Friday, April , 2016 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Fridays Mountain Time Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Little Red Corvette by The Gear Daddies
Man on a Mission by The Supersuckers
Dope Smokin' Song by Jesse Dayton
Shotgun Blues by Jason & The Scorchers
Don't Feed Me by Black Eyed Vermillion
MisAmerica by Legendary Shack Shakers
Love You 'cause You're Perfect by Al Scorch
Call Me If Your Ever Change Your Mind by Dave Insley
A version of this was published in The Santa Fe New Mexican April 22, 2016
Andy Warhol was half-right: In the future, everyone will be famous for 15 minutes. But he left out one important part. In the future, everyone will star in their own documentary. Seems like every time you turn around these days, there’s a new movie about some band — some famous, some less so.
The northeast Los Angeles “punk surfabilly” band called The Gears got theirs with a fun new rock doc called Don’t Be Afraid to Pogo, which is playing next week at the Jean Cocteau Cinema.
I’ve never pretended to be an expert on the L.A. punk scene, though I’m a longtime fan of bands like X, The Germs, and Angry Samoans (even before founding member Gregg Turner moved to Santa Fe). I loved the movie The Decline of Western Civilization (1981) as well as Repo Man (1984), which had a soundtrack featuring Black Flag, The Circle Jerks, and The Plugz.
But I have to confess, until I recently saw Don’t Be Afraid to Pogo, I’d never heard of The Gears. But now I’m a fan.
Like any decent band documentary, this one, directed by Gears manager Chris Ashford, is crammed full of interviews with band members past and present, others from the L.A. punk world, live footage both ancient and recent, photos, and all sorts of Gear lore. Which Gear got kicked out of the band for breaking a beer bottle across a roadie’s face? Why is singer Axxel G. Reese obsessed with pirates? What was The Gears’ connection with early-’60s rocker Freddy “Boom Boom” Cannon, Chicano artist Richard Duardo, and Santa Fe photographer Ronn Spencer? You not only get to know the band, but the whole milieu from which the group sprang.
The origin of The Gears goes back to when Reese and drummer Dave Drive (real names Terry Davis and Dave Fernandez) went to elementary school together in the largely Hispanic Glassell Park neighborhood. They knocked around in various bands for years, finally coming back together as The Gears in the late ’70s.
Current Gears bassist Mike Manifold (real name Mike Villalobos), was just a kid when The Gears started out. But living near Dave Drive’s house, he was familiar with the group. He’d watch the musicians load and unload their equipment and often smell marijuana smoke wafting out of the house as he walked home from school. His grandmother, he said, warned him to “stay away from those kids.”
Apparently a secret nexus of L.A. punk rock was the Budget Rent-a-Car office in Glendale. That’s where Kidd Spike (Jeff Austin) and Brian “Redz” Anderson met before they joined The Gears. Marc Moreland of Wall of Voodoo and Johnny Stingray of The Controllers worked there, too. Spike originally played with The Controllers, but The Gears managed to steal him. Spike, who learned to play guitar from listening to a Ramones record, is credited for bringing the rockabilly influence to the band.
Miss Mercy of the infamous GTOs — a collective of groupies that Frank Zappa fashioned into an a cappella singing group — took The Gears under her wing, becoming known as their “fashion consultant.” She’d find seersucker suits, leopard-skin jackets, and cowboy boots for the band and do their hair, which in those days involved exaggerated rockabilly greaser styles. “They always smelled like Tres Flores [hair pomade],” the singer from Mad Society, another early L.A. punk group, says.
The documentary tells the stories behind some of The Gears’ songs. Their first single was “Let’s Go to the Beach.” Reese explains that living in northeast Los Angeles, the beach was “a trek for us. We weren’t really beach kids by any stretch of the imagination.” “Hard Rock” was written by original guitarist “Crazy Ruben” Urbina, inspired, he says, by the death of Elvis Presley. “Trudie Trudie” was an ode to a scenester and early Gears fan from South Bay. The real Trudie appears in the documentary.
“Elks Lodge Riot” is about the notorious “St. Patrick’s Day Massacre,” which occurred on March 17, 1979, at a big punk show (with an all-star bill including X, The Go-Gos, The Plugz and others) in an actual Elks Lodge near MacArthur Park. That night, Los Angeles police in riot gear raided the joint right in the middle of The Plugz’s set. A bunch of kids got beat up, and the reason is still pretty hazy.
And naturally they talk about the song that became the title for this movie, “Don’t Be Afraid to Pogo.” Crazy Ruben explains that he was self-conscious about diving head-on into punk culture, so the song was basically written as a message to himself.
Of course, as a dance craze, the pogo was much tamer than the crazy moshing at punk shows that soon followed. And as the ’80s progressed, the L.A. punk scene grew a lot more aggressive. The violence and fury of the hardcore scene was off-putting to members of The Gears. “There was a transition in L.A. punk that I didn’t like,” Spike says. By that point, he was getting pretty burned out anyway, he says.
So after Spike split, The Gears broke up in the mid-’80s and hived off into various other groups. But they’ve regrouped at least a couple of times through the years. And judging from their more recent album, When Things Get Ugly (2014), as well as the live footage from the movie, they’re still in fine form.
So check out this flick, and if the spirit moves you, don’t be afraid to pogo.
Don’t Be Afraid to Pogo is showing on one night only, at 9 p.m. on Thursday, April 28. Director Chris Ashford and some members of the band will be on hand for the showing.
I’ll be doing a live interview with Axxel and Spike from The Gears this week on my radio show, Terrell’s Sound World. The show starts at 10 p.m. on KSFR, 101.1 FM.
Here's the promo for the doc
Let's Go to the Beach
Freddy Cannon teams up with The Gears for a crazed take on "Tallahassee Lassie."
It looks like Andy Jackson is moving to the back of the buck.
U.S. Treasury Secretary Jacob Lew announced Wednesday a redesign of the nation's $5, $10 and $20 bills. On the $20, President Andrew Jackson is being moved to the backside of the bill while Harriet Tubman will replace him on the front.
For those who don't their history, Tubman was born a slave in 1822. But she escaped to her freedom and went on to become an abolitionist, a spy for the Union during the Civil War and a major player in the Underground Railroad, helping slaves escape to non-slave states.
Most the folks I talked to Wednesday were glad to see Jackson go. After all, he was a slaveholder and dedicated advocate of removing Indians from their homelands in the southeastern U.S. The Trail of Tears? That was his. He signed the Indian Removal Act which forced many Southern tribes to Indian Territory (now known as Oklahoma.)
And I agree, Tubman's a better choice. But still, somewhere inside me I hear the voice of Johnny Horton and feel some bittersweet nostalgia for Old Hickoy.
Here's what I'm talking about:
I've known this song since I was a little kid. But I didn't realize until recently that it's a descendant of a song, written in 1821 by one Samuel Woodworth.
It's called "The Hunters of Kentucky," though it's also known as "The Battle of New Orleans" "Jackson and Kentucky" and "Half Horse or Half Alligator." Jackson himself used the song as his campaign theme both times he ran for president (1824 and 1828.)
While searching for Andrew Jackson songs last night (somehow I thought there would be more) I found a group from Arizona called the Andrew Jackson Jihad. They're pretty cool, but they're demoting Andrew Jackson too. A couple of months ago they shortened their name to simply AJJ. "Interesting historical figure as he was, he was an odious person and our fascination with him has grown stale," the band said.
Sunday, April 17, 2016 KSFR, Santa Fe, N.M. 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Webcasting! 101.1 FM email me during the show! terrell(at)ksfr.org Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
All I Want is More by Kathy Freeman with Auto Pilot Club
Cheap Thrills by Ruben & The Jets
Bee Line by The Ugly Beats
She's Got Fangs by The Electric Mess
Like Food, It Feeds by Coachwhips
Primitive Man by The Monsters
CC Rider by The Gibson Brothers and Workdog
One Night of Sin by Simon Stokes
Murder in My Heart for the Judge by Moby Grape
FUF / Trudie Trudie by The Gears
Tribe Cannibal by Horror Deluxe
Yona's Blues by The Come N' Go
Death of Beewak by Angry Samoans
New Kind of a Kick by The Cramps
Nerja' sawa (نرجع سوا ) by Mazhott
Almost Black by James Chance
8th Grade (Pre-teen Cretins) by The Conjugal Visits
Tie My Hands to the Floor by Sulphur City
Got Blood in My Rhythm by The Blues Against Youth
Sugar Farm by Lonesome Shack
Bad Habits by The Outta Sorts
Egypt Berry by The Night Beats
Left of the Dial by The Replacements
One More Try by Barrence Whitfiled & The Savages
Nantucket Girls Song by The Tossers
Breakup From Hell by The Barbarellatones
Centerfold by Beach Balls
Ballroom by Vulgargrad
I'll Take Care of You by Gil Scott-Heron
Yesterday is Gone by Rattlin' Bone
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
