor of the day here are three of my favorite examples of good old American blasphemy.

And, no, John Lennon's "Imagine" isn't one of them. First of all, he technically wasn't an American. But most of all, to commit a kind of blasphemy myself, the song just sucks. So many times I've heard it sung or quoted so solemnly by self-righteous hippies, I'd rather listen to Jonathan Edwards' "Sinners in the Hands of an Angry God." 

Actually, I'd rather listen to these tunes.

Let's start with Cab Calloway. Back in the mid '60s, when I was in grade school in Oklahoma City, I saw Cab Calloway in person. He played with a small combo during the half time at a Harlem Globetrotters game. I had no idea who he was, but my grandmother, who took me to the game, was hep to that Hi-Di-Ho jive. I loved it, but I was stunned when Cab sang "It Ain't Necessarily So," a song from Porgy & Bess.It basically twisted my youthful Okie head off.

I didn't come from a religious family. We were not churchgoers. My grandmother used to delight in pointing out contradictions in the Bible. The extent of my grandfather's religious teachings was that Jesus loved the little children.

But in conservative Oklahoma most of my friends did go to church, and religion seemed to be everywhere. So when this crazy dude in a zoot suit sang "the things you are liable to read in the Bible, it ain't necessarily so ..." and poked fun at various Bible stories, it opened my eyes. And when Calloway went into his crazy scat singing, it sounded like wild demonic chants beckoning the listeners to follow him into an exciting and probably dangerous new world.

Here's a version of an older Calloway blaspheming away.



Sometimes I think Randy Newman in his prime was the closest thing to Mark Twain that My Generation ever had. That was because of wickedly subversive songs like this.



And here is Robbie Fulks exploring similar terrain. To me he never sounded like he was mocking any religious ideas with this song. He's always sung it with a certain sadness in his voice. And the melody is so pretty, it sounds like the Devil himself wrote it to lead good Christians to the fires.




So have a blasph on Blasphemy Day.

Tuesday, September 29, 2015

A Devine, Bovine New Hillbilly Episode of The Big Enchilada Podcast


THE BIG ENCHILADA


It's a new hillbilly episode of the Big Enchilada and we're bringing it all back home (on the range) featuring backwoods moans from Rev. Peyton's Big Damn Band, Holly Golightly & The Brokeoffs, The Fabulous Alvin Brothers, Legendary Shack Shakers, Audrey Auld and a special set by New Mexico musicians including Slackeye Slim, Imperial Rooster, Mose McCormack and more. Let the music moooooove you!


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Here's the playlist:

(Background Music: Cowbell Polka by Spade Cooley)
Let's Jump a Train by The Reverend Peyton's Big Damn Band
Caca de Vaca by Joe "King" Carrasco & The Crowns
Jump in the River by Holly Golightly & The Brokeoffs
Marijuana, the Devil's Flower by Mr. Sunshine
Pappa's on the Housetop by Dave & Phil Alvin
Fuck Off by Audrey Auld
(Background Music: Buckaroo by The Byrds)

New Mexico set
April by The Imperial Rooster
It Wasn't You by Slackeye Slim
$2,000 Navajo Rug by Joe West & The Sinners
Hillbilly Town by Mose McCormack
Falling Off the World by Chipper Thompson
Looking for Someone to Kill by Kell Robertson

(Background Music: Osage City by Milo de Venus)
My Favorite Record by Asylum Street Spankers
Christ Almighty by Legendary Shack Shakers
Slippin' and Slidin' and Fightin' by Joey Delton
Hotrod Shotgun Boogie by Tillman Franks & His Rainbow Boys
If I Could Only Win Your Love by Chris Hillman & Herb Pedersen
Cow Cow Boogie by Wayne Hancock


Play it here:


Sunday, September 27, 2015

TERRELL'S SOUND WORLD PLAYLIST

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Sunday, September 27, 2015
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

Here's the playlist

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres

New Blue Mercedes by Drywall

American Wedding by Gogol Bordello

The Lowlife by Nick Curran & The Lowlifes

Hanged Man by Churchwood

Love Comes in Spurts by Richard Hell & The Voidoids

In Your Grave by King Khan & The Shrines

Happy Hodaddy by The Astronauts

Dames, Booze, Chains and Boots by The Cramps

Bad Little Woman by The Shadows of Night

 

Empty Space by Holly Golightly

House of the Rising Sun by Nina Simone

Psychedelic Afro Shop by Orlando Julius

Oya Ka Jojo by Les Volcans de La Capitol

 

96 Tears by Big Maybelle

Too Many Bills, Not Enough Thrills by Figures of Light

52 Girls by The B52s

Here's a Heart by Lyres with Stiv Bators

Run Shithead, Run by Mudhoney

Black September by Dead Moon

Icecream for Crow by Captain Beefheart

Pornography Part 1 by Mike Edison & The Rocket Train Delta Science Arkestra

 

Hold My Hips by Dengue Fever

Get Get It by Alex Maiorano & The Black Tales

Black Isn't Black by The Black Angels

Blackheart Man by Bunny Wailer

The Blues Don't Knock by Don Covay & The Jefferson Lemon Blues Band

That Feel by Tom Waits with Keith Richards

CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

 

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Friday, September 25, 2015

THE SANTA FE OPRY PLAYLIST

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Friday, September 25, 2015
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens

Two Hoops and a Holler by Jean Shepard

Hillbilly Truckdrivin' Man by Bill Kirchen

Big Lotsa Love by The Bottle Rockets

Marijuana the Devil's Flower by Holly Golightly & The Brokeoffs

Marijuana the Devil Flower by Johnny Price

Cold by Legendary Shack Shakers

In New Orleans (Rising Sun Blues) by Dave & Phil Alvin

2 Drinks on an Empty Stomach by Lonesome Bob

Love Bug Crawl by Jimmy Edwards

Insane by Katie Lee

 

Pistol Packin' Mama by Red Allen & Frank Wakefield

Alcohol and Pills by Fred Eaglesmith

Still Sober After All These Beers by The Banditos

You're the Reason by Nancy Apple

Mona Lisa by James Hand

From Hell to Paradise by The Mavericks

The Ballad of Maverick by Geoege Thorogood & The Destroyers

3 Coyotes Howlin' by Joe Ely

 

I Want Some Lovin' Baby by Jimmy & Duane

Daddy Was a Preacher But Mama Was a Go Go Girl by Southern Culture on the Skids

Truck Drivin' Son of a Gun by Dave Dudley

Drinking Problem by Audrey Auld

Funky Tonk by Moby Grape

I Washed My Hands in Muddy Water by Buck Owens

Invisible Stripes by Eddie Noak

Boys Will Be Boys by The Gear Daddies

Pot Roast and Kisses by Reverend Peyton's Big Damn Band

He Calls That Religion by Maria Muldaur

Gone Back to Whorin' by Roger Alan Wade

 

Whispering Pines by Johnny Horton

Funny Face by Kate Campbell

The Selfishness in Man by George Jones

Am I That Easy to Forget by Bobby Bare

I Know You Are There by The Handsome Family

Come Fly Away by Jimmie Dale Gilmore

CLOSING THEME: Comin' Down by The Meat Puppets


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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

 

Thursday, September 24, 2015

TERRELL'S TUNEUP: Double Shot of Holly Golightly

A version of this was published in The Santa Fe New Mexican 
September 25, 2015


The original Holly Golightly was created by Truman Capote. She was the protagonist of his 1958 novel Breakfast at Tiffany’s. Capote described her as “an American geisha.”

But the Holly Golightly I’m writing about is neither a geisha nor an American — though for the past several years she’s been living in the U.S. of A. This Holly Golightly is a singer who comes from England. And, yes, that is her real name, at least two-thirds of her real name. She was born Holly Golightly Smith in 1966. Her mother reportedly was reading Breakfast at Tiffany’s around the time of Holly’s birth and liked the name.

This Holly Golightly happens to be one of the most underrated rock ’n’ roll singers currently plying the trade. And she’s got not one but two new albums – Slowtown Now!, a solo album, and Coulda Shoulda Woulda, under the banner of Holly Golightly & The Brokeoffs. Both are solid musical delights full of tasty tunes and Golightly’s wicked wit and attitude.

A little Holly history: In the early ’90s, Golightly’s boyfriend was the drummer of Thee Headcoats, which was the musical vehicle of British garage poet/rock crank Billy Childish. She became an original member of Thee Headcoatees, a garage-rock girl group originally formed to back the boys, but which grew into a force of its own, recording several albums full of spunk and fire.

Golightly remained a member of the band until around 1999. But a few years before that, she started recording her own solo albums. Golightly moved to the U.S. not long after she shifted musical gears in 2007 and began recording bare-boned funky-clunky country bluesy records with her partner “Lawyer Dave” Drake under the name Holly Golightly & The Brokeoffs. While a few steps removed from Thee Headcoatees’ garage sound, those rootsy albums represent some of her finest work. All of her albums since then have been Brokeoffs albums, until Slowtown Now!


For Slowtown, her first solo album in 11 years, Golightly went back to London to record. And she recorded it for her old label Damaged Goods (which has released a major chunk of Childish’s catalog) with an actual band assembled for the album, featuring a couple of guitarists, a drummer, and a standup bassist. The overall sound draws from the various influences that have propelled Golightly — rockabilly, ’60s girl-group sounds, blues, smoky jazz, and more.

It starts off with a slow-burning swamp-a-billy tune called “Seven Wonders” with a seductive voodoo beat and sweet, grating guitar. This is followed by “Fool Fool Fool (Look in the Mirror),” featuring a retro fuzz-guitar hook. The only tune here that’s not a Golightly original, this song was done in the mid-’60s by a Chicago soul singer named Barbara Acklin (who probably is best known for co-writing The Chi-Lite’s hit “Have You Seen Her”). With its soft trombone and sexy, understated vocals by Golightly, “Frozen in Time” could almost pass as an old Burt Bacharach production, something you might hear in an Austin Powers movie soundtrack.

Golightly hasn’t forgotten how to rock. The sassy “As You Go Down” (featuring some fine bass from Matt Radford) is rooted in rockabilly and, of all the songs here, probably sounds closest to her pre-Brokeoffs albums. That’s followed by the downright garagey “You Stopped My Heart” with some more snazzy fuzztone guitar. “Forevermore” reminded me of the recent Deke Dickerson/Los Straitjackets collaboration (Deke Dickerson Sings the Great Instrumental Hits) because the melody is so similar to the old surf hit “Apache.”

While there is so much to admire on Slowtown Now!, both in the performance and the production, between Golighty’s new albums, I have to say I like the raucous new Brokeoffs’ effort the best.

Coulda Shoulda Woulda, which is scheduled for release on Oct. 16, is a big sloppy homemade American mess. Of course, I mean that in the best possible way. From the opening cut, “Heaven Buy and Buy,” a rocking faux-gospel indictment of religious hypocrisy (including an invitation to the devil to perform an obscene act), this album is packed with crazy fun.

The rootsy tango “Apartment 34” is a character sketch of some bad white-trash neighbors who “do their cooking in the bathtub” and have a thing for old Camaros; “Lonesome Grave” is a spooky, fire-and-brimstone fiddle-and-banjo workout; “Little Mule” has some nice nasty guitar hooks; “Karate” is a funky dance song, though fans of Thee Headcoatees will surely see the link to “My Boyfriend’s Learning Karate”; and “Jump in the River” is Lawyer Dave’s big moment, taking Leadbelly’s great notion and turning it into a sardonic declaration of salvation.

Holly and Dave always come up with great cockeyed cover songs. Their best remains Mac Davis’ “Hard to Be Humble” (from their 2012 album Sunday Run Me Over). But in the same demented stratosphere is this album’s “Marijuana, the Devil’s Flower,” a vintage country-western anti-drug song by someone called Mr. Sunshine. The chorus goes “Marijuana, the devil’s flower, if you use it, You’ll be a slave/Marijuana’s gonna bring you sorrow/It will send you to your grave.”

(By the way, there were at least two country songs with a similar title. Another, which I found on a volume of the fabulous Twisted Tales From the Vinyl Wastelands series, was “Marijuana, the Devil Flower” by a Johnny Cash copycat named Johnny Price.)

Coulda Shoulda Woulda ends with a Christmas song — actually, an anti-Christmas song — called “Christmas Is a Lie.” This won’t be played at any big stores while you do your Yuletide shopping. But it would be cool if it were.

God bless us every one, Holly Golightly!

Videos!

Here's an official one from Slowtown Now!



And here is a live Brokeoffs classic from a few years ago

WACKY WEDNESDAY: Albums Named for Unappetizing Food

O.K., I'll admit this is a pretty dumb idea.  It came to me yesterday after I ran into my friend Dan during my afternoon walk along the ...