Sunday, January 10, 2016 KSFR, Santa Fe, N.M. 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Webcasting! 101.1 FM email me during the show! terrell(at)ksfr.org Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Love is a Beautiful Thing by The Cellar Dwellers
I Wanna Come Back From The World Of LSD by Fe-Fi-Four Plus 2
Jane / Spectacle by Dead Moon
Til My Back Ain't Got No Bone by Tom Jones
Rub My Root by Memphis Slim & Willie Dixon
Ooh Baby / Wrecking My Love Life by Super Super Blues Band
Try it by The Standells
Bad Man by Thee Fine Lines
Rocket Boy by Lovestruck
Nest of the Cuckoo Bird by The Cramps
Down and Out by The Vagoos
Flesh Eating Cocaine Blues by Daddy Long Legs
Bittersweet Romance Party by The Dirtbombs
Pictures of Lily by The Hickoids
Out of Control by Wayne County & The Electric Chairs
Little Bad Wolf by The Tra-Velles
Moonlight by Jerry J. Nixon
Where the Good Doggies Go by Al's Equinox Party
Mean Heart by Jon Spencer Blues Explosion
Swamp Buggy Badass by Quintron & Miss Pussycat
Put Me in Jail by Joe "King" Carrasco
People Who Died by Jim Carrol Band
It Ain't Easy by Javier Escovedo
Get Outta My Way by The Laughing Dogs
Mr. Face by Ty Segall
Two Sided Triangle by Any Dirty Party
Vega-Tables by The Beach Boys
Cheryl's Going Home by Miriam
CzekajÄ…c Na Wczoraj by Kazik & Kwartet ProForma
Bittersweet Candy by The Barbarellatones
Moonbeam by King Richard & The Knights
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Friday, January 8, 2016 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Fridays Mountain Time Host: Steve Terrell 101.1 FM Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Tiger by the Tail / Building Our Own Prison by The Waco Brothers
Gotta Travel On by Jerry Lee Lewis
Purple Sprouting Broccoli by The Bonzo Dog Doo-Dah Band
High Noon in Killville by Angry Johnny & The Killbillies
Sweet Sweet Young 'un by Al Duval
I Like to Sleep Late in the Morning by David Bromberg
When I was a kid some of my favorite TV commercials were those for Hamm's Beer. I loved the wacky cartoon Hamm's bear and his woodland pals.
This of course was years before I became an actual beer drinker. But maybe there was some kind of insidious subliminal Joe Camel psychology going on here. In my early years of college, I used to buy Hamm's beer to keep around the house. It was cheaper than the more popular beers, so when friends would drop by, they'd go for my roommate's Budweiser, Schlitz or Coors, leaving the Hamm's for me.
But I digress.
The other cool thing I loved about those Hamm's commercials was the music. The song was a pseudo Native American chant, heavy on the tom toms, with lyrics that began:"From the land of sky blue water ..."
Here. Watch one of those ads yourself
But it's only recently that I realized the phrase "From the land of sky blue waters" did not originate with the Minnesota beer company.
It came from a 1909 composition by Charles Wakefield Cadman with lyrics by Nelle Richmond Eberhart. The melody, Cadman said, was based on a song from the Omaha tribe collected by anthropologist Alice Cunningham Fletcher (1838-1923).
Eberhart's words tell of a white woman captured by Indians. I know, I know, it plays upon some sick Caucasian psycho-sexual fantasies common in that era. But one of the captors doesn't want to rape the lightning-eyed beauty. He's in love with her.
From the Land of Sky-blue Water, They brought a captive maid, And her eyes they are lit with lightnings, Her heart is not afraid! But I steal to her lodge at dawning, I woo her with my flute; She is sick for the Sky-blue Water, The captive maid is mute.
Yes, this would make a hell of a beer commercial.
The song has been performed by some of the great artists of the early 20th Century.
Here is a very early operatic version by Romanian-born soprano Alma Gluck. (No, she wasn't a Jonathan Winters character. She was, in fact, the mother of actor Efrem Zimbalist, Jr.)
The Andrews Sisters made it swing (and added some hazy history about Christopher Columbus)
And finally, here is Harpo Marx with some fake Indian chief doing a strangely alluring version in the 1940 Marx Brothers movie Go West.
Back in 2004 D.J. Danger Mouse remixed instrumental samples from The Beatles' White Album with vocals from Jay-Z's Black Album to create The Grey Album. (Listen to it and/or download for free HERE.)
Here's a promo video for The Grey Album.
For more than a decade there has been all sorts of hand-wringing and belly-aching about the legality of all this. EMI, which holds the copyrights on Beatles songs, threatened legal action against The Grey Album, which provoked Internet backlash resulting in mass free downloading of the album.
And the floodgates were opened. For the past dozen years there have been countless amateur Danger Mouses bringing all sorts of unrelated music together over the Internet. Some of the efforts are better quality than others. But when they're good, they're a lot of fun.
Here is a handful of mash-ups that have made me chuckle.
Let's kick this off with those Fab Metallica Moptops
I always thought the Bee Gees would be a lot more tolerable if they had some AC/DC in them
The Grateful Dead and Notorious B.I.G. share the women and they share the wine.
It's The Sex Pistols, Charlie Brown!
Finally, this one isn't really a mash-up of songs, just a mash-up of different realities.
Sunday, January 3, 2016 KSFR, Santa Fe, N.M. Sundays 10 p.m. to midnight Mountain Time Host: Steve Terrell Webcasting!101.1 FM
email me during the show! terrell(at)ksfr.org
Here's the playlist OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Spend the Night by The Sonics
Keep it Out of Sight by King Mud
Drug Mugger by Ty Segall
Price Tag by Sleater-Kinney
Don't Try it by The Devil Dogs
Born Bad by Jon Spencer Blues Explosion
Bring it on Home by Tom Jones
Downtown by Javier Escovedo
Sixpack by Al Scorch
Turned Out Light by Thee Oh Sees
Eviler by The Grannies
Shiney Hiney by The Fleshtones
When I Was Young by The Ramones
Hey Gyp by Eric Burdon & The Animals
I'm a Full Grown Man by Barrence Whitfield & The Savages
Life Sucking Voodoo Women by Flametrick Subs
Fiesta Trashera by Rolando Bruno
It's a Cold Night for Alligators by Roky Erikson & The Aliens
Family Fun Night by Figures of Light
Angry Little Girl by Sons of Hercules
Just a Little Bit by Jello Biafra & The Raunch and Soul All Stars
Bad Girl by Detroit Cobras
Caught With the Meat in Your Mouth by Dead Boys
My Shadow by Jay Reatard
Taxidermy Porno by Hex Dispensers
Hombre Secreto by The Plugz
Hot Rod Worm by The Slow Poisoner
Marijuana, the Devil's Flower by Holly Golighty & The Brokeoffs
The Cereal Song by The Bicycle Thief
Komondor Tarkin by Kazik & Kwartet ProForma
Afterglow by Miriam
Surf's Up (Solo Version) by The Beach Boys
She Belongs to Me by Bob Dylan
New Year's Eve by Tom Waits CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
OPENING THEME: Buckaroo by Buck Owens
If You Don't Like Hank Williams by Kris Kristofferson
I Heard That Lonesome Whistle Blow by Townes Van Zandt
Your Cheatin' Heart by Ted Hawkins
Your Cheatin' Heart by Hank Williams
Alone and Forsaken by Social Distortion
Jambalaya by Professor Longhair with Clarence "Gatemouth" Brown
White Freight Liner Blues by Joe Ely & Joel Guzman with Ryan Bingham
Sorry You're Sick by Mary Gauthier
Hank Williams You Wrote My Life by Moe Bandy
Dollar Bill Blues by Townes Van Zandt
Angel of Death by Shane MacGowan & The Popes
There Stands the Glass by Ted Hawkins
Why Don't You Love Me Like You Used to Do by Tom Jones
Settin' the Woods On Fire by Hank Williams
May You Never Be Alone by Skeeter Davis & NRBQ
Blaze's Blues by Townes Van Zandt
House of Gold by Willie Nelson
The Car Hank Died in by The Austin Lounge Lizards
Baby by Tina-Marie Hawkins Fowler & Elizabeth Hawkins
Waiting Around to Die by The Goddamn Gallows
I Can't Help It If I'm Still in Love With You by Hank Williams & Anita Carter
Ramblin' Man by Steve Young
Katie Belle by Townes Van Zandt
I Think Hank Woulda Done it This Way by The Blue Chieftains
Happy Hour by Ted Hawkins
Honky Tonkin' by The Maddox Brothers & Rose
Buckskin Stallion Blues by Jimmy Dale Gilmore & Mudhoney
I'm So Lonesome I Could Cry by Hank Williams
You Win Again by Mother Earth
Talking Thunderbird Wine Blues by Townes Van Zandt
The Love That Faded by Bob Dylan
The Lost Ones by Ted Hawkins
Fort Worth Blues by Steve Earle
Nashville Radio by Jon Langford
Did you miss it live? Hear it on Mixcloud in player below
Happy New Year, dear friends! Here is a list of my favorite albums of 2015. This list is in no particular order, but at some point throughout the past year, each one was my number-one favorite for at least a few days.
1)This Is The Sonics . Unlike The Standells, Question Mark and The Mysterians, Sam the Sham and The Pharaohs, and other giants of the garage-rock era of the mid-1960s, The Sonics didn’t get much radio play where I grew up. Thus, I didn’t really get exposed to them until well into my adulthood. And I didn’t become a complete babbling devotee of their cult until just a couple of years ago when I saw The Sonics — with three original members — rage, ravage, and conquer the Ponderosa Stomp festival in New Orleans. This is the band’s first studio album of all-new material in nearly 50 years, and it rocks harder than anything by any young whippersnapper I heard all year.
2) Mutilator Defeated at Last by Thee Oh Sees. John Dwyer is a miserable failure at hiatus. His attempt at putting Thee Oh Sees on the shelf only lasted a few months before he was back with a new line-up, which I begrudgingly have to admit is just as ferocious as the previous incarnation. The sound of Mutilator is unmistakably Oh Sees: rubbery post-psychedelic guitar-based excursions into the unknown with distorted echoes of garage rock, punk, and noise-rock.
3) Freedom Tower — No Wave Dance Party 2015by Jon Spencer Blues Explosion. This album, the Blues Explosion’s second since the band’s resurrection with 2012’s Meat + Bone, is a loving song cycle about New York City. In several tunes, the band indulges in a little well-earned nostalgia about the sleazy, crime-ridden era of the ’70s and ’80s, those gritty days when punk rock, hip-hop, and yes, “No Wave” were born. Jon Spencer and the boys are as loud, frantic, and joyful as they were in their mid-’90s heyday.
4)The Ruffian’s Misfortuneby Ray Wylie Hubbard. Once again, Ray Wylie Hubbard has given the world a swampy, blues-soaked collection of tunes in which, in his trademark Okie drawl, he tells stories of sin and salvation; gods and devils; women who light candles to the “Black Madonna;” undertakers who look like crows (“red-eyed and dressed in black”); and hot-wiring cars in Oklahoma.
5) No Cities to Loveby Sleater-Kinney. These women are far better at hiatus than Thee Oh Sees. Sleater-Kinney’s little break lasted about 10 years. They roared back this year, though, with a mighty tour (including a memorable show in Albuquerque in April) and this new album. It’s brash, urgent, and emotional. And they make it seem so easy.
6) Long Lost Suitcase by Tom Jones. No, I’m not being ironic here. In 2015, Tom Jones — the old British pop star who sang “It’s Not Unusual,” the cheesy ’70s TV star and Las Vegas sex symbol at whom grown women threw their underwear — made one of the year’s finest albums. I was drawn in by his haunting cover of Gillian Welch’s “Elvis Presley Blues,” but I stayed for his rocking version of Billy Boy Arnold’s “I Wish You Would,” and Los Lobos’ “Everybody Loves a Train” – not to mention his stark take on one of my favorite early Willie Nelson tunes, “Opportunity to Cry.” I was so impressed, I sought out Jones’ previous albums with producer Ethan Johns — the gospel-drenched Praise & Blame and Spirit in the Room. Jones’ powerful voice is still in impeccable form and his taste in material has never been better.
7) Giving My Bones to the Western Lands by Slackeye Slim. On his latest album, Joe Frankland, aka Slackeye Slim, continues his exploration of the shadows. As usual, many of his songs are frequently cast in an Old West setting, though his themes of sin, redemption, loneliness, desperation, and freedom are universal. Slackeye lived among us in New Mexico for a few months, forming a sinister musical alliance with The Imperial Rooster, an Española band. He’s moved back to Colorado, but promises he won’t be a stranger.
8) Walk on Jindal’s Splinters by Jello Biafra & the New Orleans Raunch and Soul All-Stars. This is a live New Orleans concert by former Dead Kennedys frontman Jello Biafra that was reportedly done on a dare. Teaming up with a rootsy but raucous band (including a horn section), the West Coast punk-rock icon blasts his way through a bunch of Big Easy R & B classics.
9) Bailazo by Rolando Bruno. This is my choice for world-beat heavyweight champion of 2015. Rolando Bruno’s label, Voodoo Rhythm Records, describes his sound as “Full Blast Psychedelic Latino Cumbia Garage with a very Cheesy Touch of a ’70s Supermarket!!!” Bruno, a former member of the Peruvian garage-punk band Los Peyotes, also throws in Middle Eastern riffs, kung-fu movie soundtrack sounds, and other surprises to create a wacky but very danceable brew.
10)Coulda Shoulda Woulda by Holly Golightly & the Brokeoffs. Holly Golightly and her partner “Lawyer Dave” Drake continue their streak of bare-boned funky-clunky country bluesy albums. Golightly is a native Brit, but this is a big sloppy homemade American mess, which of course I mean as a compliment. The whole album is packed with crazy fun.