Thursday, October 29, 2015

THROWBACK THURSDAY: Still Chasing the Devil's Herd

Painting by James Clark
(Art by James Clark. Used with permission.)

I'm going to indulge in a little recycling this Throwback Thursday and revive the 2009 Terrell's Tune-Up Halloween column, in which I explored a favorite song "(Ghost) Riders in the Sky." Checking the original blog version I found a whole lot of missing Youtubes, broken links ... a basic ghost town of a blog post.

So, after a few basic repairs please enjoy the tale of that Devil's herd thundering across the sky.

A version of this was published in The Santa Fe New Mexican
October 30, 2009



An impressionable 12-year-old rode to the top of an Arizona hill one afternoon with an old Cowboy friend to check a windmill. A big storm was building and they needed to lock the blades down before the wind hit. When finished, they paused to watch the clouds darken and spread across the sky. As lightning flashed, the Cowboy told the boy to watch closely and he would see the devil’s herd, their eyes red and hooves flashing, stampede ahead of phantom horsemen. The Cowboy warned the youth that if he didn’t watch himself, he would someday be up there with them, chasing steers for all eternity. 

More than 60 years ago this frightening vision, now found on the Western Music Association Web site, was etched into the consciousness of America. “Ghost Riders in the Sky” is a perfect Halloween song for the West. It’s the only cowboy song in which “yippie-yi-yay” becomes a demonic taunt. The boy who heard the tall tale from the old cowpoke would grow up to be forest ranger/songwriter Stan Jones.

“Ghost Riders” became a huge hit in 1949, a year after Jones wrote it. Pop-folkie Burl Ives was the first to record it that year. Frank Sinatra, Bing Crosby, and Peggy Lee chased the devil’s herd, too, and before the end of the year, avant jokester Spike Jones merrily mutated the saga of the demon cows and fire-snortin’ horses. But the biggest hit at that time came from pop crooner Vaughn Monroe, also in 1949.


Of course, it didn’t stop there. It’s been covered by everyone from Concrete Blonde to Dean Martin. Frankie Laine, another popster with an ear for cowboy songs (think “High Noon” and “Rawhide”) also covered “Ghost Riders.”

Artists like Bob Wills, The Sons of the Pioneers, Gene Autry, and Marty Robbins brought “Ghost Riders” back West. Dick Dale went surfing with it. Ronnie Dawson made it a rockabilly romp. The Southern-rock group called The Outlaws introduced it to the dazed and confused generation in 1980. Johnny Cash sang it with the Muppets. Tom Jones took it to Vegas, and the Legendary Stardust Cowboy took it to Mars.

The fact that “Ghost Riders” has a cinematic feel to it is no accident. Jones did a lot of soundtrack work for John Ford Westerns, including writing music for The Searchers (in which John Wayne spoke a catch phrase that inspired a Buddy Holly hit, “That’ll Be the Day”) and Rio Grande.

When Jones wrote “Ghost Riders,” he was working for the National Park Service in Death Valley.

According to the Western Music Association Web site, “The Park Service made Stan its representative to Hollywood film crews when they came to Death Valley. After a long, hot day of filming, cast and crew members often sat around and listened to Stan’s songs and stories. They encouraged him to get a publisher in L.A.” Shortly after, “Yippee-yi-yay, yippee-yi-yo,” was being heard across the land.

My two favorite versions of “Ghost Riders” are no longer in print. The one that raised goose bumps on me as a kid was on a 1964 LP called Welcome to the Ponderosa by Lorne Greene — yes, a tacky TV tie-in from Bonanza’s Ben Cartwright. This version has a full-blown orchestra, a chorus, and Greene’s distinct gravely voice. (Greene’s hit “Ringo” was also on this album.)

Then there’s the country-rock version from New Mexico’s own Last Mile Ramblers, from their 1974 album While They Last. The artist currently known as Junior Brown is playing guitar, and the vocals are by Spook James. This was always a highlight of the Ramblers’ shows at The Golden Inn and Bourbon & Blues. 

I’m not sure how many cowboys changed their ways because of the warning in the song. But next time you see lightning in the sky, look for those red-eyed cows and gaunt-faced cowboys.

xxxxxxx

Here's an entire herd of "Ghost Riders" videos.



Ler's start out with Marty Robbins



Vaughan Monroe

 

 Johnny Cash and his pals, The Muppets.



Spike Jones

 

Last Mile Ramblers



The Outlaws

 

Dick Dale

 

The Legendary Stardust Cowboy



And my sentimental favorite, Lorne Greene

 

For more deep dives into songs, check out The Stephen W. Terrell Web Log Songbook

Wednesday, October 28, 2015

WACKY WEDNESDAY: Spooky Betty Boop



For the last Wacky Wednesday before Halloween, here's a Betty Boop at her spooky best.

Mysterious Mose, released in December 1930 was one of Betty's first appearances and it's a fright-filled doozy. She literally gets scared out of her nightshirt by strange noises in the night. Notice that in this one she still has dog ears. Betty started out as a strange Poddle/woman hybrid.

 

Betty teamed up with singer Cab Calloway for several cartoon shorts. St. James Infirmary is especially Halloween appropriate. (For more on that song, CLICK HERE)



Finally here's Betty at her own Halloween party.

Sunday, October 25, 2015

TERRELL'S SOUND WORLD PLAYLIST

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Sunday, October 25, 2015
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

Here's the playlist:

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres

Frankenstein Meets The Beatles by Dickie Goodman

Bloodletting by Concrete Blonde

Edgar Allen Poe by Lou Reed

Missy Le Hand by Pocket FishRmen

Yabba Ding Ding by Joe "King" Carrasco

Shoot the Freak by Lovestruck

Whizz Kid by Hickoids

Minnie the Moocher at the Morgue by Smiley Burnette

 

Headless Go-Go Dancer by Fire Bad!

Scream and Scream by Screaming Lord Sutch

The Big Break by Richard Berry

Human Fly by The Cramps

Free & Freaky by The Stooges

Mr. Good Enough by J.J. & The Real Jerks

He's Waitin' by The Sonics

World's in Bad Condition by Dave & Phil Alvin

Time Warp by The Rocky Horror Picture Show cast

Run Witch Run by The Desperate Twisters

 

Bloody Hammer by Roky Erikson & The Aliens

I Wanna Come Back from the World of LSD by Fe-Fi-Four plus Two

A Girl Named Sandoz by Eric Burdon & The Animals

The Trip by The Rockin' Guys

The Wolf by The Bloodhounds

Voodoo Doll by Deadbolt

'Taint No Sin (To Take Off Your Skin) by Fred Hall

 

I've Known Rivers by Gary Bartz & Nu Troop

Ineti by Granmoun Lele

First There Was by Johnny Dowd

Lord I've been Changed by Tom Waits & Johnny Hammond

CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, October 23, 2015

THE SANTA FE OPRY PLAYLIST

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Friday, October 22, 2015
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens

9 to 5 by The Yawpers

Done Gone by Ray Condo & The Ricochets

Man on a Mission by The Supersuckers

Sweet Thang by Sleepy LaBeef

What Can I Do by Linda Gail Lewis

Jackhammer by Holly Golightly & The Brokeoffs

Great Expectations by Buck Owens

Baby Baby Me by Big Sandy & His Fly-Rite Boys

The Devil Made Me Do It by Duane Williams


Wallflower by Doug Sahm with Bob Dylan

I'm Not That Kat Anymore by Texas Tornados

Pallet on the Floor by Amanda Pearcy

Rock Island Line by Chris Thomas King

Under the Jail by Mose McCormack

Ain't Love a Lot Like That by The Satellites

 Keep it Clean by Charley Jordan

Get a Load of This by R. Crumb & The Cheap Suit Serenaders

Poon-Tang by Deke Dickerson with The Treniers


Mama Drove a Mack Truck by Shot to Hell

Malfactor March by The Goddam Gallows 

Lily, Rosemary and The Jack of Hearts by Mary Lee's Corvette

Did You Hear John Hurt by Jack White

Stagolee by Mississippi John Hurt

A Place Called Misery by Von Coffman


We Must Have Been Out of Our Minds by George Jones & Melba Montgomery

Blind Willie McTell by The Band

Land of Disease by Philip Bradatsch

Bluebells by Peter Case

Haunted House by Leon Redbone

CLOSING THEME: Comin' Down by The Meat Puppets


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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

 

Thursday, October 22, 2015

THROWBACK THURSDAY: A Musical Birthday Salute to Dr. Leary


Dr. Timothy Leary, Harvard professor, psychedelic shaman and, for a few years, an international fugitive, would have been 95 years old today.

Happy birthday Dr. Tim.

Though most remember Leary for his advocacy of LSD and his oft-quoted catch phrase, "Turn On, Terrell's Tune-Up and Drop Out" (that was it, right?), he also has a musical legacy, which we'll celebrate here. (And I'm not talking about that dreary Moody Blues song, so don't even ask.)

For one thing, he had this affinity with John Lennon.

The introduction of the 1964 book The Psychedelic Experience, written by Leary, Richard Alpert and Ralph Metzner, contains this advice to trippers;

Trust your divinity, trust your brain, trust your companions.
Whenever in doubt, turn off your mind, relax, float downstream.

You might recognize that line which appeared a couple of years later on The Beatles' Revolver in one of the most psychedelic tunes the Fab Moptops ever recorded.



Leary actually appeared on a Lennon record. He was one of a whole gaggle of counter-culture celebs who sang background on "Give Peace a Chance." And according to several accounts, that led, eventually to another Beatles song

According to the Beatles Bible web site:
Double Date: The Learys & The Lennons

The following day Lennon offered to help Leary's campaign [an aborted third-party run for governor of California.] His slogan was 'Come together, join the party'. Lennon sent Leary a demo tape of song ideas. However, when Leary was imprisoned for cannabis possession the campaign ended, enabling Lennon to record the song with The Beatles.
,
Lennon told interviewer David Sheff:

The thing was created in the studio. It's gobbledygook; Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn't come up with one. But I came up with this, Come Together, which would've been no good to him - you couldn't have a campaign song like that, right?

Yes, Leary's imprisonment on a 1968 marijuana arrest saved "Come Together" from becoming a political jingle.

But that 10-year (!) sentence also led to Dr. Leary fleeing the country. He was living in Switzerland in 1972 when he hooked up with a German band called Ash Ra Tempel. Together they recorded a crazy, psychedelic album called Seven Up. Leary's spoken-word vocals fade in and out all through the record. The record starts out as a hippie blues exploration but quickly drifts into spacey pyschedelia.

Here's the entire thing on a YouTube.



Near the end of his life in 1996, Leary recorded an album with rocker Simon Stokes under the name of-- brace yourself, Bridget --LSD (Leary Stokes Duets). The album was called Right to Fly, and while I prefer Stokes' own records, this one has it's weird charm.

Here's one of my favorite tracks from it.



So once again, happy birthday, acid priest.

TERRELL'S SOUND WORLD PLAYLIST

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