Sunday, July 14, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 14, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
I Can't Stop Thinking About It by The Dirtbombs
Sweet Young Thing by The Monkees
Sweet Young Thing by The Chocolate Watchband
Sweet Young Thing Ain't Sweet No More by Mudhoney
Long Way Down by Sons of Hercules
God is a Bullet by Concrete Blonde
Bust Out by April March & The Makers
Contagious by Sleeve Cannon
Deal by Dr. John

Bend Over, I'll Drive by The Cramps
I'll Be Loving You by The King Khan & BBQ Show
Cosmonaut  by Mean Motor Scooter
Overthrown by Thee Oh Sees
Hands on the Controls by The Coachwhips
Love My Lover by The Fleshtones
Let's Get it On by Alien Space Kitchen
Laura By Xoe Fitzgerald
May Be a Scandal by Roosevelt Sykes

Boy in a Bubble by Jack Oblivian & The Dream Killers
No Panic, No Stress by The Scaners
Wouldn't You Know by Billy Lee Riley
I Have Always Been Here Before by The Hickoids
Devil in Me by Churchwood
Light Rail Coyote by Sleater-Kinney
Crazy Date by T. Tex Edwards
Bury Me Deep by Kim Lenz
Love Like Crazy by Jessica Lee Wilkes
I'm Clean by Shinyribs

Working Hard for Your Love by Eilen Jewell
All the Way Back Home by The Dinosaur Truckers
In San Francisco Bay by DBUK
Watching Over Me by Cynthia Becker & The Edge
Georgia Lee by Tom Waits
A Kiss at the End of the Rainbow by Mitch & Mickey
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

Subscribe to The Big Enchilada Podcast CLICK HERE

Wednesday, July 10, 2019

WACKY WEDNESDAY: Loony Lunar Tunes


It was 50 years ago this month that Neil Armstrong made that one small step for man.

In honor of the brave men aboard Apollo 11, here are some wacky songs about the moon  and beyond.

I do believe Lucia Pamela walked on the moon before Neil Armstrong



Here's Don Lewis, the self-proclaimed first country singer on the moon.



Devo tried to warn us about all the space junk out there



This one actually is a parody of another novelty song from the early '60s by Charlie Drake called "My Boomerang Won't Come Back"



Here's an old sound by Nu Sounds, a Sun Ra project.



Finally here's The Legendary Stardust Cowboy (even though I'm pretty sure he didn't write this song.)




Sunday, July 07, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 7, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
He's Waitin' / Eyes on Me by The Night Beats
Janglin' Jack by Nick Cave & The Bad Seeds
Sheena's in a Goth Gang by The Cramps
Let Me In by ET Explore Me
Hollywood High by Alien Space Kitchen
Worthless by The Yawpers
Scarla by Jack Oblivian & The Dream Killers
Call the Police by The Oblivians
Fall on You by The Plimsouls

We're Desperate by X
Rational Actor by Notts
Sun Medallion by King Tuff
Lawrence of California by The Mekons
Don't Mess Up My Baby by Black Lips
Clouds of Dawn by Dead Moon
Poison Ivy by Imperial Wax
I Will Dare by The Replacements
Baby Face by Bobby Darin

Frankie & The Time Machine by Xoe Fitzgerald
$2,000 Navajo Rug by Joe West & The Sinners
Hey Joe by Lee Moses
Commando by The Ramones
Heart by REQ'D
Set to Stun by The Grannies
Hornet's Heart by Thinking Fellers Union Local 282
Old Time Religion by B.B. King

Witness by Eilen Jewell
I Thought I Heard Buddy Bolden Say by Dr. John
Isolation by Ty Segall
Aggie and the DA by Hamell on Train
I Hate These Songs by Dale Watson
Remember (Christmas) by Nilsson
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

Subscribe to The Big Enchilada Podcast CLICK HERE

Thursday, July 04, 2019

THROWBACK THURSDAY: Have a SOULFUL Independence Day!




Have a safe and soulful Fourth of July.

Here are some classic patriotic songs performed by soul music stars.

Sharon does Woody


Ray Charles did the ultimate version of this patriotic classic (if you don't count the version I did with Butch Hancock in the early '80s at the Forge in downtown Santa Fe,)


God bless Aretha





Sunday, June 30, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 30, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

Dirty Swerve by The Reverend Peyton's Big Damn Band
Science Fiction Double Feature by Joan Jet\
Thick Skin by The Mystery Lights
Car by REQD
Can't Slow Down by Alien Space Kitchen
69 by The Four
Green Manalishi by Fire Bad!
Medicine Man by The Fleshtones
Four Winds by Dave Bartholomew
I Got You Babe by The Cynics
Laugh at Me by Devil Dogs

Fourth of July by X
I Had a Dream by Charlie Pickett
Glad Rag Ball by Daddy Long Legs
Crawl by Eilen Jewell
Brimful of Asha by Cornershop
I Miss My Boyfriend by Folk Uke with Shooter Jennings

True Romance by Lucy & The Rats
The Captain's Dead by Paddy & The Rats
World War III by The Rats
I Smell a Rat by Big Mama Thornton
(You like rat songs? CLICK HERE)
Don't Fall Down by 13th Floor Elevators
Something's Missing Inside by CTMF
Not For Me by Miriam
My Key Don't Fit by Dr. John & Ronnie Barron
One Night of Sin by Simon Stokes
Odor in the Court by Doodoo Wah

House Amid the Thickets by The Flesh Eaters
Love Prisoner by Lee Fields & The Expressions
Watching Over Me by Cynthia Becker& The Edge
Dreaming My Dreams by Waylon Jennings
Diamond in Your Mind by Solomon Burke
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Go to The Big Enchilada Podcast which has hours and hours of music like this And there's a brand new wpisode waiting for you.

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The New Big Enchilada is FINALLY Here!

THE BIG ENCHILADA



Order in the court! The jury is in and The Big Enchilada has been judged the greatest rock 'n' roll podcast in the Universe -- at least by the jury in my mind. This episode -- which includes a wild tribute to the late Roky Erickson -- will show you why. 

And remember, The Big Enchilada is officially listed in the iTunes store. So go subscribe, if you haven't already (and gimme a good rating and review if you're so inclined.) Thanks. 


Here's the playlist:

(Background Music: B-Side by The Fleshtones)
Who Dat by The Jury
Can't Slow Down by Alien Space Kitchen
Googly Baby by Fire Bad!
Upside Mine by Billy Childish & Holly Golightly
65 Bars by Louis Jordan & His Tympany Five
Odor in the Court by Doo Doo Wah

(Background Music: The Green Sleaze of Summer by Al's Solstice Party)
Roky Erickson Tribute
Don't Slander Me by The Blue Giant Zeta Puppies
Creature with the Atom Brain by Quintron & Miss Pussycat
White Faces by Blood Drained Cows
I Met Roky Erickson by Jad Fair & Daniel Johnston
Fire Engine by 13th Floor Elevators
You Don't Love Me Yet by Roky Erickson & 27 Devils Joking

(Background Music: Storm Warning by Mac Rebennack)
No Judge, No Trial by The Uncle Butcher
Walk on Gilded Splinters by Jello Biafra & The Raunch 'n' Soul All-Stars

Play it here:

Wednesday, June 26, 2019

WACKY WEDNESDAY: Wild Things

1960s Rock Idols
The song "Wild Thing" is an authentic garage-rock classic. Written by Chip Taylor and originally recorded in 1965 by a New York Band band called The Wild Ones, it didn't become a hit until the next year when a primitive British group called The Troggs beat it back into the Stone Age.

I guess that made it ripe for parody. 

In 1967 comedian Bill Minkin channeled the voices of two U.S. senators -- Robert F. Kennedy and Senate Republican Leader Everette McKinley Dirksen (who, in real life had a pretty gallant Top 40 hit of his own in 1966) and recorded a double shot of "Wild Thing" for  Parkway Records -- one side credited to "Senator Bobby," the other to "Senator Everett McKinley."

First the version by "Senator Everett"



The flip side by "Senator Bobby."



The two political giants teamed up in the spirit of "quite rightly" bi-partisan cooperation on this Donovan hit of the day.



And on the flip side of "Mellow Yellow" was another Bobby, someone called "Bobby the Poet." This is a send up not only of Bob Dylan, Bing Crosby and Irving Berlin, but also of Simon & Garfunkel's  "7 o'Clock News/Silent Night." I think they were all smoking bananas.




Sunday, June 23, 2019

TERRELL'S SOUND WORLD PLAYLIST






Sunday, June 23, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist:

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Surfin' Bird by Nobunny
Wild America by Iggy Pop
Filipino Box Spring Hog by Tom Waits
Woman Alone by Nots
Inside Looking Out by Eric Burdon & The Animals
Roll Me by Left Lane Cruiser
Stop it Baby by Roy Loney & The A-Bones
Shh Shh Shh by Boss Hog

Pink Lemonade by Daddy Long Legs
Time 2 Be Bad by Jon Spencer
Come Back Lord by Reverend Beat-Man & Izobel Garcia
Get On Board by Dead Moon
Deeper Way by The Jackets
You;ve Got Good Taste by The Cramps
Wasn't That Good by Wynonie Harris
Ghost Waves by The Vagoos
Dave Bartholomew 
The Dead Don't Die by Sturgill Simpson

Country Girl / Shrimp and Gumbo / Can't Take No More by Dave Bartholomew
Indian Red by The Wild Tchoupitulas
Just Because by Joe Barry
I'm Clean by Shinyribs
Revolution by Dr. John
I'm Gonna Be a Wheel Someday by Fats Domino

Let's Get It On by Alien Space Kitchen
A Hard Rain's A Gonna Fall by Bob Dylan
Leave Me Along by Esquerita
You Flopped When You Got Me Alone by June Carter
Nothing Lasts Forever by The Kinks with Marianne Price
Marie by Leon Redbone
For You by Roky Erickson & Okkervil River
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

Subscribe to The Big Enchilada Podcast CLICK HERE

Friday, June 21, 2019

TERRELL'S TUNE-UP: The Jackets, Nots and Walking with The Giants

A version of this was published in The Santa Fe New Mexican 
June 21, 2018

Queen of the Pill (Voodoo Rhythm), the new album by The Jackets, is good, strong, punked-up variations of that wonderful 1960s sound of teenage Americans trying to imitate British bands imitating African-American blues and soul. It’s raw and rowdy and full of fuzz and fury.

Singer Jackie Brutsche’s voice ranges from Weimar Republic diva to riot grrrl screamer. It’s such an important ingredient of The Jackets’ sound that sometimes a listener will forget that it’s her guitar — mostly thunderous, but sometimes sweet and slinky — that’s also driving the songs.

Standouts here include the frantic “Loser’s Lullaby”; “Steam Queen,” featuring some nasty blues licks from Brutsche’s guitar just under the fuzz; and “What About You,” with lyrics by drummer Chris Rosales, who also does his most ferocious drumming on this one.

But best of all is the slow-burning, mysterioso “Floating Alice,” which sounds like it sprang from a mutant exotica record by Esquivel! on a mescal and mushroom binge, perhaps. The lyrics deal with a lady astronaut helplessly floating off into outer space away from her lover. “The stars shine so bright as I’m getting lost / Slowly fading away, at any cost …”

Also recommended:


* 3 by Nots (Goner Records). This is an all-woman punk, or maybe post-punk — or maybe, who cares about such distinctions? — band from Memphis that I discovered back in 2016 with their second album Cosmetic.

At the time, I described the record as the most urgent-sounding music I’d heard in a long time. Their new album is not such a big surprise to me as the previous one. But the sound is no less urgent.

There are some notable changes since their last album. For instance, there are no seven-minute rock odysseys here. No track even reaches four minutes, which probably is a good thing.

More significant is the loss of Nots’ keyboard player, Alexandra Eastburn, who provided Pere Ubu-like synth bloops and bleeps. Instead, singer Natalie Hoffmann fills in on keyboards on several songs, providing enough psychedelic embellishments to remain true to their sound.

As was the case with Cosmetic, it’s not easy to follow the lyrics. But you can tell Hoffmann is upset about something on basically every song. Her singing is more like desperate chanting. The song titles alone — “Woman Alone,” “Surveillance Veil,” and “Far-Reaching Shadows” — paint a bleak, maybe paranoid picture, which is reinforced by the music.

And I can’t help but wonder if Nots’ “Floating Hand” belongs to The Jackets’ “Floating Alice.”

* Meetings with giants, now deceased


Roky Austin 1995 (1)
Roky Erickson in the Iron Works BBQ parking lot
1995
Three musicians whose music I’ve long loved have died in recent weeks: postmodern vaudeville crooner Leon Redbone; psychedelic wailer Roky Erickson; and New Orleans voodoo rocker Mac Rebennack, aka Dr. John.

They were three very different musicians, but one thing they had in common was that I met them all, exactly once.

I interviewed Redbone in July 1981 when I was freelancing for the Santa Fe Reporter, and he was playing the late lamented Golden Inn.

Ever since his first album in the mid-’70s, Redbone was notorious for refusing to give his real age or place of birth. So naturally, that was one of the first things I asked him about. “Oh no, I’ve always answered questions,” he told me, politely adding that he was 41 years old and from Shreveport, Louisiana. This was very early in my journalism career, and I just took him at his word and included that in my story.

Decades later, I learned that Redbone, whose real name was Dickran Gobalian, was born in 1949 on the island of Cyprus. Oh well, a lot of people have lied to me in interviews since, but none of them could sing “Shine on Harvest Moon” or “Champagne Charlie” like Leon did.

Two years later, I got to interview Dr. John at Club West in Santa Fe, also for the Reporter. I lived close to downtown then, so I walked to work that night. Just down the street from Club West, I passed The Forge, where saxophone great Eddie Harris was playing. I stood in the doorway to listen to a couple of his songs thinking, Dang! This is a hopping little town!

In our interview, Dr. John talked a lot about his hometown hoodoo. Voodoo in New Orleans, he said, “is more like the Masons than religion. To me, it was more like a fraternal brotherhood thing. Also, it worked for me like therapy. I never got into it full swing. If I had stuck with it, I would have become a different type of person to deal with than I am now.”
Roky Austin 1995 (2)
Rollins and Roky

I never actually interviewed Erickson, but I met him in Austin in 1995, the first time I went to South by Southwest. He was supposed to do a book signing at a downtown BBQ joint, having just published a book for Henry Rollins’ publishing company. As I approached the restaurant, a bearded, disheveled guy who looked like a cross between a saint and a wino walked out the door. It was him!

I introduced myself.

“Hey Roky, my name is Steve ...”

“I know.”

“I’m from Santa Fe ...”

“I know,” he said, shaking my hand. “You have any cigarettes?”

I didn’t but he still was friendly and chatty — and started bumming cigarettes from passersby as we talked in the parking lot. I learned that he had bolted the book signing after he started feeling claustrophobic inside. A few minutes later, a frustrated Rollins emerged from Ironworks BBQ, trying to coax Roky back inside. “You want me to get your iced tea, Roky?” he asked.

Finally, he got Roky to agree to get into a car and sign books there. Including one that I bought.


Roky walked with the zombie. Dr. John walked on golden splinters. And Leon never walked without his walking stick. I’ve walked with some giants, if only briefly. Rest in peace, Leon, Mac, and Roky.

Some videos for you

First The Jackets



Here's Nots



Here's Roky from just a couple of years ago



A litttle gris-gris from the Doctor



Without my walking stick, I'd go insane




Wednesday, June 19, 2019

WACKY WEDNESDAY: Happy Birthday Stringbean!



With his long nightshirts and low-hanging pant, belted around the knees, his funny hat, his deadpan face -- and a truly dangerous banjo --  David Akeman, who most people knew as "Stringbean," was a comic star of the Grand Ol' Opry from the '50s through the early 70s.  And he was part of the original cast of Hee Haw, which introduced him to a new generation of hillbilly music.

He was born June 17 in 1915, though I've also seen reports that say he was born in 194 or 1916. Whatever is true, he'd be well over 100 if he were still alive.

But he's not.

Following a performance at the Opry on Nov. 10, 1973, Akeman and his wife Estelle were shot and killed killed at their cabin in  Goodlettsville, Tenn. near Nashville by a couple of burglars looking for a big stash of money they -- wrongly -- thought was there.

But I don't want to dwell on his murder, which has been well-covered elsewhere. This is Wacky Wednesday, so let's remember his music and the laffs he gave us.

Here's an early TV appearance with none other than Earl Scruggs on second banjo.



"She's as pretty as a plum ..."



Who doesn't love a pretty little widow?



Everyone got the hillbilly fever by now?

Sunday, June 16, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 16, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres

Be Gone by Daddy Long Legs
Dropout Boogie by Captain Beefheart
Built Environment by Nots
Hit it and Quit it by Ty Segall
Dreamer by The Jackets
Space Brother by Alien Space Kitchen
Pretty Good for a Girl by Pussycat & The Dirty Johnsons
Two Headed Demon by Urban Jr.
Night of the Living Dead by Sickkidz

Sing it Right by Shinyribs
Voodoo Stomp by The Saucer Men
Te ta Te Ta Ta by Ernie K. Doe
Toe Up from the Flo Up by Ronnie Dawson
All I Wanna Do by The War & Treaty
Watching the News Gives Me the Blues by The Mystery Lights
Isis by Bob Dylan


Around the World in a Daze\

American Wedding by Gogol Bordello
Hold My Hips by Dengue Fever
In My Dreams by Prince Alla
Im Nin'alu by Ofra Haza
Sono Meu by Maria Bethania & Gal Costa
The Bunker by Beirut
Wait for Me by Roger Damawuzan

Lonely Dying Love by Houndog
Good Stuff by Bobby Rush
Mack the Knife by Dr. John
I Walk on Gilded Splinters by Jello Biafra & The Raunch 'n' Roll All-Stars



CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Want to keep the party going after I sign off at midnight?
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At Last Online: The FINAL Santa Fe Opry


One year ago this week I did my last Santa Fe Opry, the hillbilly music show I did for KSFR, Santa Fe Public Radio, for more than 20 years.

Here is the first hour of that show, featuring some of my favorite songs I played on it over the years, including a couple of live performances from musical guests. My friend Scott Gullet was there with me.

If I ever find the second hour, I'll post it here also.

The playlist for the show is HERE




The FINAL Santa Fe Opry  6-15-18

Thursday, June 13, 2019

THROWBACK THURSDAY: Look Out, Ol' Mackie's Back


From the 2018 German film Mackie Messer - Brechts Dreigroschenfilm

It was last week's death of a man named Mac -- Mac Rebennack, aka Dr. John, that got me thinking of this wonderful song. It probably was the first song about a serial killer to become a huge American pop hit: "Mack the Knife." The Night Tripper recorded it on his last album released while he was still alive, Ske-Dat-De-Dat ... The Spirit of Satch (2014).

But no, even though  Louis Armstong did one of the best versions of the song,  "Mack the Knife" did not originate in some Storyville  cat house where jazzbos picked it up, It came from Germany

According to an article by Laurence Senelick  on the Boston Lyric Opera website, Die Dreigroschen Oper (The Threepenny Opera) "was a rethinking of The Beggar’s Opera, a 1728 English satire of Italian opera by the poet John Gay. Elisabeth Hauptmann had translated the work, thinking it appropriate to a Germany roiled by post-war economic depression, conspicuous depravity and political turbulence. The left-wing poet Bertolt Brecht gave it a make-over, setting it in a mythical Victorian London, and providing his own sardonic lyrics. The jazz-flavored music was by [singer/actress Lotte] Lenya’s husband, the distinguished composer Kurt Weill."

And the brightest penny from The Threepenny Opera was "Die Moritat von Mackie Messer" better known as "Mack the Knife." Says Senelick:

Macheath is a womanizing highwayman, a rollicking, amoral rogue. Brecht’s Mackie Messer is rather more ruthless, archetypal of the modern capitalist. Paulsen had devised his own foppish costume: spats, a sword-stick, a light-colored derby and a sky-blue butterfly tie that matched his eyes. Shortly before the show was to open, he demanded an entrance song that would announce his character. Brecht decided to compose one that would counteract the dandy image, and so penned .

A Moritat is a murder ballad—from the Latin, mori, of death, and the German tat, deed, especially dastardly deed. A Moritat was traditionally intoned by street singers and illustrated by lurid pictures on a pole or easel. In Brecht’s verse, Mackie is not directly accused of the song’s list of crimes, as if the street singer feared the consequences; they are imputed to him. 

Three Pernny Opera premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. A movie was made by G.W. Pabst in 1931. And when the Nazis came to power in 1933, they banned it.. Brecht, Weill and Lenya fled the country and ended up in the US.

Here's a German version of "Mack" sung by Brecht himself.


And here's Lotte Lenya singing lyrics translated by Marc Blitzstein.  She starred as "Pirate Jenny" the pickpocke tin both the original 1928 German production, the 1931 German movie and the 1954  Broadway version.



It didn’t take long for “The Ballad of Mack the Knife” to become a jazz and pop standard. Louis Armstrong recorded an upbeat version on September 28, 1955. Since Lenya was in the studio during the session, he added her name to the list of the killer's victims.

Here's a live video from the TV variety show Hollywood Palace in 1965



Bobby Darin recorded probably the best known and most popular version in December 1958. Here he is 12 years later on The Andy Williams Show.



Folk giant Dave Van Ronk did an pretty, somewhat spooky, acoustic version in the 1990s. He must have been a Three Penny Opera fan. When I saw him in the early 80s, he played "Alabama Song," (better known as "Whiskey Bar," which is what The Doors called it.)

Van Ronk includes a verse similar to the little-used final verse (also used by Mark Lanegan, which is based on Van Ronk's interpretation):

Some are children of the darkness
Some are children of the sun
You can see the sons of daylight
Sons of dark are seen by none



Fast forward to the early part of this century and Polish rocker Kazik Staszewski brought Mack and company back to Europe. And yes, under the catchy title "Straszna Pieśń O Mackiem Majchrze," ("A Terrible Song About  Mack Maikara"). he made it rock! This is from his Kurt Weil tribute album



And yes, the late, great Dr. John funked it up on his version featuring jazz trumpeter Terrence Blanchard and rapper Mike Ladd.

Sunday, June 09, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 9, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Snagglepuss by Daddy Long Legs
Collection of Regrets by Weird Omen
I'm So Tired (of Living in the City) by The Mystery Lights
I'm a Man by Ty Segall
Boppin' the Blues by Carl Perkins
Give Punk a Chance by Alien Space Kitchen
Journey to the Center of the Mind by Amboy Dukes
She's My Witch by Fire Bad!
Poor and Broke by Trixie & The Trainwrecks
The Patriot by Unknown Instructors
Saying Nothing by Imperial Wax

The Hippies Killed the Polka Stars by The Polkaholics
Explosion by April March & The Makers
My Guitar Wants to Kill Your Mama by Frank Zappa
Steam Queen by The Jackets
Break You Down by Left Lane Cruiser
Creature With the Atom Brain by Quintron & Miss Pussycat
Hog of the Forsaken by Micheal Hurley

Dr. John Celebration
(All songs by Dr. John except where noted)

Gris-Gris Gumbo Ya-Ya
Junko Partner
Locked Down
Morgus the Magnificent by Morgus & The 3 Ghouls
Right Place, Wrong Time
Such a Night by Dr. John & The Band

Indian Red
Mardi Gras Day
I Been Hoodooed
Zuzu Mamou
Litany of the Saints
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Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

Subscribe to The Big Enchilada Podcast CLICK HERE

Friday, June 07, 2019

TERRELL'S TUNE-UP: Polkaholism and Other Serious Conditions

A version of this was published in The Santa Fe New Mexican 
June 7, 2018



Here is a bunch of crazy rock ’n’ roll records that have been delighting me in recent weeks.

* Polka High by The Polkaholics (self-released). From the land of “Beer, Broads and Brats” (the title of one of their early songs) come this hopped-up, electric “Look Ma, no accordion” polka trio for their first full-length album in a whole decade. This group, led by guitarist, singer, and songwriter “Dandy” Don Hedecker, has a reputation as one of Chicago’s greatest party bands, describing their own sound as “oom pah pow.”

Severe polka purists — I don’t actually know any of these, but I suppose they’re out there — probably hate how The Polkaholics have mutated the genre. And I suppose some serious — or at least self-serious — rockers may dismiss the group (which, in early songs, declared themselves “Polka Enemy Number One” and “The Pimps of Polka” as a novelty act). But who gives a flying darn? Their music is outright infectious. If this be novelty, let us make the most of it.

There isn’t a track on Polka High that doesn’t leave me smiling. But some make me grin wider than others. The boozy, woozy waltz called “My Beer Was Talking to You” is one, as is “Space,” in which the group fantasizes about bringing polka to the final frontier. And the opening track, “Blue Haired Lady,” is a rousing ode to the dream girl of all aging polka lovers.

But best of all is “The Hippies Killed the Polka Stars,” which probably has roots in that old MTV-era song by The Buggles. It’s about how ’60s rock ’n’ roll destroyed polka (“with their long hair and loud guitars”). However, at least in this song, polka is back and those “dirty rotten hippies must pay.” At one point the song becomes a weird battle-of-the-bands of sorts with The Polkaholics alternating between playing some happy polka snippets with familiar old riffs from familiar old rock songs (“In-a-Gadda da Vida” being one of them!), which the “audience” boos.

Yes, most of these are pretty silly. But there’s a serious message here: Don’t discount fun music just because it’s based on something your grandparents thought was fun. Heed these words, my children — and learn to love the polka.

* Unwilling to Explain by Unknown Instructors (Org Music). This band basically is an ’80s indie-rock super group with bassist Mike Watt, formerly of Minutemen and Firehose (and drummer George Hurley of those two bands) along with Dinosaur Jr.’s J. Mascis on guitar and poet Dan McGuire on spoken-word vocals.

It’s a coast-to-coast production with Watt and Hurley recording their parts in their hometown of San Pedro, California, and Mascis adding guitar from a studio in Amherst, Massachusetts, with McGuire doing his parts from Toledo, Ohio. According to a blog post from Watt, McGuire asked Watt to write nine tunes for Hurley and him “to accompany his spiels.” This, he said, is a big difference between the three previous albums, on which, Watt said, the songs were all improvised.

Nevertheless, the music here has a loose, improvisational feel, with McGuire sounding like a coffeehouse beatnik backed by crazy funk-fusion noise.

The Instructors sound most ominous in the slow, intense “Election Day in Satchidananda,” featuring McGuire growling about “piles of corpses” and “the rifle crack at midnight.” The title perhaps is an homage to Alice Coltrane’s classic 1971 avant jazz album with Pharoah Sanders, Journey in Satchidananda. No, it doesn’t sound much like Alice and Pharoah (no harp, sax, or tamboura to start with), but it’s every bit as otherworldly in its own peculiar way.



* Fudge Sandwich by Ty Segall (In the Red Records). This isn’t the first covers album the ever-prolific young Mr. Segall has released. He did one a few years ago called Ty Rex, which consisted of his versions of songs by Marc Bolan and T Rex. That one was dandy, but I like this new one (released late last year) even better. Here, Ty covers songs originally performed by a wide variety of artists from Funkadelic to Neil Young, from L.A. punk rockers The Dils to The Grateful Dead.

You know the album’s going to be wild when it starts off with a take on War’s “Low Rider.” It sounds a lot like some nightmarish song by The Residents, except that Segall’s vocals could almost be Tom Waits auditioning for some doom-metal band.

He’s more faithful to the original version of The Spencer Davis Group’s “I’m a Man” (not to be confused with the Bo Diddley song of the same title) and to John Lennon’s “Isolation,” one of the most harrowing cuts on his album Plastic Ono Band.

His fuzzed-out guitar solo on the stripped-down rendition of Funkadelic’s “Hit It and Quit It” might confound George Clinton devotees. But I do believe that Eddie Haze, Funkadelic’s late original guitarist, would understand and appreciate.

While he’s best known for these guitar ragers, Segall displays his softer acoustical side on a couple of Fudge Sandwich songs, most notably an obscure punk song, The Dils’ “Class War” (which starts off quietly but builds up steam) and a tune called “Pretty Miss Titty,” by proto-prog-punk band Gong. (Segal’s version isn’t all that different from the original.)

At the moment, my favorite Fudge Sandwich song is “Archangel Thunderbird,” originally by Amon Düül II, who, according to AllMusic, was named for a “German art commune whose members began producing improvisational psychedelic rock music during the late ’60s.” I haven’t listened to them much before (I’m amazingly deficient in my knowledge of German art commune rock) but Segall’s tough minimalistic blast — with just a trace of “Louie Louie” — makes me want to learn more about them.

Videos!

Who killed the polka stars?



Hey Hey, we're the Unknown Instructors!



Ty of the Dead

Wednesday, June 05, 2019

WACKY WEDNESDAY: Paging Ms. Anderson, White Courtesy Telephone, Please

Laurie Anderson
Photo by Deborah Feingold
Seventy two years ago today a girl named Laurie Anderson was born in Glen Ellyn, Illinois. She grew up to be an artist -- a master of all kinds of art -- music, visual, film, performance artist, spoken-word artist, multi-media artist ... and though she never claimed to be a comic, and isn't in the traditional sense, her wry and twisted humor is an important part of her work.

I'm pretty sure the first time I ever heard Laurie Anderson was in the early '80s on Dr. Demento's show. She didn't really fit in with most of the doc's material -- Weird Al, "Dead Puppies," Shaving Cream" etc. (Though I bet she'd appreciate Barnes & Barnes' Demento hit "Fish Heads,") But Demento apparently got a kick out of "O Superman" and the show won her a lot of fans -- like me.

Here's the song that first made us all fall in love with Laurie.



That song appeared on her first album, Big Science in 1982. Then in 1984 she released next record, Mister Heartbreak, which came up like a big bald head. I still believe this was the greatest album of the '80s. It opened with this song ...


In 1986 Laurie released a concert film called Home of the Brave, which, I thought was even better than The Taking Heads' Stop Making Sense, which came out a couple of years before. This song, full of joyful craziness, was one of the highlights:


This quickie appeared on Laurie's 4-record box set United States Live.



By the mid 90s, Laurie became romantically involved with Lou Reed. (They married in 2008) Lou dedicated his 1996 album Set the Twilight Reeling to Laurie and I always thought that this song, my favorite from that album was about her. I could imagine Laurie being surrounded by ex-lovers who just wanted to be around her -- and Lou fantasizing about throwing them off the roof.



Finally here's a PSA (personal service announcement) by the birthday girl. She actually did several of these, which reportedly ran on VH-1 in the early '90s.



Happy Birthday, Laurie!

Sunday, June 02, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, June 2, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
The Art of Projection by Imperial Wax
Monkey David Wine by Scott H. Biram & Jesse Dayton
Rational Actor by Nots
Jj by Priests
Enrique El Cobradore by Thee Oh Sees
Pineapple Mama by King Salami & The Cumberland 3
Persimmon Pie by Roosevelt Sykes
Dreamer by The Jackets

Pinstripe Willie by The Oblivians
Necrophilia Twist by Fire Bad
Speed Freak by The Stomachmouths
Smoke Keep Rising by Left Lane Cruiser
Lonely by Lonesome Shack
I'm Gonna Leave You by Barrence Whitfield & The Savages
I Just Dropped In to See What Condition My Condition Was In by Mojo Nixon
Lucille by The Beat Farmers

RIP ROKY ERICKSON
(All songs by Roky except where noted)

Goodbye Sweet Dreams (with Okkervil River)
Don't Shake Me Lucifer (with The Aliens)
Slip Inside This House by 13th Floor Elevators
I Met Roky Erickson by Jad Fair & Daniel Johnston
Don't Slander Me by Lou Ann Barton
Please Judge
Angel Baby

Bo Diddley's a Headhunter (with The Nervebreakers)
I Have Always Been Here Before by The Hickoids
Bloody Hammer (with The Aliens)
Hot Cars by The Angry Samoans
White Faces by The Blood-Drained Cows
Starry Eyes
Rocky by Butthole Surfers
You're Gonna Miss Me by by 13th Floor Elevators

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Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

Subscribe to The Big Enchilada Podcast CLICK HERE

Thursday, May 30, 2019

This is Serious! The New Big Enchilada

THE BIG ENCHILADA



I kid you not, this is seriously the finest rock 'n' roll on the face of the planet. (Earth.) You'll hear lots of new garage-punk, mutant blues and other madness here -- including Imperial Wax, The Jackets, The Mystery Lights, Nots, Daddy Long Legs, Left Lane Cruiser -- and immortal sounds of yesteryear like The Trashmen, Sweetie Jones and more.

And remember, The Big Enchilada is officially listed in the iTunes store. So go subscribe, if you haven't already (and gimme a good rating and review if you're so inclined.) Thanks. 

SUBSCRIBE TO ALL RADIO MUTATION PODCASTS |

Here's the playlist:

(Background Music: Coyote by Wild Evel & The Trashbones)
Ding  Dong Dang by Daddy Long Legs
Can't Get Through to My Head by The Mystery Lights
Scepter by Sleeve Cannon
If I Had a Son by Lone Monk
Bird Dance Beat by The Trashmen
A Yellow Mellow Hardtop by Ray Johnson & The Bystanders

(Background Music: Dragnet by Ray Anthony & His Orchestra )
Surveillance by NOTS
Floating Alice by The Jackets
I Wanna Die in New Orleans by Dinola
Two Dollar Elvis by Left Lane Cruiser
Nowhere to Hide by The Fadeaways
Baby Please Don't Leave Me by Sweetie Jones

(Background Music: Bus Station Blues by Louis Brooks & His Pinetoppers)
Plant the Seed by Imperial Wax
Latch Key Kid by The Fall
I'm Hurtin' by Cedric Burnside 
Dirty Water by Joe Grushecky & The Houserockers
When You Touch Me by Reigning Sound
(Background Music: Who's Afraid of Virginia Woolf by Jimmy Smith)

Play it here:



THROWBACK THURSDAY: Happy Birthday Johnny Gimble


On this day in 1926 in Tyler, Texas, Johnny Gimble, one of the greatest western-swing fiddlers ever to grace American music, was born. He would have been 93 today.

Happy birthday, Johnny!

Rolling Stone in its 2015 obituary had this to say about him:

He learned fiddle and mandolin and began his professional career while in his teens, playing tenor banjo in the band of Louisiana’s then-Governor Jimmie Davis. After serving two years in the Army, Gimble formed a band with his brothers before joining Bob Wills’ Texas Playboys in 1949. One of his first major successes as a session player was “I’ll Go on Alone,” the Number One debut single from Marty Robbins in early 1953. In 1955, while living with his family in Waco, Gimble hosted his own TV show, Johnny Gimble and the Homefolks, which featured a young Willie Nelson playing bass in the band. He would later tour as a member of Nelson’s band.

After leaving Wills’ Texas Playboys, Gimble moved to Nashville in 1968, becoming one of the most sought-after session players in town. 

The first time I ever became aware of  Gimble was not on a Bob Wills or Marty Robbins record. It was on a 1969 album called Make a Joyful Noise by a renegade gaggle of hippies called Mother Earth, led by a blues belter named Tracy Nelson and a psychedelic poet named R.P. St. John. They joined up with Gimble and other country music vets including another venerated fiddler Grover C. “Shorty” Lavender and steel-guitar master Pete Drake.

It sounded like this:



Below are some videos of Johnny playing the music he loved best, Here's his own band in 1990:



Here's Johnny jamming with Chet Atkins



This is Johnny with Roy Clark on Hee Haw.



And this is what you might call quadruplet fiddles featuring Merle Haggard, Tigar Bell, Tiny Moore and Johnny.






Sunday, May 26, 2019

TERRELL'S SOUND WORLD PLAYLIST




Sunday, May 26, 2019
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Take Off Your Clothes by The Goon Mat & Lord Bernardo
Rotten to the Core by Ty Segall
It's Alright by The Mystery Lights
Half-Painted House by Nots
Evil Hoodoo by The Seeds
What I Like About Miami by Charlie Pickett
Wild Wild Women by Tav Falco
The Message by The Four Plaid Throats

Election Day in Satchidannanda by Unknown Instructors
On Broadway by Esquerita
Two Girls (One Bar) by Pere Ubu
Plant the Seed by Imperial Wax
Man as Ghost by The Yawpers
Back Door Fool by Daddy Long Legs
The Man With the Weird Beard by The Play-Rite Boys

I'm Gonna Love You Too by The Hullaballoos
Wilderness by Jon Spencer
Heart by REQ'D
Deeper Way by The Jackets
Dance Like a Monkey by New York Dolls
Harlem Shuffle by The 5678s
Lost Memories by Sloks
I Hate CDs by Legendary Stardust Cowboy
Rock 'n' Roll Polka by The Polkaholics

Give it Up by Jack Mack & The Heart Attack
Strange Night by Tony Joe White
Fishing Blues by Taj Mahal
Not a Problem by Black Lips
Starry Eyes by Roky Erickson with Lou Ann Barton
John Walker's Blues by Steve Earle
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Like the Terrell's Sound World Facebook page


Want to keep the party going after I sign off at midnight?
Go to The Big Enchilada Podcast which has hours and hours of music like this.

Subscribe to The Big Enchilada Podcast CLICK HERE

Thursday, May 23, 2019

TERRELL'S TUNE-UP: Mystery Lights, Imperial Wax & REQ'D

A version of this was published in The Santa Fe New Mexican 
May 24, 2018

Here’s some recent hip, mod rock ’n’ roll the kids are going ape and blowing their tops over.

Or maybe not the kids. But I am.

* Too Much Tension! by The Mystery Lights. It’s been nearly three years since I discovered this band. For a while there I started to think the self-titled album of this wailing, psychedelia-touched, garage-fueled outfit — the first release on the influential independent soul label Daptone subsidiary, Wick Records — perhaps could be their swan song.

Fortunately, I was wrong. This new high-energy record is just as good, if not better, than the previous album. In other words, it’s a real humdinger (and I like ’em like that).

For those who haven’t seen the light of The Mystery Lights, singer Mike Brandon and guitarist Luis Alfonso Solano started playing together as teenagers in Salinas, California. These were kids who were hip enough to love the old Nuggets compilations — which consisted of first-wave garage-rock madness — as well as bands like The Velvet Underground and Suicide.

Somehow Brandon and Solano ended up in Brooklyn, where apparently they crossed paths with Daptone, which helped them win a wider — if not yet gigantic — audience.

There are many notable songs on Tension. After a 46-second spook-house intro by keyboardist Lily Rogers (titled “Synthtro”), the whole band comes in with “I’m So Tired (of Living in the City),” which seems to have sprung from the guitar riff of “I Wanna Be Your Dog” by The Stooges. “Wish That She’d Come Back” is informed by both Del Shannon and Screamin’ Jay Hawkins. And I hear distant echoes of The Talking Heads in “Someone Else Is in Control.” Meanwhile, the slow, soulful minor-key track “Watching the News Gives Me the Blues” could be something the late Daptone star Charles Bradley might have taken a crack at.

I strongly advise: Go toward the Lights.

* Gastwerk Saboteurs by Imperial Wax (Saustex). After they buried the Lizard King, the surviving members of The Doors decided to go on as a trio without Jim Morrison. They released one pretty good album, Other Voices. While it was packed with fun (songs like “I’m Horny, I’m Stoned” and “Variety Is the Spice of Life”), it didn’t sound much like The Doors. (I’ll be nice and not mention the Morrison-less Doors’ subsequent, final and forgettable album, Full Circle.)

After Mark E. Smith — founder, frontman, and frothing prophet of The Fall — died last year, surviving members of his band also decided to go on. I should clarify that guitarist Pete Greenway, bassist Dave Spurr, and drummer Keiron Melling, while they backed Smith for The Fall’s final decade, are far from the only surviving members of that band, which first reared its ugly head in the late ’70s and reportedly has nearly 70 former members, including a couple of Smith’s ex-wives.

But unlike Morrison’s old band, these guys wisely decided not to keep the old band name. They named the group Imperial Wax, a nod to the first 2008 album on which they backed Smith, Imperial Wax Solvent. And they hired a new singer, Sam Curran, who can get manic like Smith, but otherwise doesn’t sound much like him.

I was prepared to be cynical about Gastwerk Saboteurs, the group’s first album, but I was pleasantly surprised. In fact, I’m pretty sure that if someone had played me these songs without mentioning anything about The Fall, I would have liked them anyway — and not even thought about Smith. It’s just good, aggressive, guitar-driven, punk-painted rock.

Standouts here include “Turncoat,” which sounds a little like Frank Zappa’s “Trouble Every Day,” except with nastier guitars; “Plant the Seed,” which has more than a little “Radar Love” in it; and “Rammy Taxi Illuminati,” which is nearly 10 minutes long but doesn’t get old.

I somehow don’t think Imperial Wax will ever become as influential and important as the band that spawned them. But they sound like they’re having a great time trying.

* Fall in Love on Hate Street by REQ’D (Wondertaker). This basically is a solo record by Sluggo Cawley, best known as the guitarist of the outrageous Bay Area punk band The Grannies. The two times I’ve seen that group, Sluggo was never singing. Both times his mouth was hidden by a gruesome-looking monster mask of some sort. (The Grannies are known for their colorful and hilarious costumes, wigs, granny gowns, etc.) But with his new band REQ’D (pronounced “wrecked”), we get to hear the monster behind the mask.

The music isn’t nearly as ferocious as The Grannies’. In fact, Sluggo even strums an acoustic guitar in some songs. Several tracks feature female background singers (Mrs. Sluggo — Laurian Rhodes — is one of them). And while Grannies songs are typically funny (and frequently obscene), Sluggo bares his soul on many of these tunes. “Cancer,” for instance, is about his young son who survived leukemia.

But don’t think the album doesn’t rock. His electric guitar on the opening song, “Blood,” should dispel any such notion, especially the feedback freakout at the end. Thomas Quinn’s wild sax on “Trash” reminds me of Steve Mackay’s work with The Stooges. And “Car” is funky in a swampy kind of way.

Sluggo wrote all the songs here except three covers: Nick Cave’s “The Ship Song”; “Don’t Let the Sunshine Fool Ya,” written by Texas troubadour Guy Clark; and a surprisingly good — and unironic — version of Bonnie Tyler’s cheesy ’70s hit “It’s a Heartache,” on which Sluggo shares vocals with Hilary Reed.

Here's some videos:

First, a live radio set by The Mystery Lights



Now some Imperial Wax playing "Art of Projection"



Finally, here's Sluggo and REQ'D




The Grannies Attack! San Marcos, TX March 2014
Sluggo with The Grannies,
Triple Crown, San Marcos, Texas  2014

Wednesday, May 22, 2019

WACKY WEDNESDAY: A Little Shot of Bollywood


It's been several years since I did a Bollywood post on Wacky Wednesday, so why the heck not.

As I said before, I don't speak Hindi and I've never seen the movies these clips come from so I won't pretend to know what's going on in any of them.

But trust me, you won't need to know what's going on in these videos. Just sit back and enjoy the work of people having a lot more fun that you!

This one's from  Meri Jung (1985) starring Anil Kapoor, Meenakshi Seshadhri, Nutan, Javed Jaffrey, Amrish Puri.Besides the wonderful dancing, it ends with a cool sax solo from a guy in a cowboy hat. So welcome friends, to the show that never ends.



These next two my friend Sean alerted me to. He described this one as "Every 80's video cliche rolled into one song."



And this one's short but twisted:


And for those who don't want to see or hear Michael Jackson anymore but still like the song "Thriller" ...



For more crazy Bollywood songs, check out this Wacky Wednesday from 2015



TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 14, 2019 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell 101.1 FM Emai...