Friday, June 23, 2017


Friday, June 23, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens

Move it on Over by George Thorogood
In the Jailhouse by The Grevious Angels
Hotdog That Made Him Mad by Wanda Jackson
If You Play With My Mind by Cornell Hurd
Lonesome 7-7203 by Hawkshaw Hankins
Bottom Below by Holly Golightly & The Brokeoffs
3-Pecker Goat by Jesse Dayton
Punk Rockin' Honky Tonk Girl by The Blue Chieftains
This is How It Ends by Steve Earle

White Trash by Fred Eaglesmith
The Love In by Ben Colder
Broken Halos by Chris Stapleton 
Armistice Day by The Yawpers
Visionland by The Banditos
Fourteen Rivers, Fourteen Floods by Beck
Dolores by Eddie Noack
Hucklebuck by The Riptones 
Good Morning Judge by Louis Innis & His Stringbusters
Foldin' Bed by Whistler's Jug Band

Diesel Smoke, Dangerous Curves by The Last Mile Ramblers
How Fast Them Trucks Can Go by Claude Gray
Truck Drivers Blues by Cliff Brown
Give Me 40 Acres by The Willis Brothers
Drug Store Truck Drivin' Man by The Byrds
UFOs Big Rigs and BBQ by Mojo Nixon & The World Famous Blue Jays
Highway Cafe by Kinky Friedman & The Texas Jewboys
Truck Drivin' Man by Terry Fell
Mama Hated Diesels by Commander Cody & His Lost Planet Airmen

A Tombstone Every Mile by Dick Curless
Diesel Daisy by Killbilly
Truck Stop Hooker by Stinky Joe McCoy
Giddy Up Go by Red Sovine
Truck Stops and Pretty Girls by Jim & Jesse
Six Days on the Road by Rig Rock Deluxe (Dale Watson, Rosie Flores, Wayne Hancock, Toni Price, Kim Richie, Jon Langford, with Lou Whitney & The Skeletons)
CLOSING THEME: Comin' Down by The Meat Puppets

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Thursday, June 22, 2017

THROWBACK THURSDAY: Songs for the Truck Stop

An overflow crowd at a public meeting in Santa Fe showed up to protest a proposed Flying J truck stop off I-25 south of the city.

According to a news story by my Santa Fe New Mexican colleague Justin Horwath, residents of the nearby Rancho Viejo neighborhood claimed the truck stop would bring unwanted traffic, crime and pollution. One guy even warned of the danger of light pollution coming from a 24 truck stop.

In other words, a fairly typical Santa Fe NIMBY battle. I must have covered a million of 'em back when I had the City Hall beat.

But for a lover of vintage country music, there just seems something un-American about attacking a truck stop,

As any serious country music fan knows, a truck stop is a hallowed place, an oasis on the highway, where a pretty waitress will pour you another cup of coffee (for it is the best in the land!)

A truck stop is where the brave men and women who bring the food to our supermarkets, and other goods to our stores can take a shower, grab a burger and a piece of pie and share a little face-to-face conversation with fellow humans to relieve the tedium that white-line brings.

Surely that outweighs a little light pollution.

Whenever someone protests a truck stop, somewhere out on the Lost Highway, the ghost of Big Joe sheds a quiet tear as he drives his Phantom 309 through the shadows.

O.K., I'll stop. Enjoy some classic American truck driver songs. Most of these have been banging around in my head since I read Justin's story,

I first heard "Truck Drivin' Man" done by Buck Owens. Butit was written and first recorded back in 1954 by an Alabama-born singer named Terry Fell.

Dave Dudley --  born David Darwin Pedruska in Spencer, Wisc. -- is best known for his truck-driver songs in the 1960s. His best-known song is this hit from 1963.

Red Simpson was a pioneer of the Bakersfield Sound as well as an important purveyor of truck driving songs. "Roll, Truck Roll" is my favorite Simpson tune.

Kitty Wells, one of the giants of 1950s country music, sang a sweet testimonial to truck stop waitresses

Dick Curless, a New Englander who wrote many truck driving songs in the 1960s, did this song about "truck stops with swingin' chicks" in this tune called "Chick Inspector."//

Here's another Red, Woodrow Wilson "Red" Sovine, who made it big with truck driver tunes. He's responsible for the spooky "Big Joe & The Phantom 309." This maudlin little weeper, also a "talking" song -- or maybe you can call it "white rap" -- was even a bigger hit for Sovine. It's about a guy who drives a truck called the "Giddy Up Go."

But this one is my favorite truck driving song of all time. I prefer the version by New Mexico's own Last Mile Ramblers, who performed and recorded it back in the '70s. But a Texan named Doye O'Dell was the first to record "Diesel Smoke, Dangerous Curves" back in 1952. The song features a hotshot steel guitarist named Speedy West.

You can bet your bottom dollar that I'm going to play a big load of truck driver songs on The Santa Fe Opry Friday night on KSFR.

Wednesday, June 21, 2017

WACKY WEDNESDAY: Let's Get Residential

On this Wacky Wednesday let us now praise The Residents and the joy they bring.

This anonymous music and art collective has been together for more than 40  years in various evolving forms.

Today we salute one particular aspect of The Residents -- their cover songs. They've been reinterpreting, deconstructing and mutating popular songs by better-known artists  in their own peculiar way  since the very beginning.

In fact, the very first track on their very first album Meet The Residents (1974) was a version of Nancy Sinatra's "Boots."  Check this out.

Since that time, The Residents have released entire albums of covers of specific artists including Elvis Presley (The King & Eye), Hank Williams and John Phillip Sousa (Stars & Hank Forever) and George Gershwin and James Brown (George & James). Here's a tune from that one.

The eyeball boys took a stab at Ray Charles ...

Here's a classic performance of an Elvis classic on Night Music, a syndicated show in the late '80s and early '90s that remains my favorite TV music show since Shindig. On that same episode, The Residents backed Conway Twitty on a song.

Here's a Rolling Stones favorite as re-imagined by The Residents

The Residents go country ... but I don't think Hank done it that a way.

And finally, a little Sousa for yousa

Sunday, June 18, 2017


Sunday, June 18 , 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
All Was Well by Benjamin Booker
Whettin' My Knife by The Ghost Wolves
Baby, I'm in the Mood for You by Dion
Bionic Girl by The Exterminators
You Can't Sit Down by Wolfman Jack
The World by The Count Five
Rocketship to Freedom by The Molting Vultures
Wandering Black Hole by Rattason
I Smell A Rat by Barrence Whitfield & The Savages
Killing the Wolfman by The King Khan & BBQ Show
Ghost Robot by Willis Earl Beal

Murder in My Heart for the Judge by Moby Grape
Society of Plants by The Blind Shake
Death of an  Angel by Destination Lonely
Onion by The Mekons
Into the Floor by Afghan Whigs
Nutbush City Limits by Ike & Tina Turner
Mama Guitar by The Oblivians
I Fuck Alone by The Grannies
I Think I'm Going Down by Weird Omen
The Beat Generation by Bob McFdden & Dor

Advanced Romance by Frank Zappa & The Mothers with Capt. Beefheart
Squatting in Heaven by The Black Lips
Happy People Make Me Sick by The Monsters
Wasn't That Good by Wynonie Harris
Psycho Love by The Meteors
Think About It by Grey City Passengers
Give Me Back My Wig by Hound Dog Taylor

Over the Mountain, Across the Sea by Johnny & Joe
Lips of a Loser by Black Joe Lewis & The Honeybears
Village of Love / Going Back to the Village of Love by Nathaniel Mayer
Leaving it All Up to You by Don & Dewy
Come on Up to the House by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, June 16, 2017


Friday, June 16, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens
Ain't I'm a Dog by Ronnie Self
Settin' the Woods on Fore by The Tractors
Gonna Be Flyin' Tonight by Wayne Hancock
Big Mouth by Nikki Lane
So You Wannabe an Outlaw by Steve Earle with Willie Nelson
Take Your Love Out of Town by Zephaniah Ohora
She's No Angel by New Riders of the Purple Sage
The Nail by Sarah Shook & The Disarmers
Little Ramona (Gone Hillbilly Nuts) by BR5-49

It's Her Turn Now by Boris McCutcheon
Hurtin' on the Bottle by Margo Price
Jubilee by Ashley Monroe
My Tennessee Mountain Home by Dolly Parton
Come as You Are by Iron Horse
Last Thing I Needed First Thing this Morning by Chris Stapleton
Truck Driver's Woman by Nancy Apple

Nobody's Dirty Business by Bettye Lavette
Let the Mermaids Flirt With Me by Mississippi John Hurt
Did You Hear John Hurt by Dave Van Ronk
It Gets Easier by Willie Nelson
Cumberland Gap by Jason Isbelle
Fair Swiss Maiden by Roger Miller
Lover of Your Dreams by Zeno Tornado
Intentional Heartache by Dwight Yoakam
Make Him Behave by The Collins Kids

Nothing Takes the Place of You by Shinyribs
Please Don't by Lauria
I Drink by Bobby Bare
Lost From Me by Stephanie Hatfield
I'm Going Home by Slackeye Slim
Old Dog Tray by Peter Stampfel & The Bottle Caps
CLOSING THEME: Comin' Down by The Meat Puppets

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Thursday, June 15, 2017

TERRELL'S TUNE-UP: Booker & Dion

A version of this was published in The Santa Fe New Mexican 
June 16, 2017

This week I’m looking at a recently released album by one of my favorite new artists of the past few years as well as one by a guy whose music I’ve enjoyed for nearly 60 years. I’m talking about Benjamin Booker — age twenty-seven, for those keeping score at home — and the mighty Dion DiMucci, who will turn seventy-eight next month.

Three years ago, Booker’s rocking self-titled debut album was one of the most exciting records I’d heard in years. His record company had hyped the album as a cross between the dark punk-blues of Gun Club, the Mississippi gospel of Blind Willie Johnson, and the crunching glam-rock of T-Rex.

But it wasn’t only that. “I was just a music lover who wondered what it would sound like if Otis Redding strapped on a guitar and played in a punk band,” Booker told NPR a couple of years ago. And dang if that’s not what he sounds like.

His first album was so good that I almost dreaded hearing the follow-up. How could the kid possibly top that album? How could Booker possibly avoid the dreaded sophomore slump?

Now the wait is over. Booker’s new one, Witness, is here. And, while it’s not nearly as head-turning as his first, it would be wrong to call the new record a slump or a setback. The late Richie Havens had a sweet and wise song called “Younger Men Grow Older,” and indeed, Booker seems to have grown in the past three years. Witness shows the effects of maturity on this artist. Not only are the lyrics more pointed, more socially aware, but the music shows a willingness to experiment and explore, with the end result even more grounded in gospel and soul music.

No, Booker hasn’t forgotten how to rock. The album opens with “Right On You,” which could go blow-for-blow with the wildest tunes on the first album. “Off the Ground” starts off deceptively mellow, with Booker singing gently over an acoustic guitar and piano for about a minute before suddenly shifting into a full-throttle rocking rage. And the album ends with the frantic “All Was Well,” in which Booker borrows freely from Rev. Gary Davis’ “Samson & Delilah.” (“If I had my way, I would tear this building down.”)

But this album is bound to be better remembered for the slower, more gospel-soaked songs like “Believe,” in which Booker sings, “I just want to believe in something/I don’t care if it’s right or wrong.” One of my favorites is “The Slow Drag Under,” a funky tune with a swampy guitar. It almost could be a Prince song. I suspect this and “Truth Is Heavy” have their psychic roots in Prince’s Sign O’ The Times.

The title tune features guest background vocals by none other than Mavis Staples, the living embodiment of soul and gospel music. It was inspired not only by police killings and white nationalist violence of recent years but also by a personal incident in Mexico, where Booker was shoved around by locals who, as a Mexican friend explained to him, “don’t like people who aren’t from here.”

Booker sings, “Right now we could use a little pick-me-up/Seems like the whole damn nation’s trying to take us down/When your brother’s dying/Mother’s crying/TV’s lying.”

This album might be the closest thing to Marvin Gaye’s landmark album What’s Going On that we’ve heard in years.

Speaking of musicians in transition, that certainly was the case of the venerated rocker Dion in the mid-’60s. Norton Records has just released his “lost” album of 1965, Kickin’ Child. 

Here’s a man who started off literally singing on New York street corners with his doo-wop group, the Belmonts. Dion knew exactly how it hurt to be a teenager in love, and he had the hit single in the late ’50s to prove it.

Then, going solo in the early ’60s, he was responsible for three of the toughest songs of the era: “Ruby Baby,” “Runaround Sue,” and, most bitchen of all, “The Wanderer.”

His record label, Columbia, had other plans for Dion. They saw this handsome Italian singer as some kind of lounge singer, a potential monster of easy listening.

But Dion wouldn’t go for that. He’d developed a love for the music of Bob Dylan and a friendship with Columbia producer Tom Wilson, who was responsible for Dylan’s Bringing It All Back Home. Wilson agreed to produce an album by Dion and his new band, The Wanderers.

But Columbia wasn’t quite sure what to do with the album. The company released a few singles, including the title song, and through the years, some of the songs have dribbled out on various Dion compilations. But the actual album was shelved, never released for public consumption until now.

Have I mentioned lately how much I hate the music industry?

The aura of Dylan and folk-rock in general are palpable here. There are three Dylan songs on the record. One is a passable cover of “It’s All Over Now, Baby Blue.” Then there’s “Farewell,” an obscure one from the early ’60s. But I prefer the tracks that eschew the jangly, Byrdsy sound in favor of a harder-edged Highway 61 Revisited blues-rock sound.

By far the best Dylan song is another obscure one, “Baby, I’m in the Mood for You,” which Dion makes his own. And even better than that is a Dion original, “Two-Ton Feather.” That one plus the title song are the best examples of Dylan’s influence on Dion’s songwriting and The Wanderers’ sound.

But that’s not to say the more folkie style doesn’t suit Dion well. He sang another song here written by a major ’60s folk-scene figure. “I Can’t Help But Wonder Where I’m Bound” is one of singer Tom Paxton’s greatest songs. And Dion rips into the heart of it with his emotional performance.

Let there be video!

Witness this ....

But young Benjamin stills knows how to rock

Here's the title song of Kickin' Child

And here's "Two Ton Feather"

And here's a cool video Dion recently posted on his Facebook page

THROWBACK THURSDAY: Great American Dog Songs

As I wrote yesterday, I'm dealing with the loss of my dear old mutt, my friend and security dog, Rocco Rococo. On Wacky Wednesday I posted some great old  novelty tunes about man's best friend (plus a pretty cool houserocker by Hound Dog Taylor). Today I'm posting some classic American songs about dogs.

In 1853, Stephen Foster revealed himself to be a major dog lover with his sentimental song "Old Dog Tray."

Old dog Tray's ever faithful,
Grief cannot drive him away,
He's gentle, he is kind;
I'll never, never find
A better friend than old dog Tray.

My favorite version is by Peter Stampfel, singing here with The Bottle Caps.

Here's one that would have been appropriate for Wacky Wednesday as well as Throwback Thursday, "Quit Kickin' My Dig Around" by Gid Tanner & The Skillet Lickers.

Another old favorite is "Old Blue," which has been recorded by many folks. (The Byrds did a great cover on their album Dr. Byrds & Mr. Hyde. But here's an older recording by Memphis bluesman Furry Lewis.

Hank Williams knew what it was like to be in the doghouse. Here's "Move it On Over."

Even sadder than "Old Dog Tray" is "Old Shep." Hands down, the greatest version of this tearjerker is Elvis Presley's 1956 cover, I posted that on my Facebook page the day Rocco died. But the original was by Red Foley. "I cried so I scarcely could see ..."

Rocco Ralph Rococo, 2002-2017

Wednesday, June 14, 2017


My beloved 15-year-old fuzzy-faced mutt Rocco Rococo left this earthly plain this week, so I'm dealing with some real pain here.

So this Wacky Wednesday is for Rocco. It's a set of  wacky tunes about man's best friend. I think my best friend would wag his tail for these.

Let's start out with Sam the Sham & The Pharoahs ode to a cartoon canine lawman, Deputy Dawg.

"Marie Provost" is Nick Lowe's sardonic ode to Marie Prevost (he calls her "Provost") the one-time movie star who died in January, 1937, She died of malnutrition, basically drinking herself to death at the age of 38. According to Hollywood legend -- perpetrated by a chapter in Kenneth Anger's scurrilous Hollywood Babylon -- she was eaten by her own pet dachshund, Maxie. That gruesome tale is widely disputed, though it inspired Lowe's song.

Hey Hey it's The Monkees singing this dumb doggy ditty from their first album

Rockabilly Ronnie Self offers this shoulda-been-a classic tune that's not only a bitchen rocker, but also an pioneering experiment in radical grammar: "Ain't I'm a Dog."

Finally, here's Rocco's favorite house rocker, Hound Dog Taylor playing a tribute to Howlin' Wolf

Rocco Rococo in happier days. Photo by Helen Sobien

Sunday, June 11, 2017


Sunday, June 11, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Hound Dog by '68 Comeback
One Arabian Night by King Salami & The Cumberland 3
Bo Diddley is Crazy by Bo Diddley
Mr. Investigator by Ex-Cult
Lay Down by Left Lane Crusier
Two Thumbs Up by Rattanson
Let's Get Funky by Hound Dog Taylor

All the Good's Gone by The Ghost Wolves
Everybody's Trying to Be My Baby by The Beatles
Hittin' on Nothing by The Detroit Cobras
Hooch Party by MFC Chicken
The Whip by The Creeps
Devil Time by Satan & The Deciples
The Gasser by The Fleshtones
Bums by Dean Ween Group
I Wanna Be Your Dog by The Stooges
I'm Hurting by The Dustaphonics
The Cook Who Couldn't Cook by Bingo Gazingo

Questions I Can't Answer by The A-Bones
I'd Kill For Her by The Black Angels
Get Out of My Face by Pussycat & The Dirty Johnsons
Goin' Underground by The Molting Vultures
Baby I'm Your Dog by Stomping Nick & His Blues Grenade
Baron of Love Part II by Ross Johnson & Alex Chilton
Cathy's Clone by The Tubes
Children of Production by Parliament
I Don't Like the Blues No How by John Schooley
Deputy Dog by Sam the Sham & The Pharoahs

The Cell by The Mekons
Witness by Benjamin Booker
Run Through the Jungle by Gun Club
Jungle by J.C. Brooks
Death's Head Tattoo by Mark Lanegan
Toy Automatic by Afghan Whigs
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, June 09, 2017


Friday, June 9, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens
Look at That Moon by Carl Mann
Hello, I'm a Truck by Red Simpson
It's Not Enough by The Waco Brothers
That's What She Said Last Night by Billy Joe Shaver
Buckskin Stallion by Jimmie Dale Gilmore & Mudhoney
Trouble, Trouble by Shinyribs
Eight Weeks in a Barroom by Marti Brom
Pickin' Off Peanuts by Seven Foot Dilly & His Dill Pickles

That's How it Goes by Meat Puppets
Up to No Good Livin' by Chris Stapleton
On the Road Again by Nas
I'm Walking Slow by Miss Leslie
Ain't No Sure Thing by Bobby Bare
Precious Memories by The Blasters
11 Months and 29 Days by Dave Alvin
You Can Be My Baby Now by The Backsliders
Something I Said by Ray Condo & The Hardrock Goners

Salty Songs of the Sea
Haul Away Joe by The Scallywags
Blow the Man Down by The Jolly Rogers
Fifteen Men on a Dead Man's Chest by Salt Sea Pirates
Good Ship Venus by Loudon Wainwright III

Keep on Truckin' by Hot Tuna
East Side Boys by Martin  Zeller
Down in Sinaloa by Panama Red
The Only Man Wilder Than Me by Merle Haggard & Willie Nelson
If the River Was Whiskey by Charlie Poole

Bring Me The Meat by L.A. Rivercatz
Americadio by Slim Cessna's Auto Club
Misery Without Company by Sarah Shook & The Disarmers
Just in Time by Valerie June
I'm Going Home by Slackeye Slim
Cold Hard Truth by George Jones
CLOSING THEME: Comin' Down by The Meat Puppets

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Thursday, June 08, 2017

THROWBACK THURSDAY: Happy World Oceans Day


Today, June 8, is World Ocean Day.

So to honor the world's oceans, here are a bunch of sea shanties, pirate songs and other salty songs of the sea.

Let's start with one that Popeye used to like, "Blow the Man Down" as performed by the Robert Shaw Chorale

Here is a classic shantie called "Haul Away Joe," done a Capella by a contemporary Irish group called The Eskies. I'm not sure why the lead singer shouts "Timmy!" at the end of each version, I don't think it has anything to do with Southpark. (The Clancy Brothers do it too.)

Here's an archetypal pirate song, "Fifteen  Men on a Dead Man's Chest" as performed by  The Roger Wagner Chorale. This song originally came from Robert Lewis Stevenson's novel Treasure Island in 1883, Stevenson only wrote the chorus:

Fifteen men on the dead man's chest
Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest
Yo-ho-ho, and a bottle of rum!

But in 1891, Kentucky journalist Young Ewing Allison expanded the snippet into a full-blown poem and published it in the Louisville Courier-Journal (where he was the editor.) Allison called his work "The Derelict," Here's a version by a band called The Jolly Rogers -- live in Muskogee, Oklahoma

"Barnacle Bill the Sailor" was considered pretty ribald and randy when Frank Luther recorded it in 1928. Of course, I learned far filthier lyrics to in as a teenager at Methodist Youth camp.

Speaking of filthy, here's "Good Ship Venus," as performed by Oscar Brand. (And even he cleaned it up a little.)

Finally here's my favorite sailor song, Jacques Brel's  "Port of Amsterdam," as sung by Dave Van Ronk. When I was in Amsterdam a few years ago I searched for a restaurant that served fish heads and tails but couldn't find any.


For another great old sea-faring song, check out my Throwback Thursday post on "Hanging Johnny" from a few onths ago,

Wednesday, June 07, 2017


Before we existed the cloning began
The cloning of man and woman
When we're gone they'll live on, cloned endlessly
It's mandatory in heaven
For one brief shining moment, rock 'n' roll was overrun by renegade clones
Pat Benetar & Roger Capps

Maybe it was The Boys from Brazil, the 1976 novel by Ira Levin, turned in to a movie two years later, which was about Nazis cloning Adolf Hitler.

Or maybe it was the 1973 Woody Allen science fiction Sleeper, which involved a government plot to make a clone from the nose of the dictator. He had died in a rebel bombing and the nose was all that remained.

Or maybe it was the story -- suppressed by the lame-stream media -- about the clone of Elvis Presley, who escaped his mad scientist creators. (As far as I know, nobody ever claimed the $100,000 reward, so he's probably still out there.)

Whatever sparked it, from the mid '70s through the early '80s, the concept of human cloning was responsible for a bunch of rock, pop and funk songs.

Below are some of the best of these.

Let's start with the funkiest, George Clinton and Parliament, whose album, The Clones of Dr. Funkenstein set a high bar for the clone tunes that would follow. Here's the song "Children of Production."

In 1977 Now, the third album by the San Francisco proto-New Wave group The Tubes, included a song called "Cathy's Clone." None other than Captain Beefheart played sax on the track.

Cloning showed up on on Pat Benetar's 1979 debut album In the Heat of The Night in the form of "My Clone Sleeps Alone." Did Miss Pat foresee the eventual decline of clone rock? "No naughty clone ladies allowed in the '80s," she sang.

Alice Cooper had one of the last Clone Rock tunes, his 1980 single "Clones (We're All)," later to be covered by The Smashing Pumpkins.

And yes, in 1981 I made a little Cajun-flavored contribution to Clone Rock  ...

Sunday, June 04, 2017


Sunday, June , 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Lake of Fire by Meat Puppets
You're My Pacemaker by Archie & The Bunkers
Watch Out Woman by Travis Pike & Brattle Street East
Life on the Dole by Molting Vultures
Tallulah by Cowbell
They Ring the Bells for Me by Reverend Beat-Man
Teenage Barbarian by Rattanson
The Mad Daddy by The Cramps
Bundle of Joy by Dean Ween Group

Get on Board by Dead Moon
That's When I Reach For My Revolver by Mission of Burma
Stand for the Fire Demon by Roky Erickson
Burning Love by Rev. Tom Frost
Cowboy George by The Fall
Web in Front by Archers of Loaf
Why Do You Think You Are Nuts by Sharon Needles

Ballad of Soloman Jones by Jon Langford's Men of Gwent
Traveling Alone by The Mekons
The Hand of John L. Sullivan by Flogging Molly
Down in the Beast by Jon Spencer Blues Explosion
Dead Meat by Pussy Galore
Claw Machine Wizard by Left Lane Cruiser
Off the Ground by Benjamin Booker
Stalin Wasn't Stallin' by The Golden Gate Quartet
Luna Goona Park by The Wipeouters

Down by The Water by PJ Harvey
I Got Lost by Afghan Whigs
Estimate by The Black Angels
Is That You in the Blue by Dex Romweber Duo
Sycamore Tree by Xiu Xiu
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, June 02, 2017


Friday, June 2, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens
The Crawdad Song by The Meat Purveyors
Truck Stop at the End of the World by Bill Kirchen
Pop  a Top by Nat Stuckey
I Ain't Got Nobody by Merle Haggard
Big Dummy by Tommy Collins
Better Bad Idea by Sunny Sweeney
Big Game Hunter by Andy Anderson
Grandpa Stole My Baby by Moon Mullican
Root Hog or Die by June Carter
Shakedown by Valerie June

Creepy Jackalope Eye by Steve Earle & The Supersuckers
I'm at Home Getting Hammered by Jesse Dayton
Totally Totaled My Car by L.A. Rivercatz
I Can't Tell the Boys from the Girls by Lester Flatt
Cryin' to Cryin' Time Again by Dale Watson & Ray Benson
Cryin' Time by Nancy Sinatra
May the Bird of Paradise Fly Up Your Nose by Little Jimmy Dickens
Brown Eyed Women by The Grateful Dead
Payday Blues by Dan Hicks & The Hot Licks

I'm Leavin' by Rhonda Vincent
Soul on the Move by Martha Fields
Chew Tobacco Rag by Pee Wee King
Suzie Anna Riverstone by The Imperial Rooster
Stupid Boy by Gear Daddies
Who Was That Man by Nick Lowe
Small Town Saturday Night by Wheeler Walker
Livin' on Love by Ray Campi
Wake Up Baby by Sonny Boy Williamson
Untitled (track 2) by Charlie Tweddle

San Antonio Stroll by Tanya Tucker
It's Not Right by John Wagner
Laredo by Snakefarm
Marie by Leon Redbone
St. Pete Jail by Panama Red
Cheater's World by Amy Allison
Cold Hard Truth by George Jones
CLOSING THEME: Comin' Down by The Meat Puppets

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Check out this month's hillbilly episode of The Big Enchilada, Where the Jackalope Roam 

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, June 01, 2017

THROWBACK THURSDAY: In Celebration of June ... Lots of Junes!

It's June 1 and what better time to show some appreciation for singers named June.

First let's start with June Allyson, a dancer, singer and actor born Eleanor Geisman in The Bronx in 1917.  In the 1940s she became known as "the girl next door." Here's a number called "When" from a movie called The Opposite Sex."

June Christy was another June who wasn't born a June. (She was born Shirley Luster in 1925) Christy's big break in show biz is when she landed the job as singer for Stan Kenton's band following the departure of Anita O'Day in 1945. Here's an appearance on High Hefner's first TV show, Playboy's Penthouse.

June Tabor is a wonderful British folk and pop singer. I first heard her in 1976 with Maddy Pryor on their album Silly Sisters. Here's a song she did with The Oysterband.

Valerie June Hockett, known professionally as just Valerie June probably is way too young to be part of Throwback Thursday. But much of her rootsy music hearkens back to the 20s and 30s. Here's a bluesy tune called "Workin' Woman Blues."

Finally here's my favorite June of all, the lovely June Carter, later known as June Carter Cash. Sometimes June is overshadowed by her own family. Her mom (and aunt and uncle) were The Carter Family, major pioneers of country music. And her husband was a guy named Johnny Cash. But in the 1950s, June had her own career, singing songs and performing sweet hillbilly comedy. Here's a heartache song, which follows some funning around with Marty Robbins on some TV show.

Happy June!

Wednesday, May 31, 2017

WACKY WEDNESDAY: Let Outsider Music Inside Your Heart

 A recent podcast posted on Radio Mutation re-sparked my fondness for so called "outsider music." It was a an old radio show, preserved on, from 2010 called Runny Noise from CJLO in Montreal.

The DJ, a lady named Danielle, used several selections from Irwin Chusid's classic Songs in the Key of Z compilations, plus several she'd found on her own,

So what is this "outsider music"? I'll yield to Chusid (as one should in this area):

Outsider musicians are often termed "bad" or "inept" by listeners who judge them by the standards of mainstream popular music. Yet despite dodgy rhythms and a lack of conventional tunefulness, these often self-taught artists radiate an abundance of earnestness and passion. And believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality...

Since I started doing Wacky Wednesday, I've featured several outsider musicians including Tiny Tim and Wesley Willis. And just a few months ago I featured Christmas music by outsiders.

Below is a sampling of outsider artists singing songs good (or bad) for any time of year.

Let's start with Charlie Tweddle who recorded a psychedelic mess of an album of untitled songs called Fantastic Greatest Hits back in the early 70's. It originally listed the artist's name as "Eilrahc Elddewt" (Charlie Tweddle backwards.) Today Charlie still makes music, but he's made a decent living not as a hit-maker, but as a hat-maker.

Bingo Gazingo, born Murray Wachs, was a New Yorker whose unique style defies description. The New York Times tried though. "... his trademark songs most closely resemble free-verse beat poetry, and he delivers them in a mesmerizing chant, sometimes screamed, sometimes shouted or growled." Bingo died on New Year's Day 2010, reportedly hit by a cab,

Mark Gormley is an ex-Marine whose songs were discovered more by fellow Florida musician Phil Thomas Katt, who hosted a public access TV show called The Uncharted Zone. Katt produced some appropriately cheesy videos that helped make Gormley an internet sensation. Here's my favorite:

The Legendary Stardust Cowboy is a titan of outsider music. The Lubbock, Texas native (born Norman Carl Odam) got national exposure in 1968 on Rowan & Martin's Laugh-In (a performance in which he stormed off the set because he felt the cast was making fun of him.)  I once wrote of this artist that his "wild cries and spontaneous `wooo-hoooo' declarations are those of pure Earthly joy. Billy The Kid probably made near-identical noises while escaping from the Lincoln County jail. ... Don't worry about "understanding" whatever it is The Legendary Stardust Cowboy says or does. Just bask in the freedom he represents."

New Creation was a Christian rock band from Vancouver in the late '60s. I once described them as a "Bible-soaked cross between The Shaggs and The Partridge Family (there was a mother-son team in the band) The New Creation played like a garage-band apocalypse."

Tuesday, May 30, 2017

Looky Here! A New Hillbilly Episode of The Big Enchilada!


For this episode we're going out to the country -- way out to the country where the cowboys are horny and so are the rabbits, the land of the mystic horned hare known as the jackalope. Postcards sold in the western states say the jackalope "sings with a voice that sounds almost human." So do most of the wonderful artists included in this show.


Here's the playlist:

(Background Music: Charlotte Breakdown by Don Reno)
Jackalope by The Okee Dokee Brothers
Keep the Home Fires Burnin' by Sarah Shook & The Disarmers
The Hurrier I Go the Behinder I Get by The Last Mile Ramblers
I'm Too Old to Boogie Anymore by Butterball Paige
Everybody Out by Al Scorch
The Creeper by Al Duvall

(Background Music: Kentucky Waltz Boogie by Pete Burke Trio)
Creepy Jackalope Eye by Steve Earle & The Supersuckers
Little Dog Blues by Mel Price
A Hangover Ago by Dale Watson & Ray Benson
Red Wine by Scott H. Biram
Beans and Make Believe by John Wagner
DYGKD by The Ghost Wolves

(Background Music: Chicken Reel Stomp by The Tune Wranglers)
What You Did to the Boy Ain't Right by The Reverend Peyton's Big Damn Band
Dim Lights, Thick Smoke and Loud, Loud Music by John Prine & Amanda Shires
V-8 Blues by Three Tobacco Tags
Totally Totaled My Car by L.A. Rivercats
Women, Women, Women by Shelley Lee Alley & His Alley Cats
I Just Left Myself Today by Hickoids

Play it Here:

A Radio Mutation Podcast

Sunday, May 28, 2017


Sunday, May 28, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
The Sky is a Poisonous Garden by Concrete Blonde
Give Her a Great Big Kiss by New York Dolls
Groove is in the Heart / California Girls by Crocodiles
Long Way Down by Sons of Hercules
Chicken in a Hurry by MFC Chicken
If a Man Answerrs by King Salami & The Cumberland 3
Turn My Head by The Molting Vultures
Right on You by Benjamin Booker
Main Offender by The Hives

Baby, I'm in the Mood for You by Dion
Simone on the Beach by The Mekons
69 by The Four
Grab as Much as You Can by The Black Angels
Bunny Run by The Ghost Wolves
Will You Teach Me by Mark Sultan
Mr. Rolling Stone by The Hard Times

Walking on the Moon by Pamela Lucia
Cut the Mullet by Wesley Willis
Big Ole Bear by Little Howlin' Wolf
My Pal Foot Foot by The Shaggs
We're Going to Texas by What's Your News
Like a Monkey in a Zoo by Daniel Johnson
Sodom and Gomorrah by New Creation
Lift Every Voice and Sing by Shoobie Taylor
I'm Just the Other Woman by The MSR Singers
True Love by Tiny Tim and Miss Sue

You like this crazy stuff? Check out this podcast on Radio Mutation, an aircheck from a July 18, 2010 show by a D.J. named Danielle on CJLO, a Montreal station

The Spotlight Kid by Captain Beeheart
Slip Inside This House by 13th Floor Elevators
Feel the Pain by Dinosaur Jr.
Tijuana Hit Squad by Deadbolt
Singing in the Rain by bPetty Booka
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, May 26, 2017

TERRELL'S TUNE-UP: Wolves, Angels and BBQ

A version of this was published in The Santa Fe New Mexican 
May 26, 2017

“Anger is an energy,” John Lydon, a.k.a. Johnny Rotten, informed us a few decades ago. Considering that wisdom, Texa$ Platinum, the new album by The Ghost Wolves, is one of the most energetic I’ve heard lately.

The Austin couple of singer/guitarist Carley Wolf and her husband, drummer Jonathan Wolf, rock hard and wild with lyrics and song titles (“Attitude Problem,” “Whettin’ My Knife,” “Strychnine in My Lemonade”) that seem to seethe with vexation. And yet somehow listening to them only makes me grin.

Carley Wolf has a pixieish, girly voice that wouldn’t seem out of place in some of my favorite Japanese girl-punk bands. Actually, the first time I heard her, I thought of KatieJane Garside, the singer of the early-’90s group Daisy Chainsaw (“Love Your Money”). Carley is also a heck of a guitarist.

Her hubby Jonathan is not only downright powerful on the skins, he also adds subtle iggly-squiggly, sci-fi synth effects. The result is a refreshing take on the tried-and-true minimalist garage-y sound.

Summing up the spirit of the album is a track called “Noisy Neighbors (Yuppie Scum),” which features a recording of what sounds like some hapless neighbor coming to the door and meekly asking the group to keep the noise down. This prompts Carley Wolf to scream “Nobody likes a crybaby!” while the band unleashes a defiant blast of noise.

This is followed by a frantic little tune called “Crybabies Go Home,” a message to any fuddy-duddy neighbor or anyone else who would bring them down with trivial complaints.

Texa$ Platinum is brimming over with irresistible songs. “Triple Full Moon” starts off with nearly a full minute of the Wolves singing over a drum beat. This is basically a love song, with the refrain “You’re so good being bad with me.” And my favorite at the moment is a track with a very un-punk title: “Bunny Run.” It’s a fast-paced rocker bouncing off a bluesy guitar riff and features tinkling piano.

Curiously, the album ends with a low-fi acoustic hillbilly song called “DYGKD.” You might have fooled me into thinking this is some scratchy old field recording from the backwoods, except that Carley’s voice is recognizable. Don’t ask me what the title means. Don’t ask me to decipher the lyrics, either. I just think it’s cool that the band ends an album full of rage with a sweet wink and a joke.

Long may The Ghost Wolves howl.

Also recommended:

* Death Song by The Black Angels. Speaking of bands from Austin, the Angels are flying again.

This group, which has been around for more than a decade, is perhaps more responsible than any other for launching the modern-day “psychedelic rock” movement.

But unlike many bands who claim that description, The Black Angels actually live up to both the psychedelic and the rock sides of the equation. Often, so-called psychedelic rock is too spacey, with annoyingly meandering noodling. Or it’s so fey and precious it makes Donovan look like Randy “Macho Man” Savage — and makes me want to whack a hobbit in the head with a shovel.

But The Black Angels — even back in their early days, when they were fond of 14-minute sound odysseys — have a tough sound that has never fallen into those traps. Like the best groups of the original psychedelic daze, the Angels’ reverb-drenched garage-rock roots are always apparent. Their heads may be in some bizarre Dr. Strange dimension, but their feet are on the ground.

There are lots of solid rockers on this album. One of my favorites has a not very peace-and-love title: “I’d Kill for Her.” The guitars scream while Alex Maas sings a tale of love and death: “She was so loaded/And mesmerizing/I had to follow/Her black horizon/No, I will not kill for her again.”

Even stronger is “Hunt Me Down,” with its thunderous brontosaurus beat, while the bouncy “Grab as Much (As You Can)” — was this inspired by our current president? — has a bass line similar to the Beatles’ “Taxman” and an ending that might have been inspired by “A Day in the Life.”

Meanwhile, “Comanche Moon,” which concerns the genocide of the American Indian, starts out with a Byrds-y folk-rock guitar hook that soon yields to an Allmans-esque “Whipping Post” riff.

Velvet Underground fans will immediately catch the significance of the album’s title — though nothing on this record sounds like the folkish, Dylan-influenced “The Black Angel’s Death Song” from the Velvets’ debut.

The final two tracks here seem to be a nod to it, though. “Death March” sounds like a descent into the underworld, with drums that suggest the band is ready for battle. Maas’ voice sounds downright ghostly. The final tune is a six-minute dirge called “Life Song,” which may be closer to Pink Floyd than The Black Angels have ever come before.

* BBQ by Mark Sultan. This is the latest solo album by Canadian Mark Sultan, a one-man band who is also half of the two-man band known as The King Khan & BBQ Show. He plays guitar and drums (via foot pedal) at the same time.

But Sultan’s real strength is his soaring voice. While a number of the better-known one-man outfits with roots in the punk racket play a hopped-up version of the blues, Sultan’s best songs are rooted in doo-wop and/or early soul.

Right now my favorite on this album is “Rock Me,” in which he makes a credible stab at being the best living Sam Cooke impersonator.

Ya like the videos?

Here are a couple from The Ghost Wolves.

Remember, nobody likes a crybaby!

Some folks like water, some folks like wine. But I like the taste of strychnine in my lemonade ...

Here are a couple of new Black Angels songs

And here's my favorite song on the latest Sultan album

Thursday, May 25, 2017

THROWBACK THURSDAY: Revenge of the Scopitones

It's been more than a year since this blog explored the Sexsational World of Scopitones.

As the Wolf Brand Chile ads used to say, "Friends, that's too long."

As I said last year, Scopitone was a company that in the early to mid '60s, filmed hundreds of music clips featuring pop stars -- and many who weren't quite up to star status -- singing their songs, usually with busty bikin-clad dancers doing the frug and Watusi behind them.

Those were the days!

And all these film clips were played on a coin-operated machine, manufactured in France, called the Scopitone 450. It basically was a jukebox hooked up to a 26-inch TV set that played 16mm film clips.

You can learn more about the machines HERE and see some crazy examples of Scopitone videos below.

When I saw that a pretty blonde named January Jones was the star of several Scopitone films, I thought how would that be possible? The actor who played Betty Draper in Mad Men wasn't  even born then. But this January Jones is a Mad Men-era singer who knew how to stuff a wild bikini. Here she is singing "Up the Lazy River."

Here are April Stevens & Nino Tempo, who probably are best known for their mid-'60s hit cover version of the song "Deep Purple." But here they do "Land of a Thousand Dances." This cover is so lame would make Wilson want to picket and turn Cannibal of the Headhunters into a vegetarian. But was anyone listening to the music?

Here's Gale Garnett, who had  hit in the '60s witha song called "We'll Sing in the Sunshine." How ya like these taters?

Sonny King croons a tasteful "I Cried for You."

Finally, here's the queen of Scopitone, the incomparable Joi Lansing.

Wednesday, May 24, 2017

WACKY WEDNESDAY: Songs for the Serial Killers

Peter Kürten: He's looking at the river but he's thinking of the sea

The Axeman of New Orleans was a guy who liked to break into people's houses -- and murder them with their own axes (or sometimes a straight razor) in New Orleans back in 1918 an 1919.Most of his victims were Italian Americans.  He never was caught, at least not for the six or seven murders he committed. His identity remains a mystery.

Like the Son of Sam and the Zodiac Killer decades later, The Axeman sought publicity for his crimes. In March, 1919 he sent a taunting letter to the New Orleans Times-Picayune. And like Charlie Manson, he apparently dug  music.

Here's the infamous letter:

Hell, March 13, 1919

Esteemed Mortal:

They have never caught me and they never will. They have never seen me, for I am invisible, even as the ether that surrounds your earth. I am not a human being, but a spirit and a demon from the hottest hell. I am what you Orleanians and your foolish police call the Axeman.

When I see fit, I shall come and claim other victims. I alone know whom they shall be. I shall leave no clue except my bloody axe, besmeared with blood and brains of he whom I have sent below to keep me company.

If you wish you may tell the police to be careful not to rile me. Of course, I am a reasonable spirit. I take no offense at the way they have conducted their investigations in the past. In fact, they have been so utterly stupid as to not only amuse me, but His Satanic Majesty, Francis Josef, etc. But tell them to beware. Let them not try to discover what I am, for it were better that they were never born than to incur the wrath of the Axeman. I don't think there is any need of such a warning, for I feel sure the police will always dodge me, as they have in the past. They are wise and know how to keep away from all harm.

Undoubtedly, you Orleanians think of me as a most horrible murderer, which I am, but I could be much worse if I wanted to. If I wished, I could pay a visit to your city every night. At will I could slay thousands of your best citizens, for I am in close relationship with the Angel of Death.

Now, to be exact, at 12:15 (earthly time) on next Tuesday night [March 19, 1919}, I am going to pass over New Orleans. In my infinite mercy, I am going to make a little proposition to you people. Here it is:

I am very fond of jazz music, and I swear by all the devils in the nether regions that every person shall be spared in whose home a jazz band is in full swing at the time I have just mentioned. If everyone has a jazz band going, well, then, so much the better for you people. One thing is certain and that is that some of your people who do not jazz it on Tuesday night (if there be any) will get the axe.

Well, as I am cold and crave the warmth of my native Tartarus, and it is about time I leave your earthly home, I will cease my discourse. Hoping that thou wilt publish this, that it may go well with thee, I have been, am and will be the worst spirit that ever existed either in fact or realm of fancy.

The Axeman

This inspired  composer Joseph John Davilla to write an instrumental rag that year called "The Mysterious Axman's Jazz (Don't Scare Me Papa)." Years later it would inspire The Tombstones to do this song, "Axeman of New Orleans."

Ed Gein has been the subject of several rock songs. The Plainfield, Wisc. man liked to create arts and crafts with human skin -- some he dug up from nearby graveyards, and some from women who he killed. He was arrested in 1957 by police who found all sorts of grisly souvenirs in his house including Nine masks of human skin; bowls made from human skulls; human skin covering several chair seats; a belt made from female human nipples; a lampshade made from the skin from a human face ... and other fancy stuff.

Gein inspired Hitchcock's Psycho, as well as other horroe movies like The Texas Chainsaw Massacre, The character of "Buffalo Bill" in The Silence of The Lambs has  a lot of Weird Eddie in him.

He also inspired several rock 'n' roll tunes, most notably Slayer's "Dead Skin Mask." But I'm going to post something I just recently stumbled on, "Good Old Ed Gein" by The Pornscars a German psychobilly band. (Thanks to Jack Samuel of the  Rocking the Garage Google-Plus Group for this one.)

Did I mention Son of Sam, the 1970s New York killer who was only following orders from a demonic dog? The Dead Boys did this song not long after David Berkowitz's killing spree.

Dead Moon were at their spooky best when they sang about cannibal killer Jeffrey Dahmer, another Wisconsin maniac, in "Room 213."

Finally, Randy Newman's haunting "In Germany Before the War" is the tale of  Peter Kürten, the “Vampire of Dusseldorf" who committed all sorts of depraved murders and sexual assaults. Among the crimes he admitted was the killing of a nine-year-old girl in 1913. He was executed by guillotine in 1931.

Sunday, May 21, 2017


Sunday, May 21, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Death March by The Black Angels
Skintrade by The Mekons
Out of the Question by The Seeds
Alligator Wine by Fifty Foot Combo & Reverend Beat-Man
You Must Be a Witch by Dead Moon
Two Ton Feather by Dion
In Heaven by The Pixies
Jesus Christ Pose by Soundgarden

The Black Dog Runs at Night by Angelo Badalamenti
The Grace by The Molting Vultures
Strychnine in My Lemonade by The Ghost Wolves
Broken Racehorse by The Blind Shake
Staying Underground by Destination Lonely
Astral Plane by The Modern Lovers
It's Suicide by Mark Sultan
Kiss My Sister's Fist by The King Khan & BBQ Show
Up in Flames by Koko Taylor

Baby Please Don't Go by Them
In Dreams by Roy Orbison
I Must Be the Devil by Glambilly
Beehive by Mark Lanegan
Apocalyptica Blues by Blind Butcher
Mother Sky by CAN
Blues Without Reason by The Vagoos
Blue Velvet by Bobby Vinton

The Spell by Afghan Whigs
Dark Night of the Soul by Danger Mouse & Sparklehorse with David Lynch
Ain't But the One Way by Julian Cope
Sycamore Trees by Jimmy Scott
Port of Amsterdam by Dave Van Ronk
Questions in a World of Blue by Julee Cruise
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, May 19, 2017


Friday, May 19, 2017
KSFR, Santa Fe, NM
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens
You're Crazy for Taking the Bus by Jonathan Richman
Little But I'm Loud by Rosie Flores
She Gave Up on Herself by Miss Lesley
Hogtied Over You by Billy Bacon & The Forbidden Pigs with Candye Kane
The Other Woman by Loretta Lynn
Bus Breakdown by Dale Watson & Ray Watson
Humpty Dump Jump by L.A. Rivercatz
Griselda by Yo La Tengo
Bonaparte's Retreat by Holy Modal Rounders
Pablo Picasso Never Got Called Redneckerson by Frontier Circus

New Mexico Blues by John Wagner
Don't Leave It Lie by Shinyribs
Queen of the Minor Key by Eilen Jewell
What Makes Bob Holler by Bob Wills & The Texas Playboys
Sweet Kind of Love by Don Walser
God's Problem Child by Willie Nelson with Tony Joe White, Leon Russel & Jamie Johnson
This Land is Our Land Redux by Slim Cessna's Auto Club
The Hand of the Almighty by John R. Butler

Get Up and Go / Fiddle Tunes by David Bromberg
Hello, I'm a Truck by Red Simpson
On the Road Again by Memphis Jug Band
Waiting for a Train by Jimmie Rodgers
One Bad Shoe by The Reverend Peyton's Big Damn Band
Rusty Cage by Johnny Cash
Make it Up to Mama by Sarah Shook & The Disarmers
No Glory by The Eagle Rock Gospel Singers

You Don't Hear Me Crying by Modern Mal
I'm Gonna Love You by Jimmie Dale Gilmore
Hope the High Road by Jason Isbell
She Never Spoke Spanish to Me by Joe Ely
Long Black Veil by Hazel Dickens & Alice Gerrard
Lesson in Depression by James Hand
Country Bumpkin by Cal Smith
CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list


Friday, June 23, 2017 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Fridays Mountain Time Host: Steve Terrell 101.1 FM Email m...