Friday, November 11, 2016
TERRELL'S TUNE-UP: Kindly Keep it Country
Nov.11, 2016
I’ve said it before: If you think they ain’t making country music like they used to, you’re just not looking hard enough. You won’t find much of it on so-called “country” radio, but it’s out there. This week I look at a bunch of recent country albums I’ve been playing the holy heck out of on KSFR’s The Santa Fe Opry (101.1 FM, Fridays 10 p.m.-midnight) in recent weeks.
* Slingin’ Rhythm by Wayne Hancock. Wayne the Train is back with a fistful of mostly original, good, solid honky-tonkin’ songs with lyrics full of wicked wit and heartache — often in the same song — and lots of impressive picking. Hancock’s got a new band, including an impressive new steel guitarist, Rose Sinclair, and not one but two electric guitarists, Bart Weinburg and Greg Harkins. As usual, Hancock gives his bandmates plenty of room to stretch, while their producer, Lubbock string-titan Lloyd Maines, captures the sound that some call retro, but I call timeless.
Things falling apart seem to be a general theme here with tunes like “Dirty House Blues,” “Two String Boogie,” and “Wear Out Your Welcome,” about a love that’s disintegrated.
My immediate favorite song on Slingin’ is a brand new murder ballad — actually, a double-homicide fantasy — in the great tradition of Leon Ashley’s “Laura (What’s He Got That I Ain’t Got),” Porter Wagoner’s “The Cold Hard Facts of Life,” and Johnny Paycheck’s “(Pardon Me) I’ve Got Someone to Kill.”
Hancock’s song is called “Killed Them Both,” and that’s just what he does to his cheating sweetheart and some funky dude. Hancock sings, “Somebody heard the shots and called 911/The law’s outside to ruin all my fun …” Now that’s what I call country music!
* Live at the Big T Roadhouse, Chicken S#!+ Bingo Sunday and Under the Influence by Dale Watson. Dale Watson may be the hardest working honky-tonker in Texas. He’s known to play gigs without taking a single break. He even works holidays. I saw him play the Continental Club in Austin last Christmas — and he’s scheduled to play there on Thanksgiving this month.
Watson always seems to have a new album. In fact, he’s released not one but two in recent weeks.
One album is a live show from his favorite Hedwig, Texas, haunt, known for bingo games that use live poultry instead of balls to determine the numbers being called.
The other is an album full of cover songs made famous by the musicians who most influenced him.
Big T Roadhouse features a bunch of old Watson tunes, including ought-to-be classics like “I Lie When I Drink,” “Where Do You Want It” (an ode to Billy Joe Shaver’s infamous shooting incident), and one of his best trucker songs, “Birmingham Breakdown.” There area couple of Merle Haggard favorites, “The Bottle Let Me Down” and “The Fugitive,” plus my personal favorite here, a spirited cover of Jerry Reed’s “Amos Moses.”
And speaking of covers, Under the Influence is a true treat. Watson performs Bob Wills’ “That’s What I Like About the South,” Buck Owens’ “Made in Japan,” and two relative Haggard obscurities: “Here in Frisco” and “If You Want to Be My Woman.”
My favorites are Watson’s version of “You’re Humbuggin’ Me,” a classic recorded by Lefty Frizzell, Rocket Morgan, Ronnie Dawson, and others, and Danny Dill’s “Long Black Veil.” That’s a well-worn chestnut first made famous by Frizzell. But Dale’s treatment is unique. He actually makes this ghostly murder story swing.
* Swimmin’ Pools, Movie Stars … by Dwight Yoakam. Yoakam undoubtedly was the best-known neo-honky-tonker of the 1980s.
Though he’s dabbled in bluegrass before, this is Kentucky-born Yoakam’s first all-bluegrass album. All the songs are new acoustic versions of old Yoakam originals, including the title song of his first album, “Guitars, Cadillacs,” refitted with fiddles and banjos.
All but one, that is.
The album ends with Prince’s “Purple Rain.” And while a lot of people chuckle at the thought of a bluegrass rendition of Prince, this is nothing to snicker at. Yoakam kills it. Without a trace of irony he finds the soul of the song and makes it into the perfect hillbilly tribute to the ascended master from Minneapolis.
* Southern White Lies by Martha Fields. She has roots in Texas and Oklahoma, though these days Fields is living part-time in Bordeaux, France.
But just because she’s across the ocean doesn’t mean she’s forgotten her musical roots. Last year, with a band of Frenchmen called House of Twang, she released an album full of rocking country boogie called Long Way From Home. But while that one was fun, her new acoustic banjo- and dobro-driven record is much deeper and hits much harder.
With a strong, throaty voice, Fields sings about her Southern heritage with stark honesty. A major theme running through several songs on Southern White Lies is how poor, rural people are manipulated by politicians and big business to keep them poor and ignorant for the sake of keeping up the supply of cheap labor and soldiers for wars.
There’s a real current of righteous anger running through many of these songs. Fields sums it up in “American Hologram,” singing, “No pot to piss in, believe in that trickle down/Snake handlers and TV tellin’ ‘em it’s for the best ... No need for education, no money for schools/Easier for Limbaugh, to play ‘em like the fool.”
A tasteful handful of covers like Woody Guthrie’s “Lonesome Road Blues” — better known as “Going Down That Road Feelin’ Bad” — and Janis Joplin’s “What Good Can Drinkin’ Do” adds a little levity to the album. “Pandering politicians, we need more musicians,” Fields sings in the title song.
There’s a political slogan I can get behind.
Here are some videos that you can get behind:
Thursday, November 10, 2016
THROWBACK THURSDAY: Janet Reno and her Songs of America
I didn't know former Attorney General Janet Reno. But I know her niece Jane and Jane's husband Ed. And I learned about her death this week via a sweet eulogy to her that Ed posted on his Facebook page Monday.
Reading Ed's tribute reminded me of this a cool music project that Reno had envisioned and Ed, a musician in Nashville, co-produced. Released in early 2008, the double-disc collection was called Song of America.
And it was, in the words of a wise old journalist, "a big, old, various-artist collection of songs outlining the strange and complicated history of this great land — both the official version and various alternate views that go beyond the wars, political campaigns, and other stuff they teach in school. There are patriotic tunes, protest songs, musical re-tellings of historic events, and songs about changes in our society."
Below is a Good Morning America feature on Song for America.
Below are a few tracks from Song of America.
This one, by Suzy Bogus, is really snazzy!
And here is a rocking version of a Johnny Cash song, "Apache Tears" by Scott kempner, formerly pf The Dictators and The Del-Lords
So rest in peace, Janet Reno. Thank you for your song.
Scott Kempner with Ed Pettersen |
Wednesday, November 09, 2016
WACKY WEDNESDAY: Songs for an Election Hangover
So you've had enough of the damned election?
Who are you kidding?
Go ahead.
Scramble your brain just a little more with some of these wacky campaign jingles.
It won't hurt.
Honest!
Let's start with this one from Milwaukie, Oregon. (Thanks Kristina ... I think)
40 years ago there was this ...
And even further back in time ... (The actual song starts at about the 1:30 mark)
Finally, OBEY YOUR ANIMAL OVERLORDS!
Sunday, November 06, 2016
TERRELL'S SOUND WORLD PLAYLIST
Sunday, Nov. 6, 2016
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org
Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Liar Liar by The Castaways
G-D Liars by Chuck E. Weiss
Dead in a Motel Room by Hickoids
I Don't Mind by The Angry Dead Pirates
Losing My Mind by Alien Space Kitchen
Tore Up by The Cryin' Jags
Ride With Me by Sulphur City
Dog on a Leash by The Badass Motherfuzzers
I Can Hear Her Fighting With Herself by Jonathan Richman
The Crusher by The Cramps
Kremlin Dogs by Gregg Turner
White Faces by Roky Erikson & The Aliens
Raw Power by Iggy & The Stooges
Not a Sausage by The Mobbs
Pony Tail and a Black Cadillac by Roy & The Devil's Motorcycle
Elected by Alice Cooper
Hallelujah by Churchwood
I Made a Mistake by James Williamson & MAIA
I Don't Want You Anymore by The Monsters
Follow Me Home by The Mystery Lights
White Glove Service by The Grannies
Analia by The King Khan & BBQ Show
It's Mighty Crazy by Barrence Whitfield & The Savages
When Fate Deals Its Mortal Blow by Meet Your Death
200 Years Old by Frank Zappa & The Mothers & Captain Beefheart
Mesopotamia by The B52s
Down on Me by Big Brother & The Holding Company
Plastic Fantastic Lover by The Jefferson Airplane
Autumn Leaves by Bob Dylan
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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Friday, November 04, 2016
THE SANTA FE OPRY PLAYLIST
Friday, Nov. 4, 2016
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Long Time Gone by The Dixie Chicks
Wreck of the Old 97 by Johnny Cash
My Dirty Life and Times by John McCuen
The Ballad of Charles Whitman by Kinky Friedman
Too Sweet to Die by The Waco Brothers
Southern White Lies by Martha Fields
Poor Don't Vote by Paul Burch
I Am a Man of Constant Sorrow by The Soggy Bottom Boys
Holy Ghost Rock 'n' Roller by Jesse Dayton
Love You Always by Wayne Hancock
Inside View by Dale Watson
I Play With Girls My Own Age by Cornell Hurd
Much Too Young for Love by Barney Burcham
Live Fast, Love Hard, Die Young by Faron Young
Rattlesnake Daddy by John Tinsley
That'll Learn Ya, Dean Ya by Washboard Hank
Whooping Baby by Earl Songer
Baby Keeps Stealin' by Great Recession Orchestra
Skull and Crossbones by Bell & Shore
Big Drops of Trouble by Arty Hill
Home for Sale by Dwight Yoakam
Bueno Noches from a Lonely Room by Cracker
Heartache by The Numbers by Wille Nelson
Psycho by Eddie Noack
Hogtied Over You by Tennessee Ernie Ford & Ella Mae Morse
Heaven is the Other Way by Big Sandy & The Fly-Rite Boys
The Silver Light by The Handsome Family
When The Good and The Bad Get Ugly by Butch Hancock
Pretty Girl by Miss Leslie
Pastures of Plenty by Cedar Hill Refugees with Dave Evans
Sweet Alcohol by Audrey Auld
Down to the River to Pray by Allison Krauss
I'll See You in My Dreams by Asylum Street Spankersrs
CLOSING THEME: Comin' Down by The Meat Puppets
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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Thursday, November 03, 2016
THROWBACK THURSDAY: Remembering Leon Theremin
Leon in action |
The instrument would come to be known as the Theremin.
Theremin invented the contraption in St. Petersburg shortly after the Russian revolution. It consisted of a small wooden cabinet which contained glass tube oscillators and two antennae that produced electromagnetic fields. In 1922 Theremin demonstrated his instrument in the Kremlin for Lenin, who reportedly was pretty darned impressed.
Lenin sent him on tour in Russia to show off Theremin and his Theremin as an example of Russian progress and ingenuity.
In 1927, Theremin traveled to the U.S., where he played Carnegie Hall and licensed RCA to build his instruments.
But the BBC article said the real reason he came to the U.S. was to engage in industrial espionage. "He had special access to firms like RCA, GE, Westinghouse, aviation companies and so on, and shared his latest technical know how with representatives from these companies to get them to open up to him about their latest discoveries," Theremin biographer Albert Glinsky told the BBC.
Here is a video of Theremin demonstrating his instrument in 1954,
The Theremin was praised by composers like Edgard Varese (he demonstrated one at a lecture at the University of New Mexico in Albuquerque in 1936 according an article in Theremin.info. But it didn't really catch on in American pop culture until the '40s and '50s in movie soundtracks like the ones below.
Hungarian composer Miklos Rozsa used a Theremin in Alfred Hitchcock's Spellbound as well as this 1945 noir classic.
Here's a contemporary Theremin artist, Dorit Chrysler.
The Beach Boys brought the Theremin to rock 'n' roll with "Good Vibrations" in 1966. But the rocker who seems to to have the most fun with a Theremin is Jon Spencer, who usually does a Theremin number in his shows with The Jon Spencer Blues Explosion. This is a strange clip from some even stranger TV I just found.
Wednesday, November 02, 2016
WACKY WEDNESDAY: How God Led Me to Kinky Friedman
Tuesday was the 72nd birthday of Richard Samet Friedman, better known to the Free World as Kinky Friedman, country singer, comic agitator, mystery author, failed politician, animal lover, cigar aficionado and 1973 Male Chauvinist of the Year.
Happy birthday, Kinky!
A couple of months before I ever heard Kinky's music, I learned about him from an article in a newspaper somebody had left in a little chapel that was part of a Methodist church in downtown Oklahoma City. That was on September 11 (!), 1973, back when I was doing my first big hitchhiking trip. The chapel at that time was open 24 hours and turned out out to be a good place to crash for a new amateur hobo.
But the main thing I remember about my stay there was reading that article about this crazed Texan -- whose band was called "The Texas Jewboys" -- who sang songs with titles like "The Ballad of Charles Whitman," "Get Your Biscuits in the Oven and Your Buns in the Bed" and "They Ain't Makin' Jews Like Jesus Anymore."
I knew I was going to love this guy. God must have wanted me to find Kinky or He wouldn't have left that newspaper in His chapel.
And a couple of decades later I was extremely honored to be asked to open for him at a couple of gigs (1992 and 1995) at Albuquerque's El Rey Theater.
Kinky's songs were pretty radical back in the early '70s. But the thing is, they're probably more radical today. If he were more famous, his combination of fearless irreverence, wicked dark humor and outright blasphemy would get him banned from many college campuses (he don't give one Texas hoot about your "safe places"), condemned by religious leaders and shunned by all polite society.
Here are the three songs that made my eyes pop when reading about them in that paper at that Methodist chapel.
God love ya, Kinky!
Let's start with the song that earned him the National Organization of Women's Male Chauvinist of the Year award, "Get Your Biscuits in the Oven and Your Buns in the Bed."
Kinky uses all sorts of racial slurs in "They Ain't Makin' Jews Like Jesus Anymore." But remember, they're coming from the mouth of an idiot racist -- who in the end gets his just deserts from "one little Hebe from the Heart of Texas."
Kinky was a student at the University of Texas in Austin when Charles Whitman raised his ruckus in the belltower. "The Ballad of Charles Whitman" was recorded only six years after that violent tragedy.
And while looking for the above song, I stumbled across this little feature with the Kinkster talking about the Whiitman shootings.
Sunday, October 30, 2016
TERRELL'S SOUND WORLD PLAYLIST
Sunday, Oct. 30, 2016
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org
Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Halloween Hootenanny by Zacherle
Halloween (She Got So Mean) by Rob Zombie & The Ghastly Ones
Inside Looking Out by The Animals
Hainted by Churchwood
Birthday by Mission of Burma
Kiss Her Dead by Delany Davidson
Let Me Spend the Night With Your Wife by The Monsters
Bat Snatch by The Terrorsaurs
Feast of the Mau Mau by Screamin' Jay Hawkins
I Only Have Eyes for You by The Flamingos
Busload of Faith by Lou Reed
Baby Doll by Horror Deluxe
Stone Fruit by The Grannies
I'm a Mummy by The Fall
How to Make a Day by The Fleshtones
Mental Disease by Dow Jones & The Industrials
Home is Where the Hatred Is by James Chance & The Contortions
Halloween Parade by Lou Reed
Shallow Grave by Tyler Keith & The Apostles
I Have Always Been Here Before by Hickoids
I Walked With a Zombie by Roky Erikson
I Was a Teenage Werewolf by The Cramps
Samson and Delilah by Edison Rocket Train
Huggin' the Line by James Leg
Let's Get Funky by Elvin Bishop
Astral Plane by Jonathan Richman
Flowers in My Hair, Demons in My HEad by The Mystery Lights
Halloween by Sonic Youth
Gum by The Dean Ween Group
Fool's Gold Rush by Datura
Muriel by Eleni Mandell
Hangin' Johnny by Stan Ridgeway
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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Friday, October 28, 2016
THE SANTA FE OPRY PLAYLIST
Friday, Oct. , 2016
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Daddy Was a Bad Ass by Jesse Dayton
Divorce Me C.O.D. By Wayne Hancock
Dirt Road by Southern Culture on the Skids
What Are They Doing in Heaven by Martha Fields
Birmingham Breakdown by Dale Watson
Over the Cliff by Jon Langford's Hillbilly Love Child
Honky Tonk Song by Webb Pierce
You Sure Got a Way with Women by Washboard Hank
One Has My Name by Jerry Lee Lewis
Meat Man by D.M. Bob & The Deficits
Four Leaf Clover by The Old 97s with Exene Cervanka
Two Doors Down by Dwight Yoakam
If You See Me Coming by Arty Hill
Please Me When You Can by James Hand
All Knocked Up By Ruby Dee & The Snakehandlers
Liquor and Whores by The Misery Jackals
Don't Lie Buddy by Josh White
Ghost in the Graveyard by Prairie Ramblers
Hole in the Ground by Iggy Yoakam & The Famous Pogo Ponies
Burn the Place Down by Dinosaur Truckers
Thin Air by The Defibulators
How Far Down Can I Go by T. Tex Edwards & The Swingin' Kornflake Killers
Make It Hail by The Royal Hounds
Headhunter by Highlonesome
Everyone's in Love with You by Steve Earle
Demon in My Head by Joe Buck Yourself
Touch Taven by Cedar Hill Refugees
Old Rub Alcohol Blues by Dock Boggs
Dry River by Dave Alvin
I'm Going Home by Slackeye Slim
Back in the Day by The Handsome Family
The Wayward Wind by Jackie "Teak" Lazar
CLOSING THEME: Comin' Down by The Meat Puppets
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Steve Terrell was proud to report to the monthly Freeform American Roots Radio list
R.I.P. John Conquest
TERRELL'S TUNE-UP: The Mystery Lights! Thee Oh Sees! The Monsters!
Oct.28, 2016
Back in the mid-1960s, there was a natural connection between soul music and the style of primarily Caucasian rock ’n’ roll we now call “garage rock.”
Practically all of those bands — from the lofty masters like The Sonics down to the pimpliest no-name Midwestern no-hit wonders — unabashedly tried to imitate African American hitmakers like Wilson Pickett and the Isley Brothers, and they did their best to mimic all those blues and R&B-soaked British bands like The Rolling Stones, The Animals, and The Yardbirds. The garage kids rarely, if ever, sounded as authentic as the performers they idolized, but the influence was obvious.
So it shouldn’t seem all that surprising that the most prominent neo-soul label of the day, New York’s Daptone Records, would start an imprint (Wick) specializing in neo-garage rock. And knowing the integrity of Daptone, which has given the world Sharon Jones & The Dap-Kings, Charles Bradley, The Budos Band, and others, it's only natural that The Mystery Lights — the first band to release an album on the Wick label — would be a rocking delight. And though nobody is going to mistake Mystery Lights singer Mike Brandon for Lee Fields, there’s some true white-boy soul on the band’s self-titled album.
Starting out in Salinas, California — where Brandon and guitarist LA Solano started the band as teenagers — this quintet has the basic loud-fast-and-snotty, fuzz ’n’ Farfisa sound down like pros. They prove this handily on rockers like “Melt” — featuring crazed yelps from Brandon that sound right out of Thee Oh Sees’ bag of tricks — the loopy blues of “What Happens When You Turn the Devil Down,” along with The Seeds-like “21 & Counting” and “Follow Me Home.”
But even more interesting is when the Lights venture into the great cosmic beyond on psychedelic excursions like “Before My Own” and, especially, “Flowers in My Hair, Demons in My Head,” which features some tasty interplay between Solano’s guitar and the lysergic keyboards of Alex Q Amini.
This kid probably didn’t spend all his free time studying David Cohen’s organ solos with Country Joe and The Fish, playing Electric Music for the Mind and Body over and over again until they haunted his dreams. But it sure sounds like he did.
Also recommended:
* A Weird Exits by Thee Oh Sees. You didn’t think we’d make it through the year without another crazy collection of songs from the world’s most prolific band, did you?
Actually, this is their second album of 2016, but I haven’t gotten my hands or my ears on the first one, a live album. A Weird Exits shows a wider range for John Dwyer and crew than their last couple of albums did.
It starts out with a song called “Dead Man’s Gun,” a riotous pounder that, in short, sounds like everything I love the most about Thee Oh Sees — breakneck beat, falsetto vocals about who-knows-what from Dwyer, strange electric beeps and bleeps. It almost could be an outtake from any of my favorite Oh Sees albums: Floating Coffin, Carrion Crawler/The Dream, and last year’s Mutilator Defeated at Last. And that’s true for a few other tunes here, such as “Plastic Plant.”
But it’s the variety of sound that gives a punch to A Weird Exits. “Ticklish Warrior,” for instance, is lower and slower, showing echoes of the Melvins and the pre-synth The Flaming Lips. The spacey “Crawl Out from the Fallout” is downright dreamy, a seven-minute-plus ethereal soundscape with an edge of the blues.
Then there’s “The Axis,” which is slow and surprisingly soulful, that builds up to an explosive, distorted guitar solo. Is this Dwyer’s attempt to rewrite “Free Bird?” Dwyer gives his throat a rest on a couple of psychedelic instrumentals here — “Jammed Entrance” (the closest thing to The Beatles’ “Tomorrow Never Knows” I’ve heard recently) and “Unwrap the Fiend, Part 2” (don’t ask me where Part 1 is), which features a classic Dwyer melody and a suitably screaming guitar.
*M by The Monsters. It wouldn’t be Halloween without some Monsters, and the pride of Voodoo Rhythm Records is back with their second release of the year.
It’s the Swiss group’s 30th anniversary and they’re just as monstrous as they’ve ever been. Unlike their previous album, a re-release of their long out-of-print early album, The Jungle Noise Recordings, this is newly recorded material — loud, crunching garage-punk trash with the immortal Reverend Beat-Man out front screaming on songs like “You Will Die,” “Nothing, You Coward,” and “Baby You’re My Drug.”
“Let Me Spend the Night With Your Wife” is Beat-Man’s take on some imaginary Weimar Republic dirge. “Bongo Fuzz” is a classy instrumental featuring wild bongos. “Voodoo Rhythm” is a loving, growling homage to the record label Beat-Man built, while “Dig My Hair” is senseless blaring noise — and I mean that in the nicest way.
I only wish that Edd “Kookie” Byrnes could have been around to sing this with The Monsters. I’m sure he would have lent Beat-Man his comb. But the best song on the record is “Happy People Make Me Sick.” I don’t know — it just makes me happy.
The third installment in The Monsters’ 30-year anniversary celebration will be a tribute album soon to be released. You’ve been warned.
It’s Halloween! It’s time once again for the annual Big Enchilada Podcast Spooktacular. Hear an hour’s worth of spooky rock ’n’ roll, including a song from The Monsters’ new album. Follow this link and hear all my rocking Halloween podcasts. It’s all free — a public-spirited service to you, my readers.
Some videos for ya:
First, The Mystery Lights, who like it nasty, messed up
A new video from Thee new Oh Sees album
And finally, something Monstrous
THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal
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